Countdown to Looking Glass

Countdown to Looking Glass is a good speculative thriller examining the outbreak of World War III. Made during the Cold War, it is rife with the tension of the period. It also gives a haunting portrait of how the apocalypse could have happened.

Through a series of news reports, we see events spiral out of control following a financial collapse in South America. We see both the televised reports and the behind the scenes debates among the reporters and their producers. The film not only has a keen eye for political developments, but also a good sense of the role of media in shaping the world.

The film also wisely avoids showing the actual nuclear exchange. Rather than imitate The Day After, which had come out a year earlier, the film keeps its focus on the lead up to disaster, heightening the tension. It is a worthy entry in the early 80s end of the world genre.

Because of the inability of several South American countries to pay their debts the United States is plunged into an economic crisis which has far-reaching repercussions. Oman, for example, experiences a revolution and this results in a communist government which tilts the balance of power over to the Soviet Union and further escalates tension in the Middle East. Soon the United States and the Soviet Union become directly involved in a high-stakes military standoff which neither side seems to be able to resolve. Anyway, rather than disclose the rest of the story and risk spoiling the film for those who haven't seen it I will just say that for a "made-for-television" movie this was a pretty good political thriller. While I didn't particularly care for the ending I liked the performances of Scott Glenn (as "Michael Boyle") and Helen Shaver ("Dorian Waldorf"). I especially liked the scene involving the U.S.S. Nimitz when it reached the Gulf of Oman. Good tension. Be that as it may I think this is a movie that most viewers will probably enjoy and I rate it as above average.

There were Threads, Day After, By Dawn's Early Light, plus more but I say this movie was the most believable nuclear war starting theory ever made. Never a dull moment in the movie and good acting throughout. A must have and see. A very scary movie - haunted me for days thereafter.

Very uneven, but ultimately effective tale of the build up to a nuclear showdown between the US and USSR, told almost entirely by news reports, using real life commentators like Newt Gingrich, Eugene McCarthy and Eric Severied.

The problem is when the film 'breaks character' to get into the personal lives of Michael Murphy as a government official and Helen Shaver as a reporter. Not only do these (few) scenes feel clunky, melodramatic, and not well written, but they interrupt the whole style and flow of the film, without adding much.

Also, some of the 'news' interviews are frustratingly short – if you're going to go to the trouble to get such interesting real people to play along, why not give them time for more in depth thoughts?

Last, the 'War of the Worlds' type disclaimer at the top of the show isn't great, since it sort of gives away the ending.

But all that said, this is still mostly chilling, thought provoking stuff. Similar to, if not quite as effect as the great 'Special Bulletin'.

One thing has changed since this movie was shown in 1984. ... At the time, it had been a decade since the war in Vietnam had ended. America had lost its stomach for war, and this film about getting into another one would touch lots of nerves.

Now, three or four wars later (who's keeping count anymore?), it should be required viewing.

"Looking Glass" is the name given to the President's flying command post, called that because there are two such planes that look very much alike, mirror images of each other. One is real, the other is the decoy. A chilling piece of information that would convey, if the two planes ever took off, that we really are in a shooting, nuclear war. And as the steps towards the Big War are taken, there is a "countdown" to the takeoff of the Looking Glass command post and decoy. Hence the title.

Gritty realism, a strong strong strong feeling in my gut that, if "it" ever happened, "it" could look exactly like this. I remember that sober churning inside, when I saw this some time in the 1990s. Only this week I was reflecting on how little they actually spent on special effects, but what an explosive wallop they got out of the effects they had, fast paced by the script, the sets, the commentators, everything that HBO had available to tell the story from a network's point of view.

The film had to make me think, and I immediately realized what was the most hard hitting memorable scene for me.

(Not a spoiler, discloses nothing, and is very early in the film) The news anchor turns to interview a "talking head". It is Newt Gingrich, as he was back then, a young young congressperson on his way up.

The anchor points out that the crisis is very deadly. Gingrich agrees.

"We may die," the anchor persists. Again, an agreement.

Then the anchor asks "Is there anything worth dying for?" And Gingrich responds "Tragically, the answer is 'yes'".

He points out that if the US were to back down, we would be submitting to slavery, and that our freedom is worth dying for. Freedom does not come cheaply and should not be yielded. He comes across as more than a leader, certainly a statesman, and in this film performs the thankless job task of saying something we might not want to hear.

I have said this before -- I say a movie is very, very good if I have continued to remember and ponder on it, years and years later. And Looking Glass has stayed with me in that way.