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Der Todesjäger

Originaltitel: Deathstalker
  • 1983
  • 18
  • 1 Std. 20 Min.
IMDb-BEWERTUNG
4,6/10
7089
IHRE BEWERTUNG
Rick Hill in Der Todesjäger (1983)
Official Trailer
trailer wiedergeben2:03
2 Videos
99+ Fotos
B-ActionDark FantasySword & SorceryActionAdventureFantasy

Der Krieger Deathstalker wird von einer Hexe auf die Suche nach einem Kelch, einem Amulett und einem Schwert geschickt, zwei davon in der Hand des bösen Zauberers Munkar.Der Krieger Deathstalker wird von einer Hexe auf die Suche nach einem Kelch, einem Amulett und einem Schwert geschickt, zwei davon in der Hand des bösen Zauberers Munkar.Der Krieger Deathstalker wird von einer Hexe auf die Suche nach einem Kelch, einem Amulett und einem Schwert geschickt, zwei davon in der Hand des bösen Zauberers Munkar.

  • Regie
    • James Sbardellati
  • Drehbuch
    • Howard R. Cohen
  • Hauptbesetzung
    • Rick Hill
    • Barbi Benton
    • Richard Brooker
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,6/10
    7089
    IHRE BEWERTUNG
    • Regie
      • James Sbardellati
    • Drehbuch
      • Howard R. Cohen
    • Hauptbesetzung
      • Rick Hill
      • Barbi Benton
      • Richard Brooker
    • 78Benutzerrezensionen
    • 74Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos2

    Deathstalker
    Trailer 2:03
    Deathstalker
    Deathstalker
    Trailer 2:10
    Deathstalker
    Deathstalker
    Trailer 2:10
    Deathstalker

    Fotos101

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    Topbesetzung22

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    Rick Hill
    Rick Hill
    • Deathstalker
    • (as Richard Hill)
    Barbi Benton
    Barbi Benton
    • Codille
    Richard Brooker
    Richard Brooker
    • Oghris
    Lana Clarkson
    Lana Clarkson
    • Kaira
    Victor Bo
    • Kang
    Bernard Erhard
    • Munkar
    Augusto Larreta
    Augusto Larreta
    • Salmaron
    • (as August Larreta)
    Verónica Llinás
    Verónica Llinás
    • Toralva
    • (as Lillian Ker)
    Marcos Woinsky
    Marcos Woinsky
    • Gargit
    Adrián De Piero
    • Nicor
    • (as Adrian De Piero)
    Jorge Sorvik
    • King Tulak
    • (as George Sorvic)
    Boy Olmi
    Boy Olmi
    • Young Man
    Horacio Marassi
    • Creature Leader
    • (as Horace Marassi)
    Patrick Duggan
    • Colobri
    Maria Fournery
    Maria Fournery
    • Anella
    Gabriela Rubinstein
    • Tarra
    Sebastián Larreta
    • Talan
    • (as Sebastian Larreta)
    Amalia Marty
    • Zaptiah
    • Regie
      • James Sbardellati
    • Drehbuch
      • Howard R. Cohen
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen78

    4,67K
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    Empfohlene Bewertungen

    amesmonde

    Cheap and cheerful Conan nonsense.

    A warrior named Deathstalker is sent on a quest by a witch to find a chalice, an amulet, and a sword, soon he finds himself making new allies whilst battling warriors, creatures and a wizard.

    Off the back of Conan the Barbarian (1982) director James Sbardellati's (credited as John Watson) offering is in the vein of The Sword and the Sorcerer (1982) but lacks the scope. Writer Howard R. Cohen's adult orientated plot is paper thin.

    Modelled on He-man Rick Hill (with a mix of Peter Weller and Dolphin Lundgren) does a good enough job as Deathstalker. Wearing very little the late Lana Clarkson steals the show. Richard Brooker as Oghris is notable. Gratuitous nudity galore, unnecessary rape, produced by Roger Corman it has all the production pitfalls you'd expect, including cheap sets and choppy editing, but is high in concept and is entertaining for the most part. Óscar Cardozo Ocampo's music raises the production and staged fight scenes, even if a little intrusive at times. The giant pig-man gladiator fight scene setup is a highlight even if nothing like the promotional art. Also the showdown is interesting even if borrowed from Superman II (1980) where Flash Gordon's Ming-like sorcerer Munkar played by Bernard Erhard gets to shine a little.

    Overall, it takes itself seriously, it's violent, with wall to wall scantily-clad leads and extras. It has a strange appeal, oozing low budget eighties sword and sorcery shenanigans. One of the better Conan cash-ins, even if the poster art is better than the film.
    exendu

    Loved It

    The makers of this movie gave absolutely ZERO F**ks, and i respect that. Kill the bad guys, Save the girls, pretty straightforward and fun. Good guy is a blank slate easy to identify with and the bad guy is a good and easy target to hate. lots of random careless nudity and plenty of 'classy' one liners. It's nothing to write home about certainly but those of you who like the 80's metal movies like Conan will love it. pretty basic as far as plot and story line but that's nothing you won't expect from the poster. I think it has great potential as a background movie for any good D&D campaign or reckless party. Epic Metal Movie, get drunk and enjoy
    4Vomitron_G

    One boobie, two boobies, four boobies, six boobies, eight...

    Woosh…! Man… What can I say...?

    The opening-scene, maybe? We see a bunch of mongoloid-barbarians with bad make-up jump off the walls of some ruins. They sneak around and attack some dude with a scantily clothed captive girl. The dude runs off, the mongoloids follow him and one of them stays behind seemingly to rape the girl, but instead he exposes one of her breasts and kidnaps her. Then, the dude (still on the run) sees a horse and tries to steal it. Suddenly… a blond god-like looking hero with a bad wig appears, saying "That's my horse!". The Mighty Deathstalker just made his appearance. The mongoloids arrive, Deathstalker kills all of them (including the dude) on the tunes of some rather inappropriate Mexicanos western score (this is supposed to be a Swords & Sorcery flick, so what's with the 'arriba-trompettos'?), and then goes up to Captive Girl and exposes both her breasts. He starts to rub them and Captive Girl seems to like it. She starts liking her lips and caressing Deathstalker. Just when they are about to get down to it, this old dude appears, interrupting what could have been the end of a perfect day for Deathstalker (and a possible perfect ending for a short-film).

    Now tell me… Isn't that the point where either a feminist would angrily switch off the movie, or any other male viewer would say "This is going to be one hell of a good movie!" The plot is as simple as throwing a kitten from the balcony: Deathstalker must obtain the Sword of Justice and use it to steal the Amulet of Life and the Chalice of Magic from the evil sorcerer Munkar.

    Aside from decapitations, dismemberment, random bloodshed, retarded fist fights and embarrassing sword fights, this film also contains a massive amount of t!ts & a$$ shots. I initially wanted to add one extra point to this movie for each gratuitous shot of naked boobies I could count. After 9 points (not even halfway into the movie), I had to give up counting. It was distracting me from the rest of the movie. And the rest of the movie was worth it. Totally crazy stuff. Check out this mutant cat/worm-like creature Munkar has as a pet and which he feeds eyeballs and fingers. And here's an interesting question: What would you do if a man in a woman's body would enter your bedroom and try to kill you with a knife? The answer is simple: You slap him around a bit, take away the knife and then try to rape him. Then you discover that he's actually not a woman, so you throw him out of your bed and tell him to leave your room. It works out well, I tell you. Deathstalker does it too, and the Deathstalker-way, is the right way!

    DEATHSTALKER is a wonderful movie, really, as pointed out in other comments. The villains are vile. The women are delicious. There's blood, sex, violence, rape and tasty chicken. There's a completely pointless tournament which just features a bunch of barbarians beating, slashing and hacking the crap out of each other. My favorite weapon used in that tournament was a giant wooden hammer, used to beat a poor contender to bloody pulp. And my favorite contender undoubtedly was that one brute with the Warthog-head (reminiscent of the Gamorrean Guards from RETURN OF THE JEDI). I won't reveal how the movie ends, but just prepare to ravish in delight when I tell you a 4-way dismemberment is thrown into the movie's climax.

    And of course, there's a wonderful display of ineptitude throughout the whole movie. See a guy being dragged behind a horse over a dirt road, and the next point-of-view shot shows him being dragged over grass (no road). See that awesome tattoo on the sorcerer's head magically change sides within the same scene (on shot has it on the left side of his head, the other on the right). Well, after all, Munkar is a magician. It's that, or this movie was shot in an alternate universe where things like "continuity" simply don't exist.

    As much as I enjoyed this and as much as I am looking forward to the other 3 installments in this series, I do have enough shreds of decency left in me to not let this movie pass. I am prepared, though, to give it the maximum amount of minimal points, just so I could be able to deduct a couple of more points for the possibly inferior sequels to follow. DEATHSTALKER might be a superbly fun, trashy & sleazy CONAN rip-off, it also is an abominable movie.
    8rlcsljo

    The best of the sword and sorcery flicks!

    This movie is packed with everything you would expect in a sword and sorcery film(except explicit sex)!

    There are twenty-five breast shots, twenty-seven butt shots, six sword fights, fifteen impalings, two amputations, one arrow in the neck, three beheadings, on horse dragging, one eye-candy, one finger food, one mud wrestle, one pig face, one magical trans sexual operation, two bitch slappings, one crotch stabbing, one head smashing, and one draw and quartering.

    It doesn't get much better than this!
    4AlsExGal

    Roger Cormen dabbles with early 80s fantasy material

    This is an incredibly silly yet entertaining swords and sorcery flick from executive producer Roger Corman. Richard Hill stars as Deathstalker, an oiled-up beefcake of a hero with long blond hair and a lantern jaw, who is tasked by an old witch with finding a trio of magical artifacts before the evil wizard Munkar does and can become all-powerful. Along the way on his quest, Deathstalker meets up with a variety of friends, including a guy who starts off as some kind of goblin in a cave, another happy-go-lucky adventurer, and a warrior-woman who remains shirtless throughout (played by Lana Clarkson, the B-actress who was shot dead by Phil Spector in 2003).

    The early 1980's were a big time for fantasy films, with the two Conan films with Arnold Schwarzenegger, Dragonslayer, The Beastmaster, and The Sword & the Sorcerer. Deathstalker is their trashy exploitation cousin. This film has it all: a bald bad guy with a dumb tattoo on his face, a pig-man with a snotty nose, giants, lots of people with no shirts, a weird puppet monster in a box that eats fingers and eyeballs, a fighters' tournament, lots of people with no pants, gangs of mutants, silly costumes, harem girls, flashy spells, and Barbi Benton. I was able to appreciate its good points - maybe it's just nostalgia - but most rational people will find it lurid and dumb. This was an American-Argentinian co-production with a sequel that actually is an improvement.

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    Handlung

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    • Wissenswertes
      Playboy Playmate Barbi Benton's last film role and last nude scenes. After this, she only appeared in guest spots on TV shows.
    • Patzer
      In the torture chamber, the tattoo on Munkar's head switches from its usual position on the left side to the right side. When he appears again it is back on the left side.
    • Zitate

      Deathstalker: I steal and kill to stay alive. Not for the luxury of glory.

    • Verbindungen
      Edited into The Warrior (1984)

    Top-Auswahl

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    FAQ18

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    Details

    Ändern
    • Erscheinungsdatum
      • 13. Juli 1984 (Westdeutschland)
    • Herkunftsländer
      • Argentinien
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • El cazador: el último rey guerrero
    • Drehorte
      • Argentinien
    • Produktionsfirmen
      • Aries Cinematográfica Argentina
      • Palo Alto Productions
      • Palo Alto
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 457.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 11.919.250 $
    • Eröffnungswochenende in den USA und in Kanada
      • 456.700 $
      • 5. Sept. 1983
    • Weltweiter Bruttoertrag
      • 11.919.250 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 20 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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