C.A.S.H.

I'm going to spend as much time on this review as the writers did on the script. This is easily THE WORST sequel EVER made.

They KILLED Navin Johnson. Not only was Mark Blankfield's performance GOD-AWFUL, so was everyone elses!! The physical comedy was forced, flat and predictable. The script seemed to have been written by mongoloid monkeys using the pen names Ziggy Steinberg and Rocco Urbisci. How the producers managed to squeeze out such vile cinematic excrement is beyond me. They even managed to make veteran actor Ray Walston look like a talent-less buffoon. Director Michael Schultz should be ashamed of himself.

I want the 96 minutes of my life I spent watching this befouled memory of a brilliant comedy back so I can try and convict everyone involved for this cinematic atrocity.

I can't believe this movie exists.

Me and my friends ran into it on TV and watched the whole thing.

This movie really does address problems of the first "Jerk". For example, the first Jerk didn't have enough silly crosseyed faces. Thankfully "the Jerk Too" makes up for this in plentiful amounts. Also the original "Jerk" had too many jokes. Luckily, "the Jerk Too" knows when to draw the line. The jokes fly by at about one every 20 minutes, whew, just enough time to catch your breath in between laughing so hard! At the crosseyed faces!

Why is this movie so dark? I don't mean grim or gothic. I mean they seemed to only have key lights and left out the fill lights. Every scene has pitch black backgrounds, where you can only see the actors in the foreground. Ever notice how movies with a lot of pitch black makes you want to go to sleep? Or at their best, make you feel like they are hiding something, something mysterious or scary. This is how the Jerk makes you feel -- sleepy and afraid.

The music is bizarre. The first half of the movie is a horrible 70s comedy soundtrack...wacky light hearted music that comes and goes whenever it feels like it. It usually covers up the long montages of city scapes that take up a lot of time in script-deprived films like this. BUT THEN the music starts turning more into an 80s sound...pumping bass and fake heavily reverbed drums. Very odd.

The most fascinating scene was the classic Hobos vs. Bum dramatic monologue towards the end of the movie. Sure, there aren't ANY jokes in this very long scene, SURE, it doesn't help further the plot, it has nothing to do with the main character, and it brings up issues that were otherwise completely absent from the rest of the film. But on it's own, without the context of the bad movie, it's a pretty interesting scenario. I just can't figure out what it's doing in this movie.

Basically when a bunch of hobos are together and planning a way to rescue the jerk, one hobo declares opposition to the plan. "Why should I help him, nobody helps us!" The lead hobo then goes on a VERY lengthy speech about the difference between a hobo and a bum. It is VERY repetitive and adds NOTHING NOTHING NOOOOOTHING to the film. IT'S SO WEIRD.

So to sum up : No jokes, no lights, a lot of "Hobo #3" character development in one scene.

I'm on the opposite end of the previous comment.

First of all, I don't think this was intended to be a straight sequel to "The Jerk". I mean, it's not titled "The Jerk 2"... it's "The Jerk, Too", which leads me to believe that while a lot of the character names are the same, it actually revolves around a completely different person.

Think about it: Virtually no connection to the previous movie, other than character names; a totally different story; different cast; and the fact that it's a partial musical.

I say give this movie some credit. It does have plenty of laughs in it.. Mark Blankfield at his prime.

Honestly, when I saw this movie years ago I immediately wanted to turn it off. As I sat there for the next 10 minutes or so, I realized that the actor playing Navin stole the show. His facial expressions and comedic demeanor makes me shake my head as to WHY he hasn't been in more comedies. He has this "Marty Feldman" thing going for him but MUCH, MUCH more talent...taking nothing away from Marty. The movie really shocked me by how close it was to the original Jerk, but then again, it was SO MUCH MORE. I really think that if this movie was released first, and I saw the Steve Martin movie 2nd, I'd think the 2nd was a cheap rip-off. I know it sounds like a BOLD statement, but it's true. I actually like Steve Martin a great deal, but his performance is 2nd to the actor in The Jerk Too. I wish I could get a copy of it for my collection. I urge you to see it if you can find it.

You can never have seen either film and still know that The Jerk Too is a disaster. The question is not, "How did it get made," because if you throw money at anyone and tell them to make a film, they will do so.

No. The question is "Why, oh why, did Steve Martin allow it to be made?" I think he needed the money to fight a nuisance lawsuit and was determined it not cost him anything. He knew the sequel was going to be so frightful, that out of pride, he wouldn't even count it's royalties as income.

The only way this sequel could not be an embarrassment is to have had Carl Gottlieb and Steve Martin revive the nation's favorite poor black family.

And "dcreasy2001" (aka Mark Blankfield?): It's just transparently obvious that you worked on this film in some sad capacity, and the only way you can feel better about your involvement is to be the sequel's lone cheerleader as an IMDb user comment. I was praying for you to veer over into satire, but alas, you were really making an effort at spin. Why not 10 stars?