Splash: Jungfrau am Haken

Over-achieving little film that was directed by Ron Howard and stars Tom Hanks as a young man who finds the woman of his dreams (Daryl Hannah). The only problem: she is really a mermaid. A smart screenplay and some real drama in the film save this project which could have been a disaster, but ends up being a nice piece of entertainment. Eugene Levi and John Candy are appropriately hilarious in supporting turns. 4 stars out of 5.

I will admit there have been some romantic comedies I have not liked, and others I have. One thing for certain though, I adore Splash! It is a beautiful, charming and sweet romantic comedy that has quickly become a favourite of mine. For instance the whole film is beautifully shot, with lovely cinematography and stunning underwater sequences. Plus New York looks absolutely gorgeous here.

The music is also delightful. The song in the end credits was so beautiful, I nearly cried. Maybe it was also to do with how it is sung; the vocals were sublime, and never spoiled the mood of the song. The script is funny and touching, more the latter than the former, but who cares? There are still some funny parts of the movie. The direction from Ron Howard was secure and focused throughout.

There were so many charming scenes in Splash! The ending certainly was exactly that, and a bit of a tear jerker as well. Another charming scene that springs to mind was the ice skating scene. Not only how it was filmed, but also the music featured. A perfect choice of music for that particular scene, the Skaters Waltz. I also thought that the movie's length was perfect, and the pacing was just fine.

And I can't write this review without mentioning the performances. Every single person did a superb job. Tom Hanks is charismatic and likable enough and was perfectly cast as Allan Bauer, a successful businessman who falls in love with a beautiful mermaid named Maddison. Speaking of Maddison, didn't Daryl Hannah look gorgeous here? She is a generally ignored actress, and she was positively charming. Eugene Levy plays a sort of bad guy, and he is funny as well as detestable. However, the film's humour comes from the late John Candy who is hilarious as Allan's brother.

All in all, I adore this movie. Out of all the romantic comedies I have seen, this has to be the most charming and possibly irresistible. I have been vocal before about not trying to take IMDb ratings to heart, but 6.2 is too low for this movie. It does deserve a higher rating than that. While not the best movie ever made, it is certainly one of my all time favourite movies for a number of reasons. 10/10 Bethany Cox

My brother bought this for me on DVD as a Christmas gift in 2006, every year on Valentine's Day I watch it because I'm a big fan of the romantic comedy genre.

Director Ron Howard with the help of writing team Babaloo Mandel & Lowell Ganz created a timeless, funny and enchanting romantic comedy that's so magical it's also classic. The cast is well selected, Tom Hanks is one of Hollywood's brightest stars I remember seeing him on television as Kip Wilson from Bosom Buddies and Ned Donnelly from a few episodes of Family Ties. His portrayal of a lonely businessman who falls for a woman with a secret was comical and sweet.

Darryl Hannah is lovely and whimsical as the mermaid, she doesn't act like a dumb blonde but rather a curious beauty trying to navigate through a world she's never been in before. The chemistry between her & Hanks is smart & touching. John Candy's break out role as Freddie Bauer Allen's older, bachelor womanizing brother was a laugh a minute great. There's a memorable scene in which Allen, Freddie and Dr. Kornbluth played by the brilliant Eugene Levy make a rescue plan to save Madison. She tells him not to feel guilty about not loving her anymore, He says "Oh Madison". "All the time we were together, you always knew how I was feeling. Can't you tell now? then they kissed. The song Love Came For Me sung by Rita Coolidge during the part where the happy couple swims away together and while the credits rolled was a moving moment.

Splash is one of 1984's best films not just for the comedy but also for the romantic fantasy displayed,I'd give it a 6.9/10.

How to make love to a fish. That would sum up the bizarre story of this sweet and wild comedy featuring fantastic roles by Tom Hanks and Darryl Hannah.

However ludicrous the story might be, the movie really entices me with its wit and charm. Lovely and funny. Hilarious supporting role by John Candy, one of his best.

The story is really about falling in love with a mermaid, played by Darryl Hannah. She is human out of the water and only becomes a fish in the water. Can fish and human get together and fall in love? Wait and see.

Recommended for all ages. This is one heck of a great family film, wich could be enjoyed by young and old.

The true star of this movie is undeniably Tom Hanks. The youthful energy of Tom Hanks just splashes across the screen in this movie. This movie launched his career way back in the eighties.

I recently saw an old David Letterman interview with Tom Hanks prior to the release of this movie, and man, did they NOT know back then how BIG Tom Hanks and this movie would become!

Hanks, in his younger years, was an uncontrollable force of comedy and wild antics. Seen it over 10 times by now, for sure. For every Tom Hanks fan this great comedy is a must watch. For anyone else just longing for a hilarious romantic comedy, they dont come much better than this!!!

Tom Hanks, Ron Howard and Brian Grazer are legendary names in Hollywood today, and it's impressive how far they've come from a story about a woman emerging naked from the sea to flop into the arms of a 20-something produce distributor.

Distilled to its essence, "Splash" is just that – a lonely bachelor's fantasy played out on screen. It's what writers Lowell Ganz and Babaloo Mandel (who previously collaborated with Howard and Grazer on "Night Shift"), with Bruce Jay Friedman ("Stir Crazy") do to craft this hetero-male daydream into an entertaining fish-out-of- water story (literally?) that gives it real legs (sorry).

Although viewers (mostly men) will be drawn to this fantasy pretty quickly, Daryl Hannah also gets to play a goofy, atypical female lead role, which can't be underestimated in the film's success. Whether it's chomping through a lobster shell with her teeth, prancing through Bloomingdale's or just getting her fins wet in the bathtub, there's both a confidence/strength and a shyness/reserved nature to Madison – whose given name is the direct reason why you know a young woman born after 1984 named Madison. Talk about cultural impact.

So much is right with Hannah's performance. An actress with more of a name or acclaim at the time might have made Madison into more of a caricature or been distractingly attractive (given how much the camera ogles her). Hannah is alluring, mysterious and quirky in a believable way. The film's funniest moments are of her gleeful misunderstandings of American culture.

In his first big role, Hanks gives us a taste of what has made him lovable over the years. Allen is a strange and sad guy, especially in the beginning; Hanks has always done the part of the loser really well in terms of his comedic roles. He's at his best when he's frustrated, angry or desperate as Allen, but most of all he's enough of an everyman that he earns audience empathy and sympathy as a "good guy." That's all this film requires of him.

"Splash" primarily holds up due to a few clutch moments that merge fantasy and everyday comedy. Whether it's naked Madison emerging on Liberty Island and not thinking anything of it, the excellent bathtub scene or the deranged Walter Kornbluth's (Eugene Levy) attempts to expose Madison to the world, these create highly memorable and impressionable moments whether you're a kid seeing this movie on TV for the first time or a casual fan of light comedy looking to be entertained.

With a little more story and character development (Why is there a coral reef in Cape Cod and why would a mermaid be there on her own?) and the avoidance of deus ex machina, "Splash" could have even gone beyond fantastical comedy and become something a little more meaningful. The potential is definitely apparent with these two lovers from different worlds and society's fascination with things like mermaids working against them. Nevertheless, it belongs among the '80s staples and deserves some credit for leading to all the successful Howard/Grazer team-ups and Hanks hits.

~Steven C

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