Giuseppe Verdi - Eine italienische Legende
Originaltitel: Verdi
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8,1/10
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Füge eine Handlung in deiner Sprache hinzuGiuseppe Verdi's life from 1813 to 1901, depicting the Italian opera composer's personal turmoil amidst political upheaval, and his iconic works like La Traviata, Rigoletto, Aida, and his Re... Alles lesenGiuseppe Verdi's life from 1813 to 1901, depicting the Italian opera composer's personal turmoil amidst political upheaval, and his iconic works like La Traviata, Rigoletto, Aida, and his Requiem.Giuseppe Verdi's life from 1813 to 1901, depicting the Italian opera composer's personal turmoil amidst political upheaval, and his iconic works like La Traviata, Rigoletto, Aida, and his Requiem.
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High quality biography! A fantastic, historical, well researched super production. Castellani did a very good job on biography and cinematographic art. The casting is excellent and Ronald Pickup is perfect as Verdi. The musical selection is also superior, and the performance of the interpreters are first class. Very good and famous voices are singing its preferred parts. The operatic performances are well cut. A rich scenario and also a nice review of the theatrical background technology at Verdi's time could be seen on the sunrise in "I Lombardi", the waves and the storms in "Otello", and in waterfalls. They are superb. For Verdi lovers it's a must, but also for non initiates it will be delightful. May be Giuseppina is a little to subservient and a bit away from a real woman. Also the final scenes are a little to long. By the way, the name of the opera is Rigoletto and not Rigaletto.
An absolute treasure for opera enthusiasts and fans of Verdi(the Sutherland, Bergonzi and Merrill recording of La Traviata was my first complete Verdi listen 10 years ago and I've been a fan since). Not quite as grand as the series on Wagner from the same time-frame, plus Richard Burton gives a performance of a life-time, but Verdi's style, his life and him as a person may be much more accessible. Am a fan of Wagner's music, but he was known as a terrible man(Youtube users never let people forget how he was an Anti-Semetic bigot) and Parsifal especially is exhausting for a first time viewer. Personally first exposure was through the 1983 film of the opera which was admittedly rather too heavy on the symbolism so that could have something to do with it.
Getting onto the point, there is very little wrong with this series. There is however some sloppy dubbing and Burt Lancaster's narration can overbear things(some of his mispronunciations are annoying too). The rest however is fabulous. It is very sumptuously mounted and the photography matches that quality. Nobody really needs to say how good Verdi's music is, fans will argue that his music is some of the best of the entire opera medium, I for one share that opinion. It's even greater when the singing is so good, from some of the best singers ever to sing his music, Pavarotti, Tebaldi, Callas and Nilsson are immediately recognisable and sound incredible.
Verdi is intelligently written, sensitively staged with no over-doing. The composer's story is fascinating and is told in an absorbing way, a way that also shows great enthusiasm for the subject. Any important parts are not skimmed over and have their impact. Ronald Pickup's Verdi is note-perfect and Carla Fracci matches him in a nuanced performance. All the roles are well-done and don't fall into caricature- and it is easy to do that- too much. Overall, an outstanding series that is deserving of a much better DVD release, the Kultur version doesn't really do it justice. 9/10 Bethany Cox
Getting onto the point, there is very little wrong with this series. There is however some sloppy dubbing and Burt Lancaster's narration can overbear things(some of his mispronunciations are annoying too). The rest however is fabulous. It is very sumptuously mounted and the photography matches that quality. Nobody really needs to say how good Verdi's music is, fans will argue that his music is some of the best of the entire opera medium, I for one share that opinion. It's even greater when the singing is so good, from some of the best singers ever to sing his music, Pavarotti, Tebaldi, Callas and Nilsson are immediately recognisable and sound incredible.
Verdi is intelligently written, sensitively staged with no over-doing. The composer's story is fascinating and is told in an absorbing way, a way that also shows great enthusiasm for the subject. Any important parts are not skimmed over and have their impact. Ronald Pickup's Verdi is note-perfect and Carla Fracci matches him in a nuanced performance. All the roles are well-done and don't fall into caricature- and it is easy to do that- too much. Overall, an outstanding series that is deserving of a much better DVD release, the Kultur version doesn't really do it justice. 9/10 Bethany Cox
Ronald Pickup brings opera composer Verdi to life.
It's only fitting that the two greatest (arguably) opera composers of the nineteenth century have duelling, operatic biopics.
Okay, age-ists, crawl out if your caves and surrender! In "Wagner" Richard Burton gives the performance of his life. He was born to play Wagner and he's supported by some great English actors who were marquee names of stage and screen. "Wagner" also has a fantasy feel, as if Wagner were one of his own heroes. Perhaps, in his mind, he was.
While Ronald Pickup is equally well-chosen to play Verdi, his name lacks Burton's across-the-pond resonance. I'd seen lots of movies with the guy and never noticed him until this miniseries highlighted him for me.
"Verdi" is more down to Earth than "Wagner." It doesn't have that ethereal feel the other biopic gives the German. And since Verdi is an Italian hero the series is filled with Italian actors who are dubbed for us Englush speakers, which makes their lips look a bit rubbery and unnatural.
Both "Wagner" and "Verdi" have narration to help the novice understand what's going on. Most of us aren't Verdi experts, after all. Even the shorter, story-driven "Amadeus" had narration. While narration in "Wagner" is subtly done by a minor character who may not be altogether trustworthy, "Verdi" in its English incarnation has no-bones-about-it narration by American actor Burt Lancaster, and he's just fine.
'Verdi" isn't an Oscar-worthy flick; nor is it an operatic fantasy. It's a straightforward retelling of the life of Verdi (so far as I know) for those of us who appreciate the background material.
But whether "Wagner" or "Verdi" what's most important is the music.
It's only fitting that the two greatest (arguably) opera composers of the nineteenth century have duelling, operatic biopics.
Okay, age-ists, crawl out if your caves and surrender! In "Wagner" Richard Burton gives the performance of his life. He was born to play Wagner and he's supported by some great English actors who were marquee names of stage and screen. "Wagner" also has a fantasy feel, as if Wagner were one of his own heroes. Perhaps, in his mind, he was.
While Ronald Pickup is equally well-chosen to play Verdi, his name lacks Burton's across-the-pond resonance. I'd seen lots of movies with the guy and never noticed him until this miniseries highlighted him for me.
"Verdi" is more down to Earth than "Wagner." It doesn't have that ethereal feel the other biopic gives the German. And since Verdi is an Italian hero the series is filled with Italian actors who are dubbed for us Englush speakers, which makes their lips look a bit rubbery and unnatural.
Both "Wagner" and "Verdi" have narration to help the novice understand what's going on. Most of us aren't Verdi experts, after all. Even the shorter, story-driven "Amadeus" had narration. While narration in "Wagner" is subtly done by a minor character who may not be altogether trustworthy, "Verdi" in its English incarnation has no-bones-about-it narration by American actor Burt Lancaster, and he's just fine.
'Verdi" isn't an Oscar-worthy flick; nor is it an operatic fantasy. It's a straightforward retelling of the life of Verdi (so far as I know) for those of us who appreciate the background material.
But whether "Wagner" or "Verdi" what's most important is the music.
each biographic movie is a challenge. for entire artistic team. and for viewer. Verdi is not an exception. and more important than the accuracy of events, music or costumes, landscapes and performances of actors is the atmosphere. far to be a masterpiece, it is a honest good series about the life, the fights, the work, the success and the search of the best musical phrase by one of the essentials Italian composers. a film who not ignores romanticism and old recipes for conquer the public but it preserves and presents the air of a period, the force of characters and a Giuseppe Verdi who is more than a decent sketch. and that details are basis for an admirable job. because the drama and the music and the lights and the landscapes are keys for a beautiful universe episode by episode.
for the inspired reconstruction of atmosphere of a page from Italy's past. for beautiful performance of Ronald Pickup. for the seduction of a fight for values who impress scene by scene. for the grace of music. and as homage to a great composer who becomes vulnerable, courageous hero of his nation. good introduction to his life. and interesting piece of biographic portrait who use the clichés for large, convincing, powerful image of a personality who becomes symbol of his mother land. and that transforms the film in a manifesto, like the music of Verdi. short, a beautiful film. who could represent a nice surprise for the viewer who prefers this genre.
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