Fanny Hill

I have to admit that I was one of those people who, let's say, were not very best pleased when Fanny Hill was first released. Some of the thoughts that came to mind, I am afraid, I cannot repeat. So what's changed? A few weeks ago, I heard that a extremely talented screenwriter is adapting Fanny Hill for one of the main TV channels here in the UK, I decided to do some researched. I got myself the John Cleland book, and the DVD with Lisa Foster, expecting the worse. The book is very good, go read it. The DVD was fantastic, go watch it! The storyline is good, it was very well filmed with lots of good period pieces, quite authentic as well, and follows quite well the book. Having read the book first and then watch the DVD, I was not disappointed. I thought the erotic aspects, of which there were lots, with lots of nudity, were tastefully presented.

The acting? Surprisingly good. Let's put aside the over acting by big names like Oliver Reed and Shelley Winters, they were good and amusing, but at best were the support act. The star's Lisa Foster, or Lisa Raines. I thought she was very beautiful, with an excellent body, and you can see a lot of her. The movie, the story, called for lots of nudity, and I did not feel that any nude scenes were unnecessary, or out of context. She showed what a good actress she is. Nudity aside, she could act, the story line required the show of innocence, a sense of naughtiness, excitement, adventure, sadness, elation, Lisa Foster showed all of these. I am very surprised by her entry in this database that this was probably her most major piece of work. What a shame. I am sure that when the movie was first released, Lisa was probably put into some sort of category like 'actress who likes taking clothes of', and may have accounted for the lack of good roles after that. Shame that she made the movie 20 years too early.

As a woman, and a married woman with kids, I am not afraid to say that Fanny Hill is a very good movie, and Lisa Foster is a very good actress. I have since seen the movie again, with a bunch of friends who had the same thought as me when it was first released, and they loved it too.

If you have not seen the movie, go watch it.

This version of the once banned Fanny Hill story clearly had a budget to burn: we have various familiar faces in the supporting roles. Most of them just show up to pay the rent, but Shelley Winters' portrayal of a madam is convincing. Also, a lot of money has been spent on sets and costumes. This alone makes it a lot more watchable than the average erotic B-movie, not to mention that the general light-heartedness in which the film approaches its subject is much more suitable for creating eroticism than the Erotic Thriller US style which so often combines sex with violence and death.

Still, this film has not managed to become a genre classic and it is not hard to see why. Most importantly, there is the actress playing the title heroine, Lisa Raines. While she's undeniably pretty (with or without clothes), her acting range is rather limited; it was probably impossible to get an established actress play such an exposed role. The 'innocent young girl' Lisa has to play at the beginning of the film is not completely believable, but much worse she completely fails to exude any sensuality in the later stages. This becomes especially obvious when we compare her to Maria Harper, the vampish actress playing the whore Phoebe. One gets the impression that Lisa/Fanny loves sex as a nice physical exercise in nice company. A similar criticism applies to her love interest: no charisma, no depth, and an instantly forgettable face.

This being a British film it doesn't come as a surprise that the sex scenes do not come across as very erotic, and that seems more of a cultural problem than a problem with censorship. The notable exception are the scenes involving the already mentioned Maria Harper. I suppose, there must be some Italians in her recent ancestry.

Perhaps the most entertaining part of this movie is the appearance of veteran Wilfred Hyde-White, one of those individualistic character actors who,like his friend Robert Morley, never fail to entertain even in the most pedestrian film. Fanny Hill isn't great cinema, but it is great fun, and Hyde-White is hugely enjoyable to watch. Shelley Winters is clearly relishing her role, and between them these two reliable veterans prove that a film that might easily become reliant on nudity to make an impact has chosen, like so many British sex comedies, to use actors of experience and talent to make more of a movie than its sexual content can provide. An enjoyable romp.

This version, or at least, my copy, has been censored, I am sure about it. Despite this, it contains so much nudity, especially from the very sexy Lisa Foster, that it should have come with a health warning, in a positive manner, mind you. My heart rate increased every time Lisa undresses, or suggest that she would undress.

I read the book some months back in my book club, probably because of its notorious reputation, but mainly because we needed controversial material for discussion. I enjoyed it immensely, both from the literature perspective and an erotic perspective. And then I watched the movie, again with my book club. My apprehension that movies generally don't live up to books (apart from Lord of the Rings), especially an adaptation of an erotic novel, soon evaporated. OK, much 'entertainement license' was taken when making the movie. OK, some of the acting, especially from the established stars were much exaggerated for their characters. See beyond these, and you will see a rather good movie, with a nice story line, sets, scenery, plots and some excellent acting from Lisa Foster, the lead and real star.

There are a few things that needs to be said about Lisa Forster, and this are not what I feel, but what my club member also thought and agreed. First, she is a very good actress. She is not just about taking her clothes off, which she does very often. This girl can act, emotion, laughter, naughtiness, deviousness. I think those of her fans are surprised that she did not go on to do more, a little stereotyping going on perhaps? Second, she is extremely beautiful, very pretty face, very sexy body that has nothing out of place, and everything in great proportion. She does does show off her body, completely nude or just topless, a lot in the movie, but never out of context. The nudity, and not just from Lisa, are all necessary and tasteful, nothing pornographic, and the amount is not overwhelming.

For all of my fellow members, the movie made the book so much more interesting and, put things into perspective, or bring a book to life. Wonderful stuff!

When I chanced upon FANNY HILL at the local DVD rental shop, I only had a vague notion of either this version existing or of what the "classic" novel was about – but since American sexploitation maverick Russ Meyer had made it into an intriguing movie himself back in 1964, I figured it was a bawdy period romp and, since I had been in a costume picture state-of-mind for a while now, I decided to give it a spin.

The presence of three veteran film stars (Oliver Reed, Shelley Winters and Wilfrid Hyde-White) was also enticing but, unsurprisingly, they are only there for marquee value: Reed's almost incoherent Popeye-ish accent is simply embarrassing, likewise watching flabby madam Winters being surrounded by all that petite naked flesh (not hers, of course, but that of her charges and their consorts) flailing about, but it's octagenarian Hyde-White (in his last film, no less) who tops both of them by snuggling in bed with the title character…who is all of 19 years of age; I've seen Hyde-White in several of his earlier films and I'm positive he never performed a love scene in any of them!

Indeed, it's gorgeous leading lady Lisa Foster – who, thankfully, indulges in much full-frontal nudity by shedding her clothing completely at every possible opportunity – which, even in the heavily-censored variant I've watched, makes this consistently raunchy period piece tolerable; it's a pity that she didn't get much ahead in her acting career as one would certainly have liked to see even more of her. Interestingly enough, she later switched to doing animation work and was also involved in the digital restoration of Walt Disney's SNOW WHITE AND THE SEVEN DWARFS (1937)!

The orphaned innocent Fanny Hill soon falls in with some ladies of ill-repute as she reaches London to better her prospects, and is immediately instructed in what is expected of her by a more experienced companion Phoebe (Maria Harper) by jumping into bed with her, and later spying on their fellow co-workers in action through hidden holes in the wall BELLE DE JOUR (1967)-style! In fact, the film's plot line is very similar to that of Jess Franco's MARQUIS DE SADE'S JUSTINE (1968) and it's small wonder that the producer of that one, Harry Alan Towers, is also behind this production but, while I'd say FANNY HILL is a more agreeable picture, ultimately it's just too blandly made to stick in one's mind for much longer after it's finished.