Der Unbeugsame

This is THE classic sports-Walter Mitty-fantasy movie, with an ending that may seem corny to cynical critics or those who prefer the book, but was perfect for me and a lot of other people.

Granted, I am a little biased in my review since the movie was made in the area in which grew up. Having made many trips to the ballpark in which the movie was filmed, and to the old-fashioned soda shoppe where Robert Redford and Glenn Close re-unite, this movie was special to all of us in Western New York. It always a kick, too, (and a bit odd) to watch the final scene since the opposing pitcher is a personal friend.

I think I would have loved this movie regardless of the "home-field advantage." It's an interesting, involving story that has you really rooting for Redford's character. To have actors like Close, Robert Duvall, Richard Farnsworth, Kim Basinger, Wilfred Brimley, Darren McGavin, Barabara Hershey, Robert Prosky, Joe Don Baker and others in the "lineup" doesn't hurt, either!

The cinematography is beautiful, too. That was something I never really appreciated until after several viewings. There are some wonderfully subdued brown and golden hues in here. This is very pretty motion picture.

All the characters - the good and the bad, and there are plenty of both - are fascinating. It's also nice to see an actor in a baseball film that actually knows how to throw, hit and field a baseball. This is a great, old-fashioned storytelling.

I can only say that I wish I had seen this movie at the theater. I own the video and watch the movie at least twice a year. I cannot imagine anyone but Redford playing Roy Hobbs. The background music is superb. Several years ago I took my family to Cooperstown,NY to visit the Baseball Hall of Fame. The main musical theme was playing as part of a baseball video.

Although the climax of the movie was excellent, I think the scene in Chicago where Glenn Close stood up and Hobbs hit the home run that broke the tower clock was definitely my favorite.

Whenever I feel a little depressed, I know it's time to pop the video in the vcr.

My son and I have watched this movie twice together. I can't think of any other movie we have watched twice--together. I'm 60 and my son is 26. There is the element of magic, of fairy-tale, of other-worldliness; there is the element of the naturalness, the character of Robert Redford; there is the element of baseball, the great sport-love of millions of boys in North America--and me back in the 1950s when I was growing up and dreamed of going to the majors; there's a touch of the sexual with Kim Basinger and Barbara Hershey----one could go on listing the pluses that this movie brings to the viewers. But I think what makes the movie in the end is the magic of Roy Hobbs as he hits a baseball further and harder than anyone ever has or(probably) ever will. Hobbs is the quintessence of the baseball hero and for sports lovers that's their religion. Hobbs is like Jesus come down to earth in the form of a baseball player, yet with sins of omission and commission. So, he's human and a superhero all at once.

This is another one that I recently re-watched on cable. I must upgrade my collection to include the DVD. Of course, there are reviews which will attack its sentimentality; get over it!! It amazes me that so many film goers can't view a movie with a positive and sophisticated charm without rolling their eyes or sticking their finger down their throat. (As if we don't have enough coarse, angry, 'edgy' films in release already.) I don't mind Redford's Joe Hardy-like ability one bit, because success- for all of his skill and talent- still doesn't come to him easily. He must suffer a physical tragedy, be elusive with his greedy contemporaries, and finally deal with the past, which he spends the entire movie trying to hide. The one nitpick I have with the whole film was the painfully obvious soft-focus photography used to disguise Redford's age. It isn't so bad in the first reel when he's supposed to be a teenager (and the camera shoots him in silhouette and at length), but later, when he's supposed to be between 36 and, say 40, he just *isn't*. Glenn Close is radiant as his love from childhood, and shines in a memorable scene when they are first reunited at one of his games. After he goes into a foreshadowed slump, it is the arrival of Close (angelically back lit, and whose presence he senses even before seeing her) that brings him back to winning. Singularly gorgeous.

A wonderful, magical fairy tale, and morality play. This is the type of movie that as a new father, I cannot wait until my son is old enough to watch this with me.

I know much has been made about Redford being too old to play Roy Hobbs. But much of the story asks you to believe in incredible things, so to me, this is a minor issue.

Everything about this movie is first rate. The cast which includes Redford, Glenn Close, Kim Basinger, Wilford Brimley and a pair of terrific performances turned in by Robert Duval and Darren McGavin.

It is easy to see that all of the actors trust the material and believe in their characters.

Barry Levinson tells the story in a straight forward style, he doesn't try to build any false suspense or surprise twists. When you watch this movie you know exactly what is going to happen long before it does, but you don't care, because it unfolds intelligently and without pretense.

My two favorite components of this movie are the cinematography by Caleb Deschanel and the beautiful, moving score composed by Randy Newman. I first enjoyed Mr. Deschanel's work on "Being There", and felt Mr. Newman's score for "Ragtime" was the best score of 1981.

"The Natural" is so much more than a baseball movie. It is a story about faith, good and evil, right and wrong, fathers and sons. It is about all that is good in baseball and in life.

10 out of 10