Non ci resta che piangere

I like the Italians, most of all, but I do not like Massimo Troisi and Roberto Benigni, for me are the most annoying actors ever. Troisi, you do not understand what he says, in all the films he speaks in a kind of dialect that only he understands. In all the movies is the same, boring at the top. You got to have a great deal of steel patience and great love for cinema to watch this movie in its entirety. Troisi and Benigni, who are also directing, are not genius and are not funny at all.

Non ci resta che piangere is an amazing movie. The plot may seem a bit improvised, but that movie is much more than just an excuse for some hilarious gags. It contains all the philosophy of Benigni and Troisi, and presents all the different aspects and approach to life of Neapolitans and fiorentini personalities, away from stereotypes (as usual!). It is one of the funniest movies ever, and still, it makes me cry (maybe because I can't help thinking about Troisi, Napoli's best artist of the late XX century). It is a movie many people should see, but when I travel overseas I find it almost impossible to find in rental shops, or wherever.

Roberto Benigni and Massimo Troisi are two of the most important Italian comedians of their generation, who ended up being recognized internationally with their masterpieces, "La vita è bella" by Benigni (1997) and "Il Postino" by Troisi (1994), the latter consecrated after his death.

Until they reached the pinnacle of their careers, they went through a series of films where, assuming the role of comedians, they made funny comedies, but of limited content. It's a bit the fate of comedians, to make the public laugh until they finally get autonomy and courage to make a serious comedy, where the laughter is poetic and the wit is intelligent. These two ended up making it and getting the right recognition, which doesn't always happen.

In this four-hand project, the script is weak and even the comedy, with some amusing moments, relies more on the improvisation capacity of the two actors than on situations or previously written dialogues. Above all, it is worth by the natural grace of these two clowns, of unique quality, who are always a pleasure to see perform.

Two actors at their best (Roberto Benigni before he became big-headed after the world wide fame and the late lamented Massimo Troisi) playing a strange story, where these two young modern men wake up in 1492 after spending a night out because their car broke down.

Settled in the italian reinassance, pretty well depicted despite the low budget used, the movie is substantially a collection of sketches based on the struggles that the two men must fight against the different lifestyle, with some secondary stories based on historical personages lived in that time (Savonarola, Columbus, Da Vinci). This is one of the most beloved italian movie of all the times, and everybody saw this movie can remember all of the most famous dialogues (Vitellozzo after the death of his brother, the "remember that you shall die!" speech, the scene at the customs, and many others) by hearth, as they were funny and innovative.

Directed with a very slow rhythm, that adds a quite poetic touch to the story, this movie must be considered as a small masterpiece, a comedy unique of its kind. Comparing this with one of the later italian comedy should be done to understand the meaning of the term "good taste".

Unluckily, anybody without a very fluent italian can't completely enjoy this movie, because a big part of the funny side of this movie follows from the two heavy accents of the two main actors, mainly the one of Troisi.

Sadly, the only occasion we had to see together two of the best italian actors of the century: Benigni and Troisi. Anyway, it's a comedy: there's nothing else to do, but laugh.