Ein Söldner wird angeheuert, um seine Ex-Freundin zu retten, eine Sängerin, die von einer Motorradgang entführt wurde.Ein Söldner wird angeheuert, um seine Ex-Freundin zu retten, eine Sängerin, die von einer Motorradgang entführt wurde.Ein Söldner wird angeheuert, um seine Ex-Freundin zu retten, eine Sängerin, die von einer Motorradgang entführt wurde.
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
Grand L. Bush
- The Sorels - Reggie
- (as Grand Bush)
Mykelti Williamson
- The Sorels - B.J.
- (as Mykel T. Williamson)
Empfohlene Bewertungen
10lrw0250
Although I was only one when this film was released in 1984, my dad was a big Walter Hill fan and bought the film on video when it came out. My sister and I LOVED this film as kids. Honestly, I think we wore out about three copies on video by watching it over and over. I think it was the music (obviously), the bright lights and the fact that to an eight year old girl Ellen Aim is the coolest person ever!! The final stage scene at the end was up there with the last dance in Dirty Dancing as our favourite film moments. Since watching it all those years ago I have remained a fan ( I have Nowhere Fast and Tonight is What it means to be Young on CD in my car- excellent driving music!).However I am now also able to appreciate the amazing work of Walter Hill in this film. The sets, the underscoring, the lighting, the whole atmosphere of the movie is in a league of its own. It is so unlike anything else I've ever seen and was obviously way ahead of its time, which is perhaps the reason for its failure to do well when it was released. There are so few people I know that have actually seen this film which is a real shame because it really deserves to be appreciated for the absolute fantasy that it is. Long live rock and roll!
"I'm not an angel but at least I'm a girl"-
"I'm not an angel but at least I'm a girl"-
Ok, lets just get this out the way, Michael Pare as an actor really sucks. Now I know that to most that isn't like earth shattering news but I just wanted to point that out because he is the worse part about this movie. Some would say that this whole movie sucks but not me. I just love this movie. How this movie tanked when it came out is understandable, it had a feel and look that was out of step with the times which really blows because this movie just rocks.
Lets start out with what its all about. So we have a singer named Ellen Aim(played by Diane Lane) who is kidnaped by a gang lead by Willem Dafoe. Out to rescue Aim is one Tom Cody(played by our friend Pare). Along for the ride is Rick Moranis and Amy Madigan. Great cast right? The music kicks ass, the 50's mashup with the 80's adds a style that is unquestionably different. It's all pretty much silly fun that at times is so over the top that it's hard to keep a straight face. But i gotta keep going to the look because you are not going to find any other movie like it anywhere.
It really bothers me that this movie isn't better liked or remembered by so many. It's everything that the 1980's were, over the top and crazy. Mix in the action of Walter Hill as director and it's such a fun time.
I could go on and on about by the bad dialogue and bad jokes that sit alongside black leather gangs like they were made for each other. I could tell you about a lot of things but every time I watch this movie my big question always comes back. Why did it bomb. It bomb because our hero is awful. I want to always love this movie more then it should but Pare and his bad acting always gets in the way.
So should you see this movie? Yes, just pretend that anyone but Pare is our hero
Lets start out with what its all about. So we have a singer named Ellen Aim(played by Diane Lane) who is kidnaped by a gang lead by Willem Dafoe. Out to rescue Aim is one Tom Cody(played by our friend Pare). Along for the ride is Rick Moranis and Amy Madigan. Great cast right? The music kicks ass, the 50's mashup with the 80's adds a style that is unquestionably different. It's all pretty much silly fun that at times is so over the top that it's hard to keep a straight face. But i gotta keep going to the look because you are not going to find any other movie like it anywhere.
It really bothers me that this movie isn't better liked or remembered by so many. It's everything that the 1980's were, over the top and crazy. Mix in the action of Walter Hill as director and it's such a fun time.
I could go on and on about by the bad dialogue and bad jokes that sit alongside black leather gangs like they were made for each other. I could tell you about a lot of things but every time I watch this movie my big question always comes back. Why did it bomb. It bomb because our hero is awful. I want to always love this movie more then it should but Pare and his bad acting always gets in the way.
So should you see this movie? Yes, just pretend that anyone but Pare is our hero
When the successful rock and roll singer Ellen Aim (Diane Lane) is kidnapped by Raven Shaddock (Willem Dafoe) and his motorcycle gang The Bombers during a concert, the fan and owner of a bar Reva Cody (Deboran Van Valkenburgh) writes a telegram to her brother and Ellen's ex-boyfriend Tom Cody (Michael Paré) asking him to return to Richmond. Tom meets the former soldier McCoy (Amy Madigan) in town seeking for job and they are hired by Ellen's manager and boyfriend Billy Fish (Rick Moranis) to rescue Ellen. Tom, McCoy and Billy travel in a car in a journey to the Battery, burning down the streets of the dangerous neighborhood.
The cult "Streets of Fire" is a stylish homage to rock & roll. This movie has a awesome soundtrack with many wonderful songs of Ry Cooder and charming characters performed by the sexy Diane Lane; the annoying Rick Moranis; the funny Amy Madigan; the great villain Willem Dafoe; and the troublemaker "good guy" Michael Paré. In the end, this underrated movie is a great entertainment. My vote is seven.
Title (Brazil): "Ruas de Fogo" ("Streets of Fire")
The cult "Streets of Fire" is a stylish homage to rock & roll. This movie has a awesome soundtrack with many wonderful songs of Ry Cooder and charming characters performed by the sexy Diane Lane; the annoying Rick Moranis; the funny Amy Madigan; the great villain Willem Dafoe; and the troublemaker "good guy" Michael Paré. In the end, this underrated movie is a great entertainment. My vote is seven.
Title (Brazil): "Ruas de Fogo" ("Streets of Fire")
This movie is yet another example of how really poor marketing can doom a movie. Walter Hill's self-proclaimed "Rock and Roll Fable" has everything that makes a movie worth watching. Interesting characters, great sets and lots of action make this movie well worth the time.
Technically, the film is brilliantly edited. It sets a pace and sticks with it, making maximum use of the action without having that choppy MTV feel that most editors have caved in to. Jim Steinman's soundtrack is one of the best I have ever heard.
Walter Hill gets solid performances from his cast although I have always wondered about Deborah Van Valenburgh's role. I get the impression after watching the movie a few times that a lot of her work ended up on the cutting room floor. I once heard a critic, either Siskel or Ebert perhaps, say that Amy Madigan should have gotten a Best Supporting Actress nod for her performance in this movie. I agree. This is some of her best work ever.
Diane Lane is gorgeous as always but doesn't really have enough to do. Her musical numbers are staged well and she does a good job with them. Michael Pare' plays yet another tough guy. One real treat is an early perfomance by Willem DaFoe as the villian Raven. You can see that he had a good career ahead of him back then. You can also catch Bill Paxton in a bit part as a bartender.
All in all, this is an excellent little movie that should be remembered much more than it is. Check it out sometime.
Technically, the film is brilliantly edited. It sets a pace and sticks with it, making maximum use of the action without having that choppy MTV feel that most editors have caved in to. Jim Steinman's soundtrack is one of the best I have ever heard.
Walter Hill gets solid performances from his cast although I have always wondered about Deborah Van Valenburgh's role. I get the impression after watching the movie a few times that a lot of her work ended up on the cutting room floor. I once heard a critic, either Siskel or Ebert perhaps, say that Amy Madigan should have gotten a Best Supporting Actress nod for her performance in this movie. I agree. This is some of her best work ever.
Diane Lane is gorgeous as always but doesn't really have enough to do. Her musical numbers are staged well and she does a good job with them. Michael Pare' plays yet another tough guy. One real treat is an early perfomance by Willem DaFoe as the villian Raven. You can see that he had a good career ahead of him back then. You can also catch Bill Paxton in a bit part as a bartender.
All in all, this is an excellent little movie that should be remembered much more than it is. Check it out sometime.
In this dark musical drama a soldier of fortune must rescue his former girlfriend after she is kidnapped by a motorcycle gang. This is a very dark and energetic film with an excellent soundtrack and a story that keeps you involved..it has a great cast with Amy Madigan, Rick Moranis, Diane Lane, and others ..very underrated and ahead of its time on a scale of one to ten...7
Wusstest du schon
- WissenswertesWhen Amy Madigan read for the film, she read for the part of the lead character's sister. Madigan told Walter Hill that the best part in the script was the lead character's sidekick. That part called for a man and the character's name was Mendez. The part was rewritten for Madigan and was renamed McCoy.
- PatzerWhen the Sorels' bus is stopped by the cop roadblock, as McCoy is pulling the bus to a stop, there's a shot of her in the driver's seat. Seated directly behind Amy Madigan is a middle aged woman who looks like a crew member, present throughout the entire shot. She disappears immediately after the cut and is never seen again, nor was she a passenger on the bus prior to this scene.
- Alternative VersionenAn 'R' rated version of the film was shown to theater exhibitors before being cut to a 'PG' for theatrical release.
- VerbindungenEdited into Zurück in die Vergangenheit: Miss Deep South - June 7, 1958 (1990)
- SoundtracksNowhere Fast
Performed by Fire Inc.
Vocals: Holly Sherwood, Rory Dodd, Eric Troyer
Written and Produced by Jim Steinman
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Calles de fuego
- Drehorte
- Wilmington, Los Angeles, Kalifornien, USA(Factory rooftop scenes; Torchie's industrial area club scenes.)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 14.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 8.089.290 $
- Eröffnungswochenende in den USA und in Kanada
- 2.426.500 $
- 3. Juni 1984
- Weltweiter Bruttoertrag
- 8.090.536 $
- Laufzeit
- 1 Std. 33 Min.(93 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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