Eine Weihnachtsgeschichte

So this made for TV film scores only a 7.6 on this site? Bah! Humbug! Without question this 1984 version of Dickens' classic tale is the best ever made. And yes, the Hound has seen the 1951 version which was also good, but not good enough. The lack of color is perhaps the biggest shortcoming of that version, although the acting was wonderful.

George C. Scott is simply incredible as Ebenezer Scrooge. We all know the story of this stingy businessman who is haunted by the ghost of his dead partner, then by three other spirits later on that evening. Scott is properly gruff as Scrooge. Too gruff in fact for some critics who claim he is unable to project the new-found glee that he awakens to on Christmas morning after the spirits teach him a valuable lesson. But hey, this is George C. Scott. He's never going to go dancing down the street in a fit of joy. He has too much dignity, and his Scrooge projects his emotion in a realistic manner.

The supporting performances are uniformly excellent, as are the costumes, music, and scenery. 19th Century London comes to life in Clive Donner's visionary style. The film even borders on frightening in several scenes involving the spirits. The important tale of morality shines through in every frame, though.

You won't often find this version aired on television anymore, and that is a disappointment. The 1984 version of A Christmas Carol should be a required part of every household's celebration of the holiday. When the decorations come out of the basement, this film should find its way into the DVD player at least once during the season.

10 of 10 stars.

The Hound.

The 1984 TV version of Charles Dickens' A Christmas Carol is a joyous thing. Fronted by George C. Scott as the infamous Ebenezer Scrooge, Clive Donner's movie pays great respects to the source material and garners a multi stranded piece of brilliance out of Scott. The characters of course remain the same, but headed by Scrooge having a complex and painful background and a persona of confused emotions, there's meaty substance holding the movie up high. Donner and writer Roger Hirson retain the black heart of the source story, with the horror elements suitably effective to bother the children, while the Victorian atmosphere always feels – crucially – authentic.

If you haven't seen this version of the often filmed tale, put it on your list for next yuletide. 9/10

I know many people have a special fondness for the Alistair Sim version of Dickens' story, but for me, this 1984 version is the one to beat. My wife and I own a copy of this film on VHS, and we watch it together every Christmas Eve. I often remark that we could watch it on Halloween too, because it's a very creepy ghost story.

Scott--typecast as Scrooge--is shudderingly mean and nasty, making his transformation all the more miraculous and moving. I think it's up there with his performance in Patton. The spirits are all effective, each one creepier than the last. Watching the dark, floating, skeletal form of the Spirit of Christmas Yet to Come sends shivers down my spine every year. And what a supporting cast! David Warner, in particular, is in top form as Bob Cratchit, as is Susannah York as his wife.

I seem to recall that this version sticks closer to the original story than most others--but I may be mistaken, as it's been several years since I read it. Regardless, this is a terrific Christmas classic.

"Telefilms" tend to fall under the pitfalls of a low budget and a hasty shooting schedule, which is why this film always tends to buck the trend.

George C. Scott embodies Ebenezer Scrooge perfectly, fully encompassing all of his cold tendencies, and still makes him a simpathetic character. The production value for this film was exceptional, never relying on boffo special effects or soundstage set-ups, yet relying on the depth and clarity of on-site shooting and strong backdrops. A movie that certainly stands alone.

It's a lavish TV film of the classic Dickens tale. Ebenezer Scrooge (George C. Scott) is a ruthless businessman and employer to Bob Cratchit. Scrooge rejects Christmas cheers and his nephew Fred Hollywell's invitation. That night, he's haunted by the spirit of his late business partner Jacob Marley who tells him about the impending visit by the three Ghosts of Christmas.

The great George C. Scott brings another level to Scrooge. He's not simply misery but also a ruthless businessman. The words "Greed is Good" come to mind. This is a better made than the usual TV production. This is cinematic. The sets are good looking. It's as compelling as any of the traditional A Christmas Carol and Scott is simply brilliant.