George Stevens

"George Stevens: A Filmmaker's Journey" is a testimonial of Steven's son to his father. Stevens was a most talented director, whose work spanned many years and whose films embraced many genres. He was a fine comedy director and also directed musicals with class. His action films were spirited and his romantic dramas moving. Many critics have tended to first overrate, then upon re-evaluation underrate Steven's work. My feeling is that Stevens chalked up a remarkable record of high quality films throughout his career, and this bio provides a wide range of his work, through film clips, interviews by actors, producers and directors, and through a loving narration by George Stevens, Jr. This is a must for Stevens fans and an enjoyable film for others.

This is an outstanding documentary on the life of George Stevens, 2 time Oscar winner for best director.

I never knew that he started out on comedies and that the advent of World War 11 had such a profound effect on him,that he never made another comedy after returning from the war.

The man was a genius at comedy. His slow-pace belief as depicted in 1942's "Woman of the Year" was terrific to watch. Remember the scene with Katharine Hepburn trying to make breakfast for Spencer Tracy?

Stevens was an American icon. His American Trilogy included "A Place in the Sun," as well as "Shane," and "Giant." His World War 11 classic, "The Diary of Anne Frank," shall live on in the hearts of all of us.

A fair-minded man, he went on the attack when Cecil B. DeMille demanded that everyone sign a loyalty oath in an attempt to drive out Joseph L. Mankiewicz from the film industry.

The following people received acting Oscars under the direction of Stevens: Charles Coburn, "The More, the Merrier, (1943) and Shelley Winters, "The Diary of Anne Frank" (1959).

The following people received Oscar nominations under the direction of Stevens but did not win: Katharine Hepburn- "Alice Adams," and "Woman of the Year." Brandon De Wilde and Jack Palance for "Shane," Montgomery Clift and Shelley Winters for "A Place in the Sun," as well as James Dean, Rock Hudson, and Mercedes McCambridge all for "Giant." Also: Ed Wynn for "The Diary of Anne Frank."

How ironic that 1962's "The Greatest Story Ever Told," was a colossal failure.

I think George Jr. is using his position at the American Film Institute to "manage" his father's legacy---which is wrong. The impact of George Stevens' work should be judged on its own merits. His films speak for themselves, and it's embarrassing to see a son canonize his father so publicly.

I'm proud of my dad too, but I wouldn't erect a monument to him for being one of America's all-time great little league coaches.

If George Stevens' films are important (they are) and stand the test of time (they do), then let others praise this unique American artist. For a son to create documentaries about (and name AFI awards after) his father is a tacky cry for attention. "Hey, don't forget my dad! He was a great American filmmaker!" Usually, TV producers will see the potential of (or a market for) a documentary about a great American filmmaker and ask the artist's family to participate by donating old photos and agreeing to be interviewed on-camera. George Jr. apparently grew impatient waiting for such an offer. Possibly he feared no offer would ever come...so he produced his own documentary. And all to build up his father's legacy.

Written, directed, and narrated by his son. Dad had worked with just all the HUGE big stars. One of the earliest full length films that George senior had directed was Alice Adams, starring Katherine Hepburn. They would make three films together. We watch a whole lot of a couple films by Stevens. Good to see comments from Frank Capra and various other producers and directors. Junior also says Dad was greatly influenced by Triumph of the Will, Hitler's propaganda film, for its style, sharpness, and uniformity. Stevens was also part of the group that recorded color film portions of WW II milestones. Including the D day landing, even at Dachau. Rare-stuff. Some of the scenes from his early films in the 1930s went on for quite a while. Longer than they probably needed to. It's quite interesting, over-all.

Having watched this on Disc Two of Woman of the Year after many years of only knowing of it, I find George Stevens Jr.'s loving tribute to his father quite touching in the way he shows various clips of his dad's most classic movies, his interviews of many of those films' stars as well as many of his father's fellow directors, and of his dad's experiences in life especially what he went through during World War II when he went to Europe to film some military docs. In summary, George Stevens: A Filmmaker's Journey is a fine tribute.