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Füge eine Handlung in deiner Sprache hinzuA historical account on the life of the Zulu King Shaka.A historical account on the life of the Zulu King Shaka.A historical account on the life of the Zulu King Shaka.
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I think this is, unfortunately, a unique series, showing history at least partially from a Zulu perspective, unlike similar movies like Zulu and Zulu Dawn. These movies show history from the colonialists' side and therefore leave a lot of questions unanswered. What were the political and social dynamics of the creation and rise of the Zulu kingdom? What were social relations and even every day like? This series goes a little way in addressing these topics, only a little, but a lot more than any Western television series or movie before it, which is what makes it unique. It wouldn't be misplaced in any modern (high school) class room. Henry Cele is great as the Zulu king to be, the music is great although basically Western, and the story would put any soap opera to shame. Realism is tops, with all the major African players being South African and it being filmed in South Africa. Where it falls down or slows, is when it goes to the more familiar narrative of the colonials, although Edward Fox is good, as always, as is Robert Powell. The series was of course also very topical, because even though it dealt with a war and struggle 108 years earlier, it was also about a fight for freedom and independence that wasn't won until 13 years ago and that is still in the process of being fulfilled.
Recommended.
Recommended.
Although I remember seeing some of the original mini-series in the 80s I had never watched the whole story. My interest was re-awakened when I bought the Shaka Zulu box set in the January sales. Having watched the whole series through I realised that this was a great story, very well told and well acted (especially by the African leads - some of the British cast seem hammy in comparison although Edward Fox to his credit is less hammy than normal).
There are good production values and great scenery (the series used many of the original locations from Shaka's life) and hundreds of "real" extras. All in all a refreshing change from the vacuous CGI laden "epics" which flood the cinema now. I think the fact this was a mini-series has led to this production being seriously undervalued. It is a lot better than many films which get given Oscars.
There are good production values and great scenery (the series used many of the original locations from Shaka's life) and hundreds of "real" extras. All in all a refreshing change from the vacuous CGI laden "epics" which flood the cinema now. I think the fact this was a mini-series has led to this production being seriously undervalued. It is a lot better than many films which get given Oscars.
Thinking of South-Africa and the 1980s in one context, three things come to mind: apartheid, boycott and the mini-series "Shaka Zulu". I'd place this among the best mini-series of the 80's and 90's, among shows like "Shogun", "Tai-Pan", "Roots" and "North and South". "Shaka Zulu" has bit from all of them. It's got history; it's got adventure and action, it has compelling characters and story lines that keep you glued to the screen.
Shaka has most often been described as the Napoleon of Africa", which isn't incorrect, yet, I myself do like to see him as the King Arthur of South Africa. This is mainly due to having read Thomas Mofolos "Chaka Zulu" prior to having seen the TV-series. If you're the reading type, I recommend you to pick it up; it's not only a masterpiece of storytelling, but combines history and mysticism perfectly. Some of the mystic elements have made it into the series (the prophecy of Shaka's rise to power; the forging of Shaka's spear), but generally the story of the TV-show is rooted in reality.
What's to be said about the actors? Well, people like Edward Fox, Robert Powell or Fiona Fullerton are beyond dispute, doing a fine job as would be expected. Same goes by short but poignant guest-appearances by the likes of Sir Christopher Lee, Trevor Howard and Roy Dotrice (superb as a decadent King George IV) but the real kudos must go to the South African cast which, despite being mainly laymen actors, come across as convincingly and authentic as they come.
Former South-African football hero Henry Cele embodies Shaka Zulu like Helmut Berger embodied King Ludwig II of Bavaria, imposing and final. Dudu Mkize virtually steals the scenes she's in, with a mix of grace and dignity that is rare to see on modern TV or Conrad Magwaza as Shakas father Senzagakona and Gugu Nxumalo as Shakas feline-like aunt Mkabayi. Sadly, most of those actors were never seen on screen again; Cele starring in a couple of low-budget action / horror flicks (among them "The Ghost and the Darkness), same goes for Mkizi and for Magwaza (apart in a guest-appearance in a film about Albert Schweizer) and Nxumala, "Shaka Zulu" that remained their only appearance on the silver screen.
In essence, this is a (mini)-series that makes you feel sad once you've reached the final episode: sad that it's over and that there is no more. One wishes it would have gone on, that one could have seen more of the characters, their stories, and more of the rich Zulu culture and its history.
I'd give it 10/10 points if it wasn't for the abrupt, sudden ending, which comes as a bit of a let-down, so 9 from 10 will have to do.
Shaka has most often been described as the Napoleon of Africa", which isn't incorrect, yet, I myself do like to see him as the King Arthur of South Africa. This is mainly due to having read Thomas Mofolos "Chaka Zulu" prior to having seen the TV-series. If you're the reading type, I recommend you to pick it up; it's not only a masterpiece of storytelling, but combines history and mysticism perfectly. Some of the mystic elements have made it into the series (the prophecy of Shaka's rise to power; the forging of Shaka's spear), but generally the story of the TV-show is rooted in reality.
What's to be said about the actors? Well, people like Edward Fox, Robert Powell or Fiona Fullerton are beyond dispute, doing a fine job as would be expected. Same goes by short but poignant guest-appearances by the likes of Sir Christopher Lee, Trevor Howard and Roy Dotrice (superb as a decadent King George IV) but the real kudos must go to the South African cast which, despite being mainly laymen actors, come across as convincingly and authentic as they come.
Former South-African football hero Henry Cele embodies Shaka Zulu like Helmut Berger embodied King Ludwig II of Bavaria, imposing and final. Dudu Mkize virtually steals the scenes she's in, with a mix of grace and dignity that is rare to see on modern TV or Conrad Magwaza as Shakas father Senzagakona and Gugu Nxumalo as Shakas feline-like aunt Mkabayi. Sadly, most of those actors were never seen on screen again; Cele starring in a couple of low-budget action / horror flicks (among them "The Ghost and the Darkness), same goes for Mkizi and for Magwaza (apart in a guest-appearance in a film about Albert Schweizer) and Nxumala, "Shaka Zulu" that remained their only appearance on the silver screen.
In essence, this is a (mini)-series that makes you feel sad once you've reached the final episode: sad that it's over and that there is no more. One wishes it would have gone on, that one could have seen more of the characters, their stories, and more of the rich Zulu culture and its history.
I'd give it 10/10 points if it wasn't for the abrupt, sudden ending, which comes as a bit of a let-down, so 9 from 10 will have to do.
When Nandi and her unborn child are saved by the ancient witch doctor, he proclaims: "A force has been generated that in time will rock the foundation of the African sub-continent."
Indeed the prophecy shaped the event and Shaka was the ruthless founder of southern Africa's Zulu Empire... In less than a decade, the paramount chieftain of the Zulu clan revolutionized the techniques of tribal warfare and fashioned an efficient and terrifying fighting force that devastated the entire region...
Set against the emergence of British power in Africa during the early 19th Century, the film provides some valuable insights into comparative cultures...
Shaka (Henry Cele) is a man of considerable height, thin, with athletic body and white teeth who can read and write... He is a great warrior, tactically, strategically and physically... He rearms his army with a long-bladed, short-shafted stabbing spear, which forced them to fight at close quarters... He goes for extermination, incorporating the remnants of the clans he smashed into the Zulu, making it increase with numbers and power..
The Mini-Series begins with a letter to the British king (George IV) regarding the Zulus' potential threat to the Cape Colony... In an attempt to intimidate Shaka into an alliance with the British empire, the Secretary of War sends a delegation to inner African to meet with the fearful warrior...
We see:
Set against the spectacular panorama of the Zulu tribal homelands, and with graphic violence and frequent nudity, "Shaka Zulu" is a tremendous epic Mini-Series, chronicling the rise and fall of one of the most famous South Africans who has already passed into legend...
Indeed the prophecy shaped the event and Shaka was the ruthless founder of southern Africa's Zulu Empire... In less than a decade, the paramount chieftain of the Zulu clan revolutionized the techniques of tribal warfare and fashioned an efficient and terrifying fighting force that devastated the entire region...
Set against the emergence of British power in Africa during the early 19th Century, the film provides some valuable insights into comparative cultures...
Shaka (Henry Cele) is a man of considerable height, thin, with athletic body and white teeth who can read and write... He is a great warrior, tactically, strategically and physically... He rearms his army with a long-bladed, short-shafted stabbing spear, which forced them to fight at close quarters... He goes for extermination, incorporating the remnants of the clans he smashed into the Zulu, making it increase with numbers and power..
The Mini-Series begins with a letter to the British king (George IV) regarding the Zulus' potential threat to the Cape Colony... In an attempt to intimidate Shaka into an alliance with the British empire, the Secretary of War sends a delegation to inner African to meet with the fearful warrior...
We see:
- The meeting of Nandi, an orphaned princess of the neighboring Langeni clan and Senzangakona, the chief of the then small Zulu tribe... They are instantly attracted to each other... Nandi becomes pregnant, at the same time as Kona's wife, but the marriage did not last... Their marriage violated Zulu custom, and the stigma of this extended to the child...
- The couple separated when Shaka was six, and Nandi takes her son back to the Langeni, where he passed a fatherless boyhood among a people who despised his mother and makes him the butt of endless cruel pranks... He grows up to be bitter and angry, hating his tormentors... The Langeni drove Nandi out, and she finally found shelter with the Dletsheni, a sub-clan of the powerful Mtetwa...
- Shaka rules with an iron hand from the beginning, distributing instant death for the slightest opposition...
- While en route to Shaka's capital, the crew's doctor saves a girl who is in a coma and nearly buried alive by her tribe... Impressed by both the deed and their horses, Shaka agrees to meet with the crew... And so begins the clash of two cultures, two different worlds...
- Shaka, seriously wounded for saving an unknown warrior (King Dingiswayo), is nursed to health by a beautiful Mtwetwa girl...
- Shaka, believing in total annihilation, joins the Mtwetwa army and creates a dangerous weapon for the African warfare...
- Shaka grants Port Natal, with its ivory rights, to the British crew after he is saved by the crew's doctor from an assassination attempt...
- Shaka's mighty army saving the British delegation in a battle against thousands of Ndwandwe warriors... To test the alliance and allegiance of the British delegation, Shaka orders them into battle alone against the Ndwandwe warriors...
- With his mother's death Shaka becomes openly psychotic... Shaka rules by the sheer force of his personality, building, by scores of daily executions, a fear so profound that he could afford to ignore it...
Set against the spectacular panorama of the Zulu tribal homelands, and with graphic violence and frequent nudity, "Shaka Zulu" is a tremendous epic Mini-Series, chronicling the rise and fall of one of the most famous South Africans who has already passed into legend...
You can never read enough history on the Imperial road to ash & the genocidal/ educational civilization offered to the native folks who outnumbered the greatest bluffers who served that Empire. I never expect to learn true history from film or tv even if the source material is excellent. After all the losers have the best stories sometimes. But good works like this with great acting dialogue, locations and a cast of many extras in sumptuous costume, can inspire many to read books written 100 years ago ( before the Orwellian revisions removed the overt racism & collusion in slavery etc in school history class) that authors expressed without guilt. Those tend to be more believable to me! Fresh memories and all.
Of course I know they like to have the great decent white guy protagonist in Hollywood movies about Empire etc. but THIS is an balanced work that tells of the time where even the important figure in charge of the expedition( to avoid a war England could not win nor afford) is still motivated by simple greed. The episodes so far show how often the white guys tried the bluff method so often they were already a few decades away from losing India. I LOVE the details & a story which I hope will be retold again. This history isnt just for the British or Africa but the whole world. The dry wit & cynical Captian Farewell doesnt mind that a man without scruples could just about become a God in this country....LOL also shows how underestimated their African hosts/servants were all along. Indeed the corruption in the third remains the lasting legacy of Spain, France, Portugal & Great little Britian's legacy. The Zulu spirituality depicted isnt any less potent or scary than the one the Missionaries brought over. Worshiping suffering seems to be an odd human mental condition. Still any movie about 1700-1800s Africa or the Arctic or Peru or Mississippi SHOULD be a terrifying/exhilarating tale. I liked the fearless legend & reality of Shaka & the actor is so intense & just looks amazing. The scenery is huge and filled with so much great set design natural beauty horses, costumes...Its just got alot to see. I will be watching it again with my daughter. It tells a true story that provokes more curiosity of the era & the real people. Many episodes focus on the other side of the story, the Africans & their struggle to deal with alliances as well as the snakes that came ashore. I've never seen so many gorgeous women proudly wearing the clothing of their ancestors with pride & confidence. Real African actors made this an amazing film. Long before a comic book film.
Of course at the start they always have the scenes with the exchanging of gifts and boy its withering even to watch the Englishmen melting in their uniforms! The old mirror trick.... (They always have to lie about the king they represent right? And what a gross king IV yuck. )They did this one well. Thats just in 2nd episode. I almost never seen this much time given to any famous historical African beyond Mandela. Or Amin. (Perhaps Netflix will change that. Lots of foreign films to see!)
This guy was the Napoleonic Desert King in his time. I hope they make more series set in this era. NETFLIX had this on to watch & now the $ to make something as great as this now & Game of Thrones sized series. I hope they do it before it all goes boom.LOL
Ok so I totally recommend this. Its got EVERYTHING. Only a terrible storyteller can make history boring. I hope Neflix puts some money into this movie's period --regardless of the location on the globe. It was a time where we still had to discover each other. I love them anyway & a series can really get alot of layers. It aged well.
Wusstest du schon
- WissenswertesThis has been the most frequently broadcast TV mini-series in the U.S. By 1992, over 350 million viewers had seen it. This mini-series dislodged The Hunters (1957) and Die Götter müssen verrückt sein (1980) and its sequels as the prime shaper of American perceptions of "tribal" history in southern Africa. The series even achieved cult status. The U.K. actors and actresses who worked on the project were nearly blacklisted by the U.N.
- Alternative VersionenAlso released on video in an edited, 'feature length' version.
- VerbindungenFollowed by Shaka Zulu: The Citadel (2001)
- SoundtracksWe Are Growing
By Patric van Blerk, Julian Laxton, Margaret Singana and David Pollecutt (as Dave Pollecutt)
Sung by Margaret Singana and the Baragwanath Choir
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