Mehrere Personen werden von einem unbarmherzigen Serienmörder gejagt, der seine Opfer im Schlaf umbringt. Während die Überlebenden nach Gründen suchen, warum sie ausgewählt wurden, nutzt der... Alles lesenMehrere Personen werden von einem unbarmherzigen Serienmörder gejagt, der seine Opfer im Schlaf umbringt. Während die Überlebenden nach Gründen suchen, warum sie ausgewählt wurden, nutzt der Mörder jeden Moment, zuzuschlagen, sobald sie einschlafen.Mehrere Personen werden von einem unbarmherzigen Serienmörder gejagt, der seine Opfer im Schlaf umbringt. Während die Überlebenden nach Gründen suchen, warum sie ausgewählt wurden, nutzt der Mörder jeden Moment, zuzuschlagen, sobald sie einschlafen.
- Auszeichnungen
- 7 Gewinne & 8 Nominierungen insgesamt
- Rod Lane
- (as Nick Corri)
- Nurse
- (as Mimi Meyer-Craven)
- Coroner
- (as Jeffrey Levine)
Empfohlene Bewertungen
The classic "A Nightmare on Elm Street" is one of the best horror movies of the 80's and Freddy Krueger is my favorite villain. The story is original, very well written and directed by Wes Craven and is the debut of Johnny Depp in the cinema. As far as I know, the open conclusion was forced by the producers to give a sequel to the saga of Freddy Krueger. My vote is eight.
Title (Brazil): "A Hora do Pesadelo" ("The Hour of the Nightmare")
The young cast is quite good, it was here that Johnny Depp started, Freddie has not yet become that charismatic killer with his jokes, as in subsequent parts. So far, he is more secretive and tries to instill fear in all the victims.
Many people at that time were afraid to sleep after watching, nowadays it's hard to scare you with this movie, but you'll still get pleasure!
Freddy, a child murderer in life, now hunts the children of the men and women that killed him, while they sleep.
Very gory, tense and full of over the top deaths scenes A Nightmare on Elm Street brought something new to the Horror Genre, and will go down in history in recognition of this.
The rarity of the film, is the character of Freddy, because he actually has character without distracting from the terror (in this outing at least)
Thanks Wes
9/10
The plot line of the story's no government secret here: a handful of high schoolers in a seemingly ordinary town in Ohio are being haunted in their dreams by a grotesque figure. When this figure starts murdering each one of the group,it's up to Nancy(Heather Langenkamp),the most stable and level of the group,to ferret out and end the terror. Robert Englund,previously known from supporting character roles and his touching,gentle alien in the "V" mini-series and t.v.series,is able to develop a nearly permanent career as the seemingly indominable child-killer. Wes Craven would redefine his own career,as well as the slasher genre,with this film,where he had previously been known for visceral,uncomfortable shockers like "LAst House on the Left" and "The Hills HAve Eyes".
Definitely worth a look,especially for those who consider themselves horror film buffs.
I just sat down and watched this movie again the other day and it's still damn impressive. The acting isn't always the greatest and it looks just the slightest bit dated, but it's still a really damn good movie. It's power lies in the fact that sleep cannot be avoided. In so many other horror movies, the victims are nothing more than vapid cattle wandering dumbly up the slaughterhouse chute and calling out: "Is anyone there?" as they go up. They purposefully get themselves into stupid and dangerous situations and therefore we feel no real pity for them when they are eviscerated. However, in A Nightmare On Elm Street, all the characters have to do to endanger themselves is to go to sleep. Even the most hardcore insomniac (like myself) knows that eventually, sleep will come for you; it is unavoidable. We cannot blame our cast for wandering around doing stupid things in their dreams, because how many of us have had dreams in which we show up for work naked? Very rarely are we in control of our dreams, and in A Nightmare On Elm Street, the only person in control is Freddy Krueger.
Robert Englund as Freddy is flawless. Before this movie was released, the boogeymen of horror films had always been hulking, silent, expressionless shapes usually hidden way behind masks. Not that there's anything wrong with that! But Englund gave us a new kind of Boogeyman - a smartass. Freddy is hideously burned, covered in scar tissue and has all the fashion sense of a wino, but he's cool. Not content to simply disembowel his screaming victims, Freddy has to tease them a little first, flirting, humiliating or showing off. He makes Tina watch him cut off his own fingers and smiles at her like a drunken uncle who's just pulled a coin out from behind her ear. He sticks his tongue in Nancy's mouth via her telephone. He doesn't waste his sense of humor on the guys in this film, but there's plenty of sequels in which he makes up for that.
This is such a great, innovative film, filled with pretty cool special effects, disturbing sound effects (including scraping metal fingernails and baby goats bleating in terror) and creepy music. The boiler room is an especially unnerving set, complete with hissing pipes and dripping chains. A young Johnny Depp and his feathery 80s hair make their debut in this film as well, and though his character is about half a million miles away from Captain Jack Sparrow, the raw talent is still very much in evidence here.
This remains the best movie of the Elm Street series, with a few good sequels and some really crappy ones. But Freddy is always worth watching.
Wusstest du schon
- WissenswertesNew Line Cinema was saved from bankruptcy by the success of the film, and was jokingly nicknamed "The House that Freddy Built."
- PatzerAt the 1hr 11 min mark, Nancy tells her father "to break the door down in exactly 20 minutes" at 12:30 am, making the current time 12:10 am. In this time, she manages to set various booby traps--a bomb from a light bulb and gunpowder, a raised sledgehammer, a tripwire, and screwing a bolt to a door, and then sits with her mother for some time before going to her own bedroom. All of this was apparently done in only 10 minutes! She's shown in bed at 12:20 am, giving herself 10 minutes to fall asleep and catch Freddy.
- Zitate
Children: One, two, Freddy's coming for you. / Three, four, better lock your door. / Five, six, grab your crucifix. / Seven, eight, gonna stay up late. / Nine, ten, never sleep again.
- Crazy CreditsFilm title logo as the end credits are finished.
- Alternative VersionenThe German television version is heavily cut, allowing for an earlier time slot. The cuts are:
- When Tina is sliced by Freddy Krueger, we don't see how he slices her chest and is pulled to the ceiling.
- In Tina's last dream we don't see when Freddy cuts his own fingers off his hand. Later, there is a scene where Freddy's face is pulled off by Tina. This scene is also missing.
- When Nancy meets Freddy for the first time, we can't see when he slices his abdomen and when Nancy puts her arm on the hot pipe.
- When Rod's neck is broken by Freddy Krueger, we only see Rod looking at the "snake", before it kills him.
- The scene where the dead Tina is talking to Nancy while snakes are coming out her dress is also cut.
- Glen's famous dead scene is also cut. We only see how he is sucked in his bed. The bloody, second half is cut.
- When Nancy is burning Freddy, we only see the fire reach his feet, then it cuts to Nancy calling her dad.
- The scene where Freddy is killing Nancy's mother by burning her is also cut.
- These changes were also made in the German video version, which has a "not under 16 years" rating. The uncut version is sometimes shown on Pay-Per-View and is rated "not under 18 years."
- SoundtracksNightmare
Performed by 213
Written and Produced by Martin Kent, Steve Karshner, Michael Schurig
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Pesadilla en la calle del infierno
- Drehorte
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Box Office
- Budget
- 1.800.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 25.624.448 $
- Eröffnungswochenende in den USA und in Kanada
- 1.271.000 $
- 11. Nov. 1984
- Weltweiter Bruttoertrag
- 25.858.510 $