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Wer war Harvey Milk?

Originaltitel: The Times of Harvey Milk
  • 1984
  • 12
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
8,2/10
6891
IHRE BEWERTUNG
Wer war Harvey Milk? (1984)
Three Reasons Criterion Trailer for The Times Of Harvey Milk
trailer wiedergeben1:15
1 Video
22 Fotos
History DocumentaryBiographyDocumentaryHistory

Füge eine Handlung in deiner Sprache hinzuA documentary of the successful career and assassination of San Francisco's first elected gay city supervisor.A documentary of the successful career and assassination of San Francisco's first elected gay city supervisor.A documentary of the successful career and assassination of San Francisco's first elected gay city supervisor.

  • Regie
    • Rob Epstein
  • Drehbuch
    • Judith Coburn
    • Carter Wilson
    • Rob Epstein
  • Hauptbesetzung
    • Harvey Fierstein
    • Harvey Milk
    • Anne Kronenberg
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,2/10
    6891
    IHRE BEWERTUNG
    • Regie
      • Rob Epstein
    • Drehbuch
      • Judith Coburn
      • Carter Wilson
      • Rob Epstein
    • Hauptbesetzung
      • Harvey Fierstein
      • Harvey Milk
      • Anne Kronenberg
    • 51Benutzerrezensionen
    • 45Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 Oscar gewonnen
      • 11 Gewinne & 2 Nominierungen insgesamt

    Videos1

    The Times of Harvey Milk
    Trailer 1:15
    The Times of Harvey Milk

    Fotos21

    Poster ansehen
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    + 15
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    Topbesetzung19

    Ändern
    Harvey Fierstein
    Harvey Fierstein
    • Narrator
    • (Synchronisation)
    Harvey Milk
    Harvey Milk
    • Self
    • (Archivfilmmaterial)
    Anne Kronenberg
    • Self
    Tory Hartmann
    • Self
    Tom Ammiano
    • Self
    Jim Elliot
    • Self
    Henry Der
    • Self
    Jeannine Yeomans
    • Self
    Bill Kraus
    • Self
    Sally M. Gearhart
    • Self
    John Briggs
    • Self
    • (Archivfilmmaterial)
    Jerry Brown
    Jerry Brown
    • Self
    • (Archivfilmmaterial)
    Jimmy Carter
    Jimmy Carter
    • Self
    • (Archivfilmmaterial)
    Dianne Feinstein
    Dianne Feinstein
    • Self
    • (Archivfilmmaterial)
    • (as Mayor Dianne Feinstein)
    David Fowler
    David Fowler
    • Self - TV Interviewer of Dan White
    • (Archivfilmmaterial)
    Joseph Freitas
    • Self
    • (Archivfilmmaterial)
    Terence Hallinan
    • Self
    • (Archivfilmmaterial)
    George Moscone
    George Moscone
    • Self
    • (Archivfilmmaterial)
    • Regie
      • Rob Epstein
    • Drehbuch
      • Judith Coburn
      • Carter Wilson
      • Rob Epstein
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen51

    8,26.8K
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    Empfohlene Bewertungen

    7moonspinner55

    Tragic, haunting, even darkly comic documentary...

    The life and aftermath in death of wonderfully wry and droll Harvey Milk, San Francisco's first openly gay city official who, along with Mayor George Moscone, was killed on a November day in 1978 by disgruntled ex-colleague Dan White (who ultimately received an unusually light sentence after his trial). From Milk's sneaky campaigning tricks to the infamous 'Twinkie Defense', this documentary is solid and involving. It has a creepy ambiance that is difficult to shake after it's over, yet there's a darkly amusing undercurrent throughout (which Milk himself might've appreciated!). The film says to take these events seriously, but to take them AS events. See the humor in the chaos. This was a deserved Oscar winner for Best Documentary Feature; it is quite moving, funny, despairing--never clinical or cold. *** from ****
    9AdamPeabody

    Oh yeah. It's good. Real good.

    I caught this on IFC a few weeks back. I've had the original Mark Isham score for years, and love that, but I never put any effort into finding and watching the film. It's wonderful. Even listening to Harvey Fierstein's voiceover doesn't get irritating because the subject matter is at once riveting and heartfelt, exuberant and crushing. The thing that makes this movie so effective, I think, is that it was clearly pieced together for a mixed audience. This is not a gay film, or a political film, or something only San Franciscans will understand. It brings you in and allows you to really see and hear how this man affected lives around him, including the life of the man who shot him. Fascinating. Haunting. Wonderful. Go see this film.
    10amidalasky

    Excellent, moving, beautiful

    Though I am a San Francisco Bay Area native, I have no memory of Harvey Milk's career, being as I was only 6 when he was assassinated. However, watching this film made me feel as if I was there, seeing everything as it happened. It truly is that powerful and involving.

    Director Robert Epstein skillfully alternate between archival news footage and interviews with Milk's friends and associates, who recall him with warmth and affection. This isn't a hagiography (Milk was, as his former campaign manager notes, hot-tempered and sometimes very hard to work with), it's merely a straightforward portrait of a fascinating and inspirational man.

    Harvey Milk was charming, intelligent, articulate, and above all, tenacious. It was largely due to his efforts and those of his supporters that the Briggs Initiative, which would've restricted the rights of gay teachers, was defeated in California. Though gay rights were understandably his biggest issue, he also fought for other disenfranchised groups, and shrewdly recognized that they should all come together as one to fight for human rights. He also presciently recognized the very real possibility that he could be murdered, and taped a statement which he requested be played only in the event of his death by assassination. It's eerie to listen to it, not least because he speaks in such a matter-of-fact way.

    Epstein provides a surprising amount of balance with regards to Dan White, who shot both Milk and George Moscone. He certainly doesn't have sympathy with White's actions, but he makes sure to note that White had devoted his whole life to public service, that he gave up a secure job as a fireman to take a low-paying job as district supervisor, then quit in frustration. Nonetheless, his disgust for the ridiculously light sentence White received for murdering Milk and Moscone is palpable, and one interviewee posits that had White murdered only Moscone, he'd have been in San Quentin for the rest of his life.

    White, by the way, committed suicide a year after being released from prison. Epstein thought about changing the ending of the film in order to mention this fact, but decided that to do so would be to shift the focus too much to White. The subject of this movie is Harvey Milk, and it's a beautiful tribute to him.

    I do have one criticism: the filmmakers don't clear up the matter of the so-called "Twinkie defense," in which psychiatrists who testified for Dan White's defense allegedly claimed that his consumption of junk food was what caused his depression (which, his attorneys argued, was what led him to go on his killing rampage). What the psychiatrists actually claimed was that White consumption of junk food was a symptom, not the cause, of his depression.
    10PDWadler

    Vibrant, electric observation of LGBT political coming of age.

    This is a very important film, documenting the coming-of-age of LGBT involvement in the political process. Made just a few years after the Milk/ Moscone assassinations, it expertly captures the mood of a community, pre-AIDS, poised to assume political power.

    The climax of the film is the peaceful, strangely silent, candle-lit march up Market Street from the Castro, the center of San Francisco's gay male community. The gay community's response to horrific violence is shock and love. When I show this film to young (mostly heterosexual) student audiences, there is always a collective gasp as they see the throngs of silent marchers.
    10Ozdachs

    Captures a Moment of The City

    I felt it was a powerful film as I saw it as a new arrival in SF in 1984. I didn't understand its power, though, until the documentary ended and the theather kept the lights very low. As I got up and started walking to the exit, I realized that most of the audience kept their seats. Very odd, since the credits and EVERYTHING had ended. The folks were just sitting and crying.

    Art has historically been used to let people rethink and understand the events of their times. (Think Shakespeare.) This film is that type of "art".

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Selected for preservation by the National Film Registry in 2012.
    • Patzer
      When describing Harvey Milk's murder, the narrator states that Dan White killed Milk in Milk's own office. In reality, White asked Milk to come into White's former office, closed the door, blocked it with his body, and shot Milk.
    • Zitate

      [last lines]

      Harvey Milk: I know that you cannot live on hope alone, but without it, life is not worth living. And You... And You... And You... Gotta give em hope. Thank You very much.

    • Verbindungen
      Featured in At the Movies: Secret Honor/Carmen/Supergirl/Eureka/The Times of Harvey Milk (1984)
    • Soundtracks
      You Make Me Feel (Mighty Real)
      Performed by Sylvester

      Written by Sylvester & James Wirrick (as Tip Wirrick)

      Tim McKenna (Borozi Music Artists)

      Fantasy Records

      (c) 1978 Rights Donated

    Top-Auswahl

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    FAQ17

    • How long is The Times of Harvey Milk?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 7. November 1985 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Telling Pictures official website
    • Sprache
      • Englisch
    • Auch bekannt als
      • The Times of Harvey Milk
    • Drehorte
      • San Francisco, Kalifornien, USA
    • Produktionsfirmen
      • Black Sand Productions
      • Pacific Arts
      • UCLA Film and Television Archive
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 13.801 $
    • Eröffnungswochenende in den USA und in Kanada
      • 2.213 $
      • 17. Sept. 2000
    • Weltweiter Bruttoertrag
      • 46.573 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 30 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono(original release)
    • Seitenverhältnis
      • 1.37 : 1

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