Razorback - Kampfkoloß der Hölle

Judging by the external reviews, quite a few people appear to hate this film. I can see why, but I think they're coming at it from the wrong angle.

I see it as - intentionally - trying to send up the whole genre of vengeful animals horror flicks. In truth, neither sharks nor grizzlies, and certainly not razorback hogs, are smart enough to conceptualize, let alone carry out, acts of vengeance on humankind. The film simply takes the "rules" of this particular genre and applies them to a ludicrously unfit vehicle: a giant pig. And there are some pretty funny scenes, notably one where the monster eats a nasty watchdog that's chained to the side of a house; naturally, the corner of the house to which the chain is attached comes off and Joe Couch Potato is left sitting in a wall-less abode, staring quizzically as his television disappears into the outback.

Treat it as comedy, and the film makes a lot more sense.

In a small outback town a child is carried off by a massive wild boar, but the grandfather who was looking after the boy gets accused of killing the youngster. He tells that of a gigantic wild boar killed his grandson, but naturally the town's folk won't hear any off it. But in the trail there wasn't enough evidence to convict him so he's acquitted. Next a American female reporter who's an animal rights activist goes down under to get some interviews with some kangaroo hunters, but instead she comes face to face with the rampaging boar and disappears. The locals believe that she must have fallen down a mine shaft, but her husband Carl thinks otherwise and heads to Australia to dig up any dirt to what really happen.

Da Da.. Da Da dadada... Get out of the water! Oops, wrong film. Sorry about that as I just couldn't get that Jaws theme out of my head. "Razorback" is what you can call Australia's answer to "Jaws", but instead this one is on land and we get one angry looking boar terrorising locals and out-of-town visitors. The two films do share some similar characteristics, but while "Jaws" plays it mostly serious I found "Razorback" the opposite. Well, it would be hard to get anyone to take the story seriously because of how ridiculously stupid it is, but that doesn't stop this stylishly, grim shocker from being entertaining. Well, actually that wasn't the case on my first viewing of this flick as I wasn't particularly smitten over it. Maybe I was in a grumpy mood at the time, but on this occasion I enjoyed the silly experience far more.

The premise might cross into "Jaws", but the beginning also adds to the story - Australia's most infamous case of the baby that was taken by dingo, which still causes controversy today. The fella who penned this particular film Everett D Roche is probably Australian's most prominent screenwriter in the genre with such films like Patrick, Harlequin and Road Games under his belt. While, the story might be highly derivative there's enough imagination and excitement in spots to keep it from being uneventful. But there's one thing I can say about this production is that the thick style is all over thin substance. Who you can thank for that is a music video director making his debut in films - Russell Mulcahy (Highlander, The Shadow). He brought to the table an atmosphere that was visually stunning with its sprawling, desolate backdrop that has never been so eerily caught. Well lately, "Wolf Creek" did a good job on that aspect. But here there's a surreal quality about it with it's vibrant colour scheme and blanket of mist. The lighting composition is well staged with a visual goldmine exploding on screen with the spectacular shots of the horizon. The vacant outback simply spills off the screen that you just think that it's such a great backdrop for a horror flick. The expansive camera-work is swift in it's movement by capturing every frame with a certain amount of panache and the odd inventive angle and POV shot. The electronic score is effectively worked into the piece along with hissing sound effects that added even more to the unsteady, dreamlike texture.

Since there is not much in the way of surprises, director Mulcahy ups the thrills and action in such an unyielding fashion to set the film alight. While, the gore might be lacking, the deaths are unpleasant and also thrown in some animal cruelty. What was surprising is that the since the spot light is basically on the mechanical boar - it doesn't look too bad, well towards the end it might lose some of the effect it created early on. But I have seen far worse.

The performances are tolerable enough even with some eccentric yahoos who generated some agreeable humour. The script is purely senseless dribble, but there's some dry sarcasm, thick slang and a laid back attitude that works its way in because of the culture. Gregory Harrison is passable as Carl Winters. Bill Kerr is excellent as the stubborn boar hunter Jake Cullan who has a chip on his shoulder and who's crusade is to get the giant pig. Arkie Whiteley is lovely Sarah Cameron and Judy Morris is decent as Beth Winters. But the most memorable performances is the cheerful maniac brothers Benny and Dicko who are marvellously played by Chris Haywood and David Argue that add the wild and wacky feel to the flick.

A highly spirited and trashy Australian knock-off that goes down well with a few cold ones.

Okay, the plot sounds ludicrous, doesn't it? A giant killer pig? Despite the apparent ridiculousness of the plot, this movie is better than one might expect.

Beth Winters, a Canadian reporter, has come to the small Australian Outback town of Gamulla to shoot a story about the local dog food packing plant, which uses the meat of poached kangaroos in its product. When Beth disappears one night, her husband Carl arrives to find out what happened. Beth apparently ran afoul of the psychotic Baker brothers, who work in the plant. But crusty old Jake Cullen soon learns that Beth was a victim of a giant razorback, the same one that carried off his grandson years before and which he has been hunting ever since.

The Australian Outback becomes an almost alien world - desolate, strange and scary where any form of undiscovered life might exist. You don't get to see much of the giant pig, admittedly, but then they didn't have CGI back in the early 80's. The real menace of this movie lies with the kangaroo poachers, two brothers who reek of malevolence and filth all the way through the film. They were truly terrifying, and the insane laughter of David Argue (playing younger and more dangerous brother Dicko) still haunts me to this day.

Worth watching at least once.

It's not that scary with an abrupt ending and features some really annoying characters but Razorback is still overall a good thriller. Gregory Harrison and Bill Kerr are both great. There's a few effectively suspenseful scenes and it's surprisingly extremely well filmed with some really gorgeous shots. There are some laughably bad moments and the music by Iva Davies is really good.

Call me stupid, but this is actually one of my favorite horror flicks. The story's about a giant wild boar munching on Aussies in the outback. Our hero goes in search of his wife...she's missing out there. Many interesting ideas come forth in this movie. I especially like the kangaroo killing brothers Benny and Dicko (hehe). The way the movie portrays them is interesting, contrasting the life of the outback trash to the much more civilized life of Bill, the hero. I also enjoyed the use of weird settings(the desert with that "horse") to create atmosphere. Overall, I enjoyed this flick a lot, and I think most horror fans would if they look beneath the seemingly ridiculous plot.