Glitter Dome

Take the worst of 1980's excess, sprinkle every murder mystery/cop drama cliche on top, and toss in phoned-in performances and awful direction, and you've found your way to The Glitter Dome.

James Garner (Al Mackey) is a street-wise "seen-it-all" detective. He drinks hard, brings home whatever he can get at bars, and wanders his way through crime scenes making smart-aleck remarks.

John Lithgow (Marty) is the cop with a conscience. Plagued with nightmares about a child he couldn't save, the straight-laced detective just can't play in Mackey's world of drama.

Together, they are confronted with solving the murder of a studio head tangled in Hollywood excess. Along the way, they confront the seedy side of Hollywood and the people who make it their life.

Mackey pairs up with "Willie" (Margot Kidder), an actress with an attitude and a love of being tied up by detectives like Mackey.

Everything about The Glitter Dome smells "made for TV" at a time when the networks were trying to match pay cable's ability to throw sex, violence and more sex on screen for a TV audience unaccustomed to such fare. But you won't care for a minute.

Nothing about The Glitter Dome is redeemable. The movie quickly becomes confusing to the point where Garner's narration is the only way you can be prepared for the scenes that follow. But you'll be dropping the popcorn after hearing ridiculous narrative like:

"The only thing that has deteriorated faster than the earth's atmosphere is Hollywood Boulevard, which on any given night is a great place to take the family if you want to sell your kids."

Additionally, Kidder's performance as "Willie" is an embarrassment. Kidder can play controversial characters, but you feel the frustration at what appears to be the director's need to have his characters emote.

Nothing illustrates that more than the ridiculous performance by director AND actor Stuart Margolin, who camps it up as heir to the studio Herman Sinclair. Was no one willing to throw him against a wall and say, "stop this right now!" Anyone watching this has to wonder if perhaps the film was a documentary about how movies like The Glitter Dome get made in the first place.

Garner, Lithgow, and Kidder must have known The Glitter Dome was essentially a Hollywood mortgage payment after checking out a script that includes the "seen it in every crime drama ever made" mad as hell Captain Woofer who wants this murder solved NOW and the surreal nighttime skating rink that serves as a nexus for information about what really happened to the murder victim.

Avoid this film at all costs, unless you want a nostalgic look back at 1980's era bad TV movies littered with extras with enormous 80's hair. Any Law & Order episode will give you more depth and satisfaction than a trip to The Glitter Dome.

James Garner and John Lithgow shine in this classic as detective sergeants Mackey and Wellborn. I thoroughly enjoyed Garner's character's reaction as a staid old-fashioned sort of cop interacting with extremely sexually liberated Willie played by Margot Kidder. Stuart Margolin's direction gives this film a sort of "Rockford Files" feel. The ending is sad and predictable with Wellborn's (Lithgow) inability to depersonalize the crimes he investigates. But there are some entertaining moments like in Colleen Dewhurst's great scene in which her character, Lorna Dillman, proves herself incapable of the crime. Simply priceless.

If you like Garner and Lithgow, you'll love this one!

The glitter dome is probably Wambaugh at his most sleazy and cynical. It is hilariously funny but even jaded readers might need a shower afterwards. Given that you have a comedy involving hard drugs, pedophilia, prostitution, child murders and incompetent corrupt alcoholic cops the casting seems like a weird choice. Garner and Margolin are certainly known for comedy, but generally of the light harmless variety (Rockford Files, Maverick) where gunshots always miss and women and children always come away unharmed. Although cast against type, Garner does a decent job here as the corrupt boozehound detective Mackey. Lithgow is given a lot more to work with as his neurotic repressed partner who is in the midst of a psychological melt down due to various personal and professional problems. Lithgow actually does an excellent job and gives probably the most standout performance in the entire film. I will hand it to Margolin he didn't hold back, the movie is very faithful to the nasty sleazy source material and he manages to handle the delicate balance of revolting sleaze and wacky comedy pretty well, though I can understand why many viewers may be put off by the tone, the book also had a sort of scizophrenic feel to it. The only thing I didn't like was that it sort of mangled a few important plot points (how they discover rollerskating pornographer "Mr Wheels" makes a lot more sense in the book) and it jettisons altogether some of the novel's funnier side plots to instead focus on the mystery and also the romance plot. However that is to be expected given that the novel is relatively long and complex with many characters and different plot threads that eventually all intersect to help resolve the mystery.

Overall I was pretty impressed with this film, it's an HBO movie from the era before HBO Films was synonymous with prestige. During the 1980s they were mostly known for making somewhat seedy cheap thrillers like The Hitcher, Apology, or Cast a Deadly Spell. I dont think this film has ever been released on DVD but you can find it bootlegged online from VHS sources and maybe even a find a VHS kicking around on ebay somewhere. I say check it out!

John Lithgow's character, a man who was unable to push away the atrocities he had seen in his work as a cop, was heart-rending tragic. (The scene of an abused little boy whom he had rescued is haunting.) Colleen Dewhurst's character was an odd mix of crustiness, worldliness and a little bit of Mother Teresa, with regard to how she took a runaway teen/porn actress under her wing. Although the movie doesn't address it outright, we suspect that Dewhurst's character was a lesbian. It was interesting to see Willie (played by Margot Kidder), react to being treated like a lady by Garner, after having coming on to him in the S&M manner that she was accustomed to.

No, this movie isn't a great, timeless classic. But I found myself intrigued by the characters and the story. Stuart Margolin directed the movie, acted in it, and also composed music for it. It is interesting to see this versatility from a gentleman who has made a career of playing sleazy slimeballs.

Sgt. Mackey (James Garner) and Sgt. Wellborn (John Lithgow) are handed the case of who murdered a movie studio boss. They try to convince their chief (John Marley) they aren't the guys for the job ("Jeez, we might actually have to solve a case."), but get it anyway and soon find themselves in the seedy underbelly of Hollywood. An adaptation of a Joseph Wambaugh novel, this one comes from producer-director-composer-co-star Stuart Margolin and takes a second to get used to with its juxtaposition of deadly serious and darkly funny bits. It is very un-PC so a lot of the dialogue would never fly today. Garner and Lithgow are fantastic in the leads as partners who really care for each other's well being. There is also one helluva dramatic shock toward the end that was incredibly done. Definitely recommended. Also featuring Margot Kidder, Paul Koslo, and Colleen Dewhurst.