Final Justice

Joe Don Baker. He was great in "Walking Tall" and had a good bit-part in "Goldeneye", but here in "Final Justice" all hope is gone...the dark side has won.

As with most of humanity, my main experience with this one was on MST3K, and what an experience it was! Mike and the robots dig their claws deep into Baker's ample flesh and skewer this flick completely. It's obvious they were just beginning with "Mitchell" on their anti-Joe Don kick and here lies their continuation on a theme.

It makes for a funny experience, though: there are plenty of choice riffs. My favorites - "John Rhys-Davies for sale", "It's 'Meatloaf: Texas Ranger'", "none of them are sponge-worthy", "Why was she wearing her prom dress to bed", and my favorite - "'Son of a...'? What? What was he the son of: son of a PREACHER MAN?"

By itself, "Final Justice" is, as Joe Don puts it in the movie, "a big fat nada". But here, it actually has some entertainment value. You get a chance, catch THIS version of "Final Justice".

Two stars for "Final Justice". Ten for the MST3K version ONLY.

Oh, and try not to visit Malta when Joe Don's in town.

Unbelievably pointless

How many times can you watch Joe Don Baker getting up from a cell bunk? Or hear him say "Go ahead on"? Well this piece of cinematic detritus will test your endurance to the max, and chances are, perhaps, that you won't be able to make it; at least not without the cast of MST3K, who are masters at turning mere nonsense into hilarious nonsense. Not only is the alleged hero a thoroughly unlikable lout, but most of the time, when he's not bullying the stereotyped Maltese locals around, he's getting beaten up, jailed or he's making bad on promises. Plus he says "Go ahead on" alot. Annoying as hell, I tells ya. In short, complete, nigh-ineffectual jerk. He seems real good on the draw, however, thanks to bad editing and timing.

I notice from the comments that most of the people discussing this movie are basing their remarks on the MST3K airing. That's fair enough (that is, after all, how it got its widest exposure), but, having had the misfortune of seeing "Final Justice" in its original form, I'd just like to share a few thoughts and comments on the uncut version.

First off, it must be admitted that the original version is slightly more coherent than the MST3K broadcast, owing primarily to an expository scene between Rossano Brazzi and Venantino Venantini (I COULD use the characters' names instead of the actors', but I just love typing the words "Venantino Venantini"), explaining why Venantini's fugitive character can't just leave Malta right away. (It's not a very CONVINCING plot point, but at least the filmmakers tried to cover it.) Whether this scene was cut just for time or because it didn't provide much fodder for riffs, I don't know.

Another plot point missing in the original: The stripper's betrayal of Venantino Venantini to Joe Don Baker, seemingly unmotivated in the MST3K version, is explained by an earlier, extremely unpleasant scene in which Venantini rapes her in the shower. While this does give her a motive for turning against him, the whole scenario is just really...icky. (There's no other word for it.)

Some of the MST-worthy moments (the perpetual truncated shouts of "Son of a--" and the "deja vu" shooting of the sheriff) were purely the result of the edited-for-TV print they worked with, and were absent from the original movie.

One scene I wish had made it into the MST3K version: Before entering the bar to question some people, Joe Don asks the Maltese policewoman accompanying him to stay outside, because "they see that uniform, they won't cooperate." However, Joe Don himself is wearing his ridiculous cowboy-slash-sheriff outfit, complete with shiny badge! I can't imagine why they passed on that great opportunity to make fun of him...

One final observation on the original, uncut version of "Final Justice": Why, oh why, did they feel the need to put Venantino Venantini's naked butt up on the screen?

The MST3K print of this is, in my humble opinion, one of the funniest things they have ever done. I was on the floor. That is primarily the fault of the movie itself, though. OK, we've got a Texas "Indian" (despite the name Geronimo, which I thought was just an amusing nickname, I had no idea he was supposed to be Indian until the end). He lumbers around and when challenged, says, "You think you can take me? ....Go 'head 'on. It's your move." Possibly the stupidest catch phrase ever. The plot keeps going in the same circle - Joe Don is told by someone to let things alone, he doesn't, he manages to destroy something or someone, he is hauled back into an office of authority, lectured, and told not to do it again. Then he sneers and goes and does it again. As seems to be typical of Joe Don in these years (see Mitchell), he intentionally plays his hero as a clumsy, close-minded, stupid but dogged individual. I mean, I appreciate realism, but I don't exactly want to see my hero hit his head on ceiling posts, stumble over tables, or dribble food down his shirt. Let's leave those little enticing details of the human condition out of a two hour film. Man, this movie is packed with laughs...see it if you can, preferably MST version, but this one is so 'good bad' that you can pretty easily supply the commentary yourself, even if you don't consider yourself a renowned wit.

It's amusing to see that Hollywood later borrowed ideas from this film, and used it in BLACK RAIN many years later. Joe Don Baker plays a texas cop ordered to take a prisoner (venantini) back to Italy. But he escapes. Lots of action and exploitation sequences as Venantini goes crazy of some female victims. Rosanno Brazzi has a thankless role as a bad guy, and Venantini is really great as a villain. This was the last of the Greydon Clark/Baker production. The film even has a catchy end credit song. The video print is dark, and the DVD is also dark and scratchy, but I remember the old HBO print was excellent.