Ein junger Mann wird mit einer Meerjungfrau wiedervereinigt, die ihn als Jungen vor dem Ertrinken gerettet hat. Er verliebt sich in sie, ohne zu wissen, wer oder was sie ist.Ein junger Mann wird mit einer Meerjungfrau wiedervereinigt, die ihn als Jungen vor dem Ertrinken gerettet hat. Er verliebt sich in sie, ohne zu wissen, wer oder was sie ist.Ein junger Mann wird mit einer Meerjungfrau wiedervereinigt, die ihn als Jungen vor dem Ertrinken gerettet hat. Er verliebt sich in sie, ohne zu wissen, wer oder was sie ist.
- Für 1 Oscar nominiert
- 2 Gewinne & 11 Nominierungen insgesamt
- Tim - The Doorman
- (as Tony Di Benedetto)
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The entire time watching this, I was quite taken aback by the design style and overall appearance they went with for the film's mermaid, with "Madison" having golden-blonde hair and an orangey-red fishtail (it somehow didn't feel right to me). It may just only be me and I might be completely alone on this opinion of mine but after first seeing The Little Mermaid (1989) at a very young age, I suppose I'm always going to think of a mermaid's contrasting colour-tone as more of a crimson-red hairdo and emerald-green tail-fins with nice shiny fish-scales (I'm probably too far gone to picture anything else, at this point in time). But after a brief adjustment period, I now think I'm content with her look and have even grown to like it (yep, I still thought she was kind of cute in her own unique way). Unsurprisingly, The Disney Company decided to release this under the label of their recently-established Touchstone distribution banner as its romantic plot-line dealt with the somewhat risqué subject matter of presenting the audience with a half-naked woman's bare-body in a magical context. As such, this meant it wasn't suitable for being family-friendly PG material and so with that it rightfully came to earn more of a 12A age-rating.
I thought leading lady Daryl Hannah was really great in the role, and that's the thing which shocked me most of all because I found everything else I've seen her in to be not that good; Clan or the Cave Bear (1986) was just OK even if a tad underwhelming, I haven't seen the Attack of the 50 Ft. Woman (1993) remake but I take it it's better than the original one, and I didn't even make it to the end of boring old Blade Runner (1982). In Splash, most of the comedy stems from her compelling naivety and I honestly found her little interactions with different things on land to be genuinely amusing (and F. Y. I.; being naive isn't the same as being stupid, as it simply means the character is smart but just doesn't know any better when thrown into uncertain situations that are unfamiliar to them). There's a myriad of comedic potential you could mine from a funny concept such as this (in a literal "fish-out-of-water" scenario), and it very much reminds me of how Ariel acted in The Little Mermaid (1989) when she was totally enamoured with our human culture and wanted to learn everything there is to know about the surface world above. I simply love characters like that, having their personalities constantly radiating with intrigue the whole time (it's the simple stuff like this that I really appreciate and ultimately look for in a right good movie).
I felt like director Ron Howard did a pretty good job with this film. To be honest, most of his filmography consists of movies that I have very mixed opinions on. However, I personally feel there's been more hits than misses when it comes to some of his more earlier works. I am aware of the fact that the film's story was followed up on with a perfectly passable made-for-TV sequel a few years later, titled Splash Too (1988). But I think it has the same fundamental issue the Grease 2 (1982) failure had where the studios have a really successful movie on their hands and they didn't know what to do with it, so they end up retreating a lot of the same ground as before by trying to recapture that same magic they had the first time around (only thing is, you can't catch lighting in a bottle twice). And suffice to say although it was a decent watch, it wasn't able to fully recreate what it was that made the first one's quality so endearingly special.
However ludicrous the story might be, the movie really entices me with its wit and charm. Lovely and funny. Hilarious supporting role by John Candy, one of his best.
The story is really about falling in love with a mermaid, played by Darryl Hannah. She is human out of the water and only becomes a fish in the water. Can fish and human get together and fall in love? Wait and see.
Recommended for all ages. This is one heck of a great family film, wich could be enjoyed by young and old.
The true star of this movie is undeniably Tom Hanks. The youthful energy of Tom Hanks just splashes across the screen in this movie. This movie launched his career way back in the eighties.
I recently saw an old David Letterman interview with Tom Hanks prior to the release of this movie, and man, did they NOT know back then how BIG Tom Hanks and this movie would become!
Hanks, in his younger years, was an uncontrollable force of comedy and wild antics. Seen it over 10 times by now, for sure. For every Tom Hanks fan this great comedy is a must watch. For anyone else just longing for a hilarious romantic comedy, they dont come much better than this!!!
Distilled to its essence, "Splash" is just that – a lonely bachelor's fantasy played out on screen. It's what writers Lowell Ganz and Babaloo Mandel (who previously collaborated with Howard and Grazer on "Night Shift"), with Bruce Jay Friedman ("Stir Crazy") do to craft this hetero-male daydream into an entertaining fish-out-of- water story (literally?) that gives it real legs (sorry).
Although viewers (mostly men) will be drawn to this fantasy pretty quickly, Daryl Hannah also gets to play a goofy, atypical female lead role, which can't be underestimated in the film's success. Whether it's chomping through a lobster shell with her teeth, prancing through Bloomingdale's or just getting her fins wet in the bathtub, there's both a confidence/strength and a shyness/reserved nature to Madison – whose given name is the direct reason why you know a young woman born after 1984 named Madison. Talk about cultural impact.
So much is right with Hannah's performance. An actress with more of a name or acclaim at the time might have made Madison into more of a caricature or been distractingly attractive (given how much the camera ogles her). Hannah is alluring, mysterious and quirky in a believable way. The film's funniest moments are of her gleeful misunderstandings of American culture.
In his first big role, Hanks gives us a taste of what has made him lovable over the years. Allen is a strange and sad guy, especially in the beginning; Hanks has always done the part of the loser really well in terms of his comedic roles. He's at his best when he's frustrated, angry or desperate as Allen, but most of all he's enough of an everyman that he earns audience empathy and sympathy as a "good guy." That's all this film requires of him.
"Splash" primarily holds up due to a few clutch moments that merge fantasy and everyday comedy. Whether it's naked Madison emerging on Liberty Island and not thinking anything of it, the excellent bathtub scene or the deranged Walter Kornbluth's (Eugene Levy) attempts to expose Madison to the world, these create highly memorable and impressionable moments whether you're a kid seeing this movie on TV for the first time or a casual fan of light comedy looking to be entertained.
With a little more story and character development (Why is there a coral reef in Cape Cod and why would a mermaid be there on her own?) and the avoidance of deus ex machina, "Splash" could have even gone beyond fantastical comedy and become something a little more meaningful. The potential is definitely apparent with these two lovers from different worlds and society's fascination with things like mermaids working against them. Nevertheless, it belongs among the '80s staples and deserves some credit for leading to all the successful Howard/Grazer team-ups and Hanks hits.
~Steven C
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Director Ron Howard with the help of writing team Babaloo Mandel & Lowell Ganz created a timeless, funny and enchanting romantic comedy that's so magical it's also classic. The cast is well selected, Tom Hanks is one of Hollywood's brightest stars I remember seeing him on television as Kip Wilson from Bosom Buddies and Ned Donnelly from a few episodes of Family Ties. His portrayal of a lonely businessman who falls for a woman with a secret was comical and sweet.
Darryl Hannah is lovely and whimsical as the mermaid, she doesn't act like a dumb blonde but rather a curious beauty trying to navigate through a world she's never been in before. The chemistry between her & Hanks is smart & touching. John Candy's break out role as Freddie Bauer Allen's older, bachelor womanizing brother was a laugh a minute great. There's a memorable scene in which Allen, Freddie and Dr. Kornbluth played by the brilliant Eugene Levy make a rescue plan to save Madison. She tells him not to feel guilty about not loving her anymore, He says "Oh Madison". "All the time we were together, you always knew how I was feeling. Can't you tell now? then they kissed. The song Love Came For Me sung by Rita Coolidge during the part where the happy couple swims away together and while the credits rolled was a moving moment.
Splash is one of 1984's best films not just for the comedy but also for the romantic fantasy displayed,I'd give it a 6.9/10.
Wusstest du schon
- WissenswertesThe fountain from the movie is now on display at Disney's Hollywood Studios at Walt Disney World.
- PatzerAfter Allen and Madison jump into the water at the end of the movie and fend off the frogmen, they immediately come upon a coral reef and other aquatic features that appear tropical and which would not be found in the Hudson River/New York Harbor.
- Zitate
Freddie: People fall in love every day, huh? Is that what you said?
Allen: Yeah.
Freddie: Yeah? Well, that's a crock. It doesn't work that way. Look, do you realize how happy you were with her? That is, of course, when you weren't driving yourself crazy. Every day? Come on. Some people will never BE that happy. I'LL never be that happy. What am I talking to you for? You don't know anything.
- Crazy CreditsTom Hanks and Daryl Hannah swimming and coming towards an underwater kingdom.
- Alternative VersionenSome TV versions includes a longer version of the theme tune at the end.
Top-Auswahl
Details
Box Office
- Budget
- 11.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 69.821.334 $
- Eröffnungswochenende in den USA und in Kanada
- 6.174.059 $
- 11. März 1984
- Weltweiter Bruttoertrag
- 69.821.334 $
- Laufzeit1 Stunde 51 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1