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Alles ist vergänglich

Originaltitel: Nothing Lasts Forever
  • 1984
  • PG
  • 1 Std. 22 Min.
IMDb-BEWERTUNG
6,2/10
1016
IHRE BEWERTUNG
Alles ist vergänglich (1984)
An artist fails a test and is required to direct traffic in New York City's Holland Tunnel. He winds up falling in love with a beautiful woman, after he takes a trip to the moon on a Lunar Cruiser.
trailer wiedergeben1:49
1 Video
24 Fotos
DramaFantasieKomödieRomanzeScience-Fiction

Füge eine Handlung in deiner Sprache hinzuAn artist fails a test and is required to direct traffic in New York City's Holland Tunnel. He winds up falling in love with a beautiful woman, after he takes a trip to the moon on a Lunar C... Alles lesenAn artist fails a test and is required to direct traffic in New York City's Holland Tunnel. He winds up falling in love with a beautiful woman, after he takes a trip to the moon on a Lunar Cruiser.An artist fails a test and is required to direct traffic in New York City's Holland Tunnel. He winds up falling in love with a beautiful woman, after he takes a trip to the moon on a Lunar Cruiser.

  • Regie
    • Tom Schiller
  • Drehbuch
    • Tom Schiller
  • Hauptbesetzung
    • Zach Galligan
    • Apollonia van Ravenstein
    • Lauren Tom
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,2/10
    1016
    IHRE BEWERTUNG
    • Regie
      • Tom Schiller
    • Drehbuch
      • Tom Schiller
    • Hauptbesetzung
      • Zach Galligan
      • Apollonia van Ravenstein
      • Lauren Tom
    • 17Benutzerrezensionen
    • 21Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 1:49
    Trailer

    Fotos24

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    Topbesetzung62

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    Zach Galligan
    Zach Galligan
    • Adam Beckett
    Apollonia van Ravenstein
    • Mara Hofmeier
    Lauren Tom
    Lauren Tom
    • Eloy
    Sam Jaffe
    Sam Jaffe
    • Father Knickerbocker
    Paul Rogers
    Paul Rogers
    • Hugo
    Bill Murray
    Bill Murray
    • Ted Breughel
    Imogene Coca
    Imogene Coca
    • Daisy Schackman
    Dan Aykroyd
    Dan Aykroyd
    • Buck Heller
    Mort Sahl
    Mort Sahl
    • Uncle Mort
    Anita Ellis
    Anita Ellis
    • Aunt Anita
    Eddie Fisher
    Eddie Fisher
    • Eddie Fisher
    Jan Tríska
    Jan Tríska
    • Swedish Architect
    Rosemary De Angelis
    • Helen Flagella
    Clarice Taylor
    Clarice Taylor
    • Lu
    John Garson
    • Maurice Blaget…
    Bert Wood
    • Hotelier
    Michael Kimak
    • Mr. Boyle
    King Donovan
    King Donovan
    • Lunartini Husband
    • Regie
      • Tom Schiller
    • Drehbuch
      • Tom Schiller
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen17

    6,21K
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    Empfohlene Bewertungen

    Profess Abronsi

    Weird And Wonderful

    A truly bizarre film, but all the more entertaining because of it. Starts off in the style of a 1930s science fiction, and just seems to get stranger and stranger. I particularly liked the guided tour of the lunar surface for the paying tourists who laughed when their guide made a comment on the crashed Soviet probe she drew their attention to. The idea of native "moon people" (who look like native Hawaiians), also being another nice touch. Obviously, there was a very creative mind at work here.
    10drrap

    An extraordinary film, neglected

    Since a version of this film was "leaked" - if that's the right term -- to YouTube a few days ago, it's had a second life worthy of the film's own protagonist, liberated from a job yelling at bad drivers in the Holland Tunnel to a bravura performance at Carnegie Hall. There have been many evocative or pastiche films of the classic era -- Woody Allen's Purple Rose of Cairo, Baz Luhrmann's Moulin Rouge, or Gary Ross's Pleasantville -- but none has more vividly, sweetly, and yet ironically invoked the magic of the movies as has this film. Don't be distracted by the Dan Ackroyd or Bill Murray cameos (fun as they are): keep your eye on the veterans, who've been in more films than you can count, and who bring their considerable powers to bear here: Sam Jaffe (The Day the Earth Stood Still, Bedknobs and Broomsticks); Paul Rogers (Billy Budd, The Homecoming) and the incomparable Imogene Coca, all part of a secret underground league of New York artists who seek to aid any who will give their all, unreservedly, to the cause of art. This film deserves an immediate DVD/BluRay release -- one can only imagine how richly it will shine -- and shame on MGM, Turner, Warner, and all who have kept this gem in their dark, dim, Gollum-like cavern of oblivion.
    UNOhwen

    If your can see it, you should

    Many films which are hard/possible to see/find are more interesting in the stuff you hear about them. The actual film is a letdown.

    Not so here.

    This film (which stars people who I know, from the lead, on) is really quite good.

    First, unlike the others who've commented, I'm not one who acts like viewing it is akin to attaining a 'power-up', or such from a video game, and in that beir, alone is worth seeing. The entertainment business if my bread and butter (who I am is irrelevant. Don't try to figure out from my name).

    Saying this, even though I'm not impossibly old , I think the business has fine siren the toilet in the past couple of decades - how, why, I'm not here to discuss that, either - and I find watching films made from the beginning (yes, currently I'm studying early films), up to the early 80's is my forte.

    I can't stand any films made based upon comic books (though I DO read and enjoy - primarily Neil Gaiman), or that are mostly dpendent upon effects.

    The route of films I miss are adult oriented (not porn. Think anything from a Douglas Sirk, a Marcel Ophuls, etc)- they have a story, emotion, gravitas.

    I'm a grown-up, and I want to be emotionally touched and moved - bit by whizz-bang b.s.

    That sort of brings me back to why I really admire this film.

    Yes, it is a gimmick, in that is a very good... recreation of a 1930-40's film (it includes hundreds of clips - primarily used as establishing shots - from genuine films of that period, and I think that to get clearance in them all is the rain it's not seen). There's several moments I even had to hit myself (metaphorically) to 'wake up', and realise I'm not watching a film from back then.

    From the opening - a pre-code MGM logo - the fun really plays with you, time-wise. I never saw more than a tiny bit of Woody Allen's Zelig (made around this time), which also plays with tune (he is 'inserted'into old film, and remember; this was before digital effects, the end-result was really amazing looking. Same here).

    The film's story you can read about anywhere. I'm amazed at how I was repeatedly 'lost' as to what I was watching ('wait; is this an old 40's film?'), and had to pinch myself.

    If you can see it, do so.
    8ubercommando

    A friendlier version of "Brazil"

    This movie shares some similarities with Terry Gilliam's "Brazil". The mixing of 1930's and 1980's, the totalitarian state that pretends to be caring, a mix of freaky supporting characters and subtext behind every shot and concept. But Nothing Lasts Forever is lighter and more optimistic in tone and a modern (ish) fairy tale of searching for one's talent and purpose. The concepts of the Manhattan Port Authority taking control of New York, underground Angels, going shopping on the Moon in a bus and Bauhaus German techno artists in a mock 30's setting all show great creativity and originality; often missing in a lot of American comedies. And it also works the soundtrack (a mix of original and classical music) into the story extremely well.
    8loganx-2

    A Homeless Man Told Me All The Secrets Of The Universe Today!

    Zach Galligan of Gremlins fame, stars in this strange lost film, from a former SNL writer, Tim Schiller, in the 80's. This was produced by Lorne Micheals, and features cameos from Dan Akroyd as a Holland Tunnel inspector (who uses the only instance of profanity, this movie is PG) and Bill Murray as the villainous Captain of an interstellar bus which transports the elderly to the moon. Galligan is a young man whose been abroad for years, and returned home only to find that the New York Port Authority has seized control of the city, due to traffic problems. Galligan is a naive but kindly upstart who knows only that he wants to be an artist. After failing the mandatory "art test" used to determine, who is an artist and who isn't, he is forced to work at the Holland Tunnel with Akroyd, but not for too long, as he meets a fellow artist, falls in love and is taken through a short montage of the new york art world. The setting is essentially timeless, at one point, it suggests the thirties, at another they mention the 50's as part of the past, and at one brief moment, there's a strong hint of 80's, but the film is shot in black and white mostly, and made to resemble a science fiction from an earlyish period from the last century, 30's, 40's??? The plot takes a few turns from here which are surprising and fantastical and not to give away too much, but unfortunately since this movie has NEVER been released on home video or DVD(and doesn't seem likely too), I'll give a way a little more of what's to come...New York as you know it may be an illusion, the homeless are the secret masters of the city and possibly more, and the elderly have been taking routine bus trips to the moon since the 50's, they have chips in their heads which make them say "Miami" every time they even think the word "Moon", so they can't tell anyone. All of these plot elements are told with a matter of factness and a touching sweetness, at no point does this film become cynical, mean, perverse, or pretentious (not something most films as rare and surreal as this can claim). Others have rightly compared it to both Terry Gilliam and Woodey Allen at their most fanciful, but there's a sweetness to this, which gives it a charm all of its own. It's completely unique, very clever, and unusually heartwarming. See it by any means necessary, and as the secret society of bums commands,"Fear not, love all".

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Produced in 1982, the film was shelved by MGM after poor reception at advance screenings. It's had rare airings on European television, and later aired on American TV. Its most recent airing was January 2015, as part of Turner Classic Movies' TCM Underground (2006) series.
    • Patzer
      After the bus changes its destination sign to "The Moon", in the next shot when it starts to drive off, the sign has reverted back to "New York City".
    • Zitate

      Eddie Fisher: How the hell did I wind up singing on a bus to the moon?

      Alphacruiser Steward: Musta been all them women, Mr. Fisher.

    • Alternative Versionen
      One print of the film omits the nude scene at the Port Authority Testing Center. However, this same print does contain two scenes that MGM forced the director to remove from the final film:
      • 1. An extension of the opening newsreel, in which narrator Paul Frees announces that the state of California has been destroyed in an earthquake.
      • 2. After speaking with the Swedish architect in the train, Adam runs to the window and says "I hereby end my staying here for my return to the United States. I pray to God, the Buddha, James Joyce, Ramakrishna and Jesus the Christ that I will become an artist, no matter what."
    • Verbindungen
      Featured in WatchMojo: Top 10 Movies That Are Incredibly Hard to Find (2018)
    • Soundtracks
      Polonaise opus 53 A flat
      Written by Frédéric Chopin

      Performed by Josef Lhevinne

    Top-Auswahl

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    FAQ15

    • How long is Nothing Lasts Forever?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • September 1984 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Nothing Lasts Forever
    • Drehorte
      • New York City, New York, USA
    • Produktionsfirmen
      • Broadway Pictures
      • Metro-Goldwyn-Mayer (MGM)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 3.000.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 22 Min.(82 min)
    • Farbe
      • Black and White
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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