The Masks of Death

A now retired Holmes (Peter Cushing) is called on one last time to assist Scotland Yard with a strange case, that they can shed no light on. Three bodies have been found, one in the Thames and two others in Whitechapel, all bearing a hideous look of fear on their faces, but all showing no signs of cause of death. Holmes is intrigued enough to take the case and with Watson (John Mills) in tow he sets out to solve it. However before he can, he is called on by the Home Secretary (Ray Milland) and a stranger who wants to keep his identity to himself, their plea is for assistance in the case of a missing German envoy, his disappearance, they claim could cause the outbreak of War between England and Germany. The stranger is Graf Udo Von Felseck (Anton Diffring) a German diplomat close to the Kaiser, Holmes impresses Von Felseck as he deduces both his name and his political affiliation. Holmes takes the case and soon finds himself mixed up with a plot to kill millions, he also gets involved with "That Woman" again, one Irene Adler.(Anne Baxter) Pretty decent TV movie from Tyburn films, with a good intricate plot and a fantastic cast, Cushing even this late in his career shows he still had the mental and physical agility to take on the role.

In the mid 1970s Kevin Francis (son of legendary cinematographer and director Freddie Francis) made a foolhardy attempt to keep alive the old school of British horror that he had grown up with (and to which his father had made significant contributions). Unfortunately he was tilting at windmills as his company Tyburn, which had previously released Richard Burton's DOCTOR FAUSTUS in 1967, did not have the financial resources, nor the distribution capabilities, and ultimately the audience to make his grand scheme work. In 1975 they made three films (LEGEND OF THE WEREWOLF, THE GHOUL, PERSECUTION) before retreating into television where they kept a very low profile. In 1984 they once more rose to the occasion by giving Peter Cushing one last meaty role to close out his career on. It was a role that he had played 25 years earlier in Hammer's HOUND OF THE BASKERVILLES. That role, of course, was Sherlock Holmes.

Cushing was 70 years old when shooting on the film began and once more the game was afoot. Tyburn surrounded him with several old friends and top flight talent so that THE MASKS OF DEATH would be a grand sendoff. His old Hammer compatriots actor Anton Diffring and director Roy Ward Baker were there and Tyburn recruited Ray Milland and Anne Baxter from America to enrich the proceedings. The biggest coup however was getting John Mills to play Dr. Watson. Picking up where Andre Morell had left off in HOUND (Morell died in 1978), Mills is the perfect Watson...intelligent, trustworthy, and devoted to his friend. There is a great chemistry there which enhances their scenes together and it helps to make MASKS one of the better Holmes offerings especially for a film that is a TV movie complete with blackouts. What it lacks due to budgetary restrictions is more than made up for by watching these old pros in action.

The film opens in 1926 with an aged Watson hiring a stenographer to set down in writing the details of a case that had been supressed by the British government for more than a decade. Cushing, his frame as thin as ever and with white hair, epitomizes Holmes with just a roll of the eyes as he urges Watson to get on with it. The bulk of the story takes place in 1913 right before the outbreak of World War I. While investigating the discovery of three bodies, their faces distorted horribly (hence the title), Holmes is approached by the Home Secretary (Milland) and a German aristocrat (Diffring) to drop that case and find a missing member of German royalty. This leads Holmes & Watson in many directions for there is more going on than meets the eye. To say anything else would be criminal...For more reviews visit The Capsule Critic.

'The Masks of Death' was Peter Cushing's swansong as Sherlock Holmes, a character he had played opposite Andre Morell in a Hammer 'Hound of the Baskervilles' and then in a television series for the BBC opposite Nigel Stock.

Here his Watson is an elderly John Mills, and the two make a charming pair presenting Holmes in his later life as a beekeeper who is tempted out of retirement to help an old friend, policeman McGregor (Gordon Jackson). It soon becomes apparent that more urgent matters require the intervention of the great detective when the Home Secretary (Ray Milland) comes to call with a foreign dignitary (Anton Diffring). And to complicate things, still further, The Woman has returned to London (Irene Adler of course, played by Anne Baxter).

As a plot goes, 'The Masks of Death' is rather pedestrian and not that involving. But with a cast like this, who can complain? Cushing is more crotchety than he had been in his previous outings in the role, but Mills proves a fine foil - his Watson is definitely the army man, a man of action. Baxter is luminous, and even when the solution is staring us in the face there's still enough going on in the interplay between the actors to keep us interested.

If you're a fan of traditionally British suspense and cult cinema, it's pretty much impossible to dislike this modest, made-for-TV Sherlock Holmes oddity. In the mid-80s, long after the heyday of British studio-horror, veteran Roy Ward Baker directs his former Hammer regular Peter Cushing as he depicts Sir Arthur Conan Doyle's creation Sherlock Holmes for one last time. Cushing played Holmes in the fifties ("The Hound of the Baskervillers") and in a TV-series of the sixties, so for this occasion, the super-detective is allegedly retired, but still in close contact with his good buddy Dr. Watson and Scotland Yard inspector MacDonald. The latter begs Holmes to help with a curious case of three dead bodies that were discovered in the Thames. The corpses show no signs of physical violence, but the expression on their faces indicate that they died of pure fear. Before Holmes can properly start to investigate, his services are confiscated by the British Home Secretary and a dubious German ambassador named Von Felseck. They urge Sherlock Holmes to find a young German prince who went missing from Von Felseck's residence, as his disappearance might lead directly to a war between Germany and England. "The Masks of Death" certainly isn't the greatest Sherlock Holmes story ever penned down (it's not even based on an A.C. Doyle original, in fact) but it's tense and compelling enough to keep you guessing along with Holmes and Watson. It's quite far-fetched and implausible, but there are a several inventive plot twists and scenes with plenty of action. Holmes' retirement age also turns out to be an ingenious gimmick, as he's occasionally less observant, sharp or subtle. Especially his thoughts on strong, opinionated women are chauvinist and old-fashioned.

The Masks of Death is a real coming together of classics. First of all, we have the fact that the film is based on the classic Arthur Conan Doyle character of Sherlock Holmes (albeit it an aging version of the character), then we have the fact that the film is directed by the great Roy Ward Baker; a name that fans of classic British horror will recognise instantly, and perhaps most important of all is the presence of one of the finest British actors ever to grace the silver screen - the great Peter Cushing in a reprisal of the iconic role that he last played in 1968. The story is not a Conan Doyle original, but still focuses on his most famous character. Sherlock Holmes has been called in to investigate three bodies that have mysteriously turned up in the Thames. It's not into the investigation before he is called to investigate another case; that being the investigation of a German prince that mysteriously disappeared. However, shortly into his second case; Holmes begins to suspect that something more sinister may be afoot.

What sets this film apart from almost every other Sherlock Holmes film ever made is the fact that this one shows the character in his twilight years. Holmes is in retirement and he's not quite his usual sharp self and even shows some failings on a number of occasions. One of the main things that is liked about the character is his sharpness and keen eye for detail; but even so, The Masks of death has to be admired for daring to do something a little different. And who better to portray this aging Holmes than the great Peter Cushing? Cushing would have been seventy years old at the time of filming and still manages to inject his usual verve and screen presence into what would turn out to be his penultimate screen role. Roy Ward Baker certainly knows how to direct and does a good job here as the film moves swiftly and the shots of a dingy London are very well done. Cushing receives good support from the likes of John Mills, Anton Diffring and Ray Milland too, which is nice. It does have to be said that this isn't the most interesting Holmes story ever put on the screen; but its well worked and entertaining and the ending is intriguing and imaginative.