Der Pate von Greenwich Village

Not your typical mobster movie, the Pope of Greenwich Village does have a good Sinatra soundtrack. The cool style that was 1984 is showcased in this movie. The hair styles, the clothes, the music, even the cool walk is present in this movie. One of Eric Roberts best movies, his acting is second to none as the fast talking, fast walking, and scared out of his mind side kick / cousin to Mickey Rourke. The "thumb scene" alone is timeless. It is both scary and funny, most movies can't produce a scene with as much realism as "Charlie....they took my thumb. Overall, the Pope of Greenwich Village is a comedy, but at times, it is dramatic and as serious as a heart attack. A classic for the 80's, sit back and enjoy Rourke, Roberts, Young and Hannah when they were on top of the world...and on top of Hollywood.

Remember when Mickey Rourke was good? Remember Eric Roberts before the "Best of the Best" series? Remember Darryl Hannah at her finest? If not, this surprisingly good film will show you why they all were once established talents (or in Hannah's case, just nice to look at). The dialogue is New York street, but done so well it doesn't feel out of place. A must-see movie for anyone who loves NY, or just stories about endearing losers trying to make it big.

Rourke & Roberts pre-fame.

Charlie Moran (Rourke) seemed more like an Irish hood instead of an Italian. Rourke basically set a trend on the type of characters he plays. He's basically re-did this role again and again. And why not? He's great at it.

Eric Roberts is a chronic over actor. But unlike most, he can be so entertaining. Watching him chew the scenery here was the most fun. The whole "He should die, die, die...." scene after they get fired in the beginning is still a corker.

Daryl Hannah is not the best actress, but she seemed to thrive here as Charlie's straight girlfriend.

And kudos to Walsh, Young, McMillan (R.I.P), and the brilliant Geraldine Page (also R.I.P) for their roles. Page almost stole the film.

And I think Bedbug Eddie (Young) was based on the late NYC mafia leader Fat Tony Salerno. He also conducted most of his business in a no frills back room. He also didn't drink.

Good character study.

Paulie and Charlie (Eric Roberts and Mickey Rourke) are two very dim hustlers...hustlers who don't want to work for a living but who chase get rich quick schemes...often illegal ones at that. These gangster wannabes are also cousins and between the two of them, there isn't a lot of common sense!

Eventually, they end up getting in over their heads...something you can't help but expect from these mooks! They get a partner and commit a burglary...a caper that goes VERY wrong. First, the place ends up being owned by the mob....oops! Second, during the burglary, a cop accidentally gets killed! So, you can only assume that sooner or later they'll end up in prison or at the bottom of the Hudson River! Can the pair manage, somehow, to avoid either fate?

When I say that the pair are dim, it's not an insult to the actors...this is just the way their parts were written. Robert, in particular, is a fine character actor and I enjoyed see him, curly perm and all, in the film. I must say, however, that he's best in roles as villains. 'Nuff said about that. So is this any good? Yes, though you do find it hard to root for anyone in the film. After all, Charlie and Paulie are jerks and it's hard to sympathize with them. And for some, this might make the story tough to stick with...though it is well written and well made. Never dull and only occasionally misses the mark.

By the way, Paulie's plans to use artificial insemination to breed race horses is one that is impossible. I learned this from a friend in the horse racing industry. To become a registered thoroughbred and eligible to race, a horse cannot be the product of artificial insemination nor embryo transfer....a way, I assume, that they'll keep the industry more exclusive.

I am now beginning to rent lots of movies and decided to rent "the Pope.." I've heard so many great things about it.

I AM a Mickey Rourke fan - however if I see him in a shitty film - I have no qualms in stressing my opinion.

A Rourke fan or not - this movie is a delight, from the shots of New York City back in 1984 - to Eric Roberts' acting, this movie was great.

I think the major problem most viewers on this site had was Robert's acting, I felt that Roberts overacted sometimes - or perhaps that's what the script called for and if so he gave a memorable performance - almost hilarious at times - the thumb scene is a prime example. I felt that he almost stole the show.. not because I thought his acting was amazing. because it was almost like a parody - I found it strange at times.

Rourke was cool, calm and focused - his acting was great.. and I LOVED his "come over here.." line.. almost seemed sexual to me.. I wondered what he was going to do.

I think everyone who commented on this film is right in saying how incredibly sad it is how Rourke's and Robert's career went down the tubes the way it did. We all have our demons I guess. The focus is to overcome them. Roberts is a B- movie actor. Rourke was never a B-movie actor - he was always a great actor with enormous potential who still has a shot of living up to his potential

he has recently been making a great comeback - "...my best work is still ahead of me" he commented. he came out of the grave. Amen to that!!

The special things about this film are the Acting and the nostalgic feeling one gets when looking at scenes of New York back in 84 (if you are from the east coast and live close to the city or are from the city - you know what I'm talking about)

Amen to the Pope - great little film, one in which I will buy to my collection.