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Füge eine Handlung in deiner Sprache hinzuA historical account on the life of the Zulu King Shaka.A historical account on the life of the Zulu King Shaka.A historical account on the life of the Zulu King Shaka.
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I think this is, unfortunately, a unique series, showing history at least partially from a Zulu perspective, unlike similar movies like Zulu and Zulu Dawn. These movies show history from the colonialists' side and therefore leave a lot of questions unanswered. What were the political and social dynamics of the creation and rise of the Zulu kingdom? What were social relations and even every day like? This series goes a little way in addressing these topics, only a little, but a lot more than any Western television series or movie before it, which is what makes it unique. It wouldn't be misplaced in any modern (high school) class room. Henry Cele is great as the Zulu king to be, the music is great although basically Western, and the story would put any soap opera to shame. Realism is tops, with all the major African players being South African and it being filmed in South Africa. Where it falls down or slows, is when it goes to the more familiar narrative of the colonials, although Edward Fox is good, as always, as is Robert Powell. The series was of course also very topical, because even though it dealt with a war and struggle 108 years earlier, it was also about a fight for freedom and independence that wasn't won until 13 years ago and that is still in the process of being fulfilled.
Recommended.
Recommended.
Thinking of South-Africa and the 1980s in one context, three things come to mind: apartheid, boycott and the mini-series "Shaka Zulu". I'd place this among the best mini-series of the 80's and 90's, among shows like "Shogun", "Tai-Pan", "Roots" and "North and South". "Shaka Zulu" has bit from all of them. It's got history; it's got adventure and action, it has compelling characters and story lines that keep you glued to the screen.
Shaka has most often been described as the Napoleon of Africa", which isn't incorrect, yet, I myself do like to see him as the King Arthur of South Africa. This is mainly due to having read Thomas Mofolos "Chaka Zulu" prior to having seen the TV-series. If you're the reading type, I recommend you to pick it up; it's not only a masterpiece of storytelling, but combines history and mysticism perfectly. Some of the mystic elements have made it into the series (the prophecy of Shaka's rise to power; the forging of Shaka's spear), but generally the story of the TV-show is rooted in reality.
What's to be said about the actors? Well, people like Edward Fox, Robert Powell or Fiona Fullerton are beyond dispute, doing a fine job as would be expected. Same goes by short but poignant guest-appearances by the likes of Sir Christopher Lee, Trevor Howard and Roy Dotrice (superb as a decadent King George IV) but the real kudos must go to the South African cast which, despite being mainly laymen actors, come across as convincingly and authentic as they come.
Former South-African football hero Henry Cele embodies Shaka Zulu like Helmut Berger embodied King Ludwig II of Bavaria, imposing and final. Dudu Mkize virtually steals the scenes she's in, with a mix of grace and dignity that is rare to see on modern TV or Conrad Magwaza as Shakas father Senzagakona and Gugu Nxumalo as Shakas feline-like aunt Mkabayi. Sadly, most of those actors were never seen on screen again; Cele starring in a couple of low-budget action / horror flicks (among them "The Ghost and the Darkness), same goes for Mkizi and for Magwaza (apart in a guest-appearance in a film about Albert Schweizer) and Nxumala, "Shaka Zulu" that remained their only appearance on the silver screen.
In essence, this is a (mini)-series that makes you feel sad once you've reached the final episode: sad that it's over and that there is no more. One wishes it would have gone on, that one could have seen more of the characters, their stories, and more of the rich Zulu culture and its history.
I'd give it 10/10 points if it wasn't for the abrupt, sudden ending, which comes as a bit of a let-down, so 9 from 10 will have to do.
Shaka has most often been described as the Napoleon of Africa", which isn't incorrect, yet, I myself do like to see him as the King Arthur of South Africa. This is mainly due to having read Thomas Mofolos "Chaka Zulu" prior to having seen the TV-series. If you're the reading type, I recommend you to pick it up; it's not only a masterpiece of storytelling, but combines history and mysticism perfectly. Some of the mystic elements have made it into the series (the prophecy of Shaka's rise to power; the forging of Shaka's spear), but generally the story of the TV-show is rooted in reality.
What's to be said about the actors? Well, people like Edward Fox, Robert Powell or Fiona Fullerton are beyond dispute, doing a fine job as would be expected. Same goes by short but poignant guest-appearances by the likes of Sir Christopher Lee, Trevor Howard and Roy Dotrice (superb as a decadent King George IV) but the real kudos must go to the South African cast which, despite being mainly laymen actors, come across as convincingly and authentic as they come.
Former South-African football hero Henry Cele embodies Shaka Zulu like Helmut Berger embodied King Ludwig II of Bavaria, imposing and final. Dudu Mkize virtually steals the scenes she's in, with a mix of grace and dignity that is rare to see on modern TV or Conrad Magwaza as Shakas father Senzagakona and Gugu Nxumalo as Shakas feline-like aunt Mkabayi. Sadly, most of those actors were never seen on screen again; Cele starring in a couple of low-budget action / horror flicks (among them "The Ghost and the Darkness), same goes for Mkizi and for Magwaza (apart in a guest-appearance in a film about Albert Schweizer) and Nxumala, "Shaka Zulu" that remained their only appearance on the silver screen.
In essence, this is a (mini)-series that makes you feel sad once you've reached the final episode: sad that it's over and that there is no more. One wishes it would have gone on, that one could have seen more of the characters, their stories, and more of the rich Zulu culture and its history.
I'd give it 10/10 points if it wasn't for the abrupt, sudden ending, which comes as a bit of a let-down, so 9 from 10 will have to do.
Although not a despot known to many, Shaka Zulu controlled an empire at the height of his power comparable to that of Napolean and was as brutal as Vlad the Impaler; this miniseries very successfully shows his rise to power, relationship with British envoys, and eventual fall.
As the mini-series opens, a solemn South African representative listens to the British elite, including Queen Victoria, belittle his people and then begs them to let his people keep their sovereignty. The series then flashbacks to the British embassy going to meet Shaka, running into trouble, and eventually earning his trust after an assassination attempt. The series then flashbacks to his rise to power from a young boy to the most powerful man on the continent of Africa. The flashbacks never get confusing, the story is always well told. The cinematography is brilliant, the acting (especially by Henry Cele in the title role) is very competent, and the characters are very compelling.
The series has a little something for everyone, although I think it would appeal more to history buffs like myself. In addition, there is substantial amounts of nudity, as most of the African women go around topless. While the nudity didn't detract from the narrative or become gratutitious, it is something to think about before letting younger viewers watch.
All in all i heartily recommend this mini-series, whether for a really, really rainy day or an hour at at time after work.
As the mini-series opens, a solemn South African representative listens to the British elite, including Queen Victoria, belittle his people and then begs them to let his people keep their sovereignty. The series then flashbacks to the British embassy going to meet Shaka, running into trouble, and eventually earning his trust after an assassination attempt. The series then flashbacks to his rise to power from a young boy to the most powerful man on the continent of Africa. The flashbacks never get confusing, the story is always well told. The cinematography is brilliant, the acting (especially by Henry Cele in the title role) is very competent, and the characters are very compelling.
The series has a little something for everyone, although I think it would appeal more to history buffs like myself. In addition, there is substantial amounts of nudity, as most of the African women go around topless. While the nudity didn't detract from the narrative or become gratutitious, it is something to think about before letting younger viewers watch.
All in all i heartily recommend this mini-series, whether for a really, really rainy day or an hour at at time after work.
The Story is told based in the writings of Edward Fox's character, an adventurer named Francis George Farewell. Therefore, the more savage side of his nature is undubitably exaggerated.
To the best of our knowledge the salient points are correct, even to Henry Cele sharing the same basic build as Shaka, both of them quite imposing. There is some European romanticism tossed in, but it should be must viewing for anyone who loves history. Pooh-poohed by some critics as preposterous (as was Ghost in the Darkness, also an essentially true story), it is no more amazing than Napoleon's rise from obscurity to absolute power. They parallel in so many ways, in fact, that Shaka is oft called the "Napoleon of Africa". Though many Zulus consider Napoleon the "Shaka of Europe"
The production was fraught with controversy (it was filmed in South Africa before sanctions were lifted) but tries to convey a complex and fascinating story set in a tribal Africa steeped in mysticism with ideas about life and death that were very different from Europe. It manages to convey those ideas, and Shaka's formidible intellect, quite well. On top of that, it has as its star the perfect actor for the part.
Highly recommended and worth the time it takes to view it.
To the best of our knowledge the salient points are correct, even to Henry Cele sharing the same basic build as Shaka, both of them quite imposing. There is some European romanticism tossed in, but it should be must viewing for anyone who loves history. Pooh-poohed by some critics as preposterous (as was Ghost in the Darkness, also an essentially true story), it is no more amazing than Napoleon's rise from obscurity to absolute power. They parallel in so many ways, in fact, that Shaka is oft called the "Napoleon of Africa". Though many Zulus consider Napoleon the "Shaka of Europe"
The production was fraught with controversy (it was filmed in South Africa before sanctions were lifted) but tries to convey a complex and fascinating story set in a tribal Africa steeped in mysticism with ideas about life and death that were very different from Europe. It manages to convey those ideas, and Shaka's formidible intellect, quite well. On top of that, it has as its star the perfect actor for the part.
Highly recommended and worth the time it takes to view it.
It seems that the best actors were the tribesmen, done on location, and very graphic on the gore. Could tell right away that this wasn't American Television. The Aussie's and New Zelanders, definately make better mini-series than we do.
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- WissenswertesThis has been the most frequently broadcast TV mini-series in the U.S. By 1992, over 350 million viewers had seen it. This mini-series dislodged The Hunters (1957) and Die Götter müssen verrückt sein (1980) and its sequels as the prime shaper of American perceptions of "tribal" history in southern Africa. The series even achieved cult status. The U.K. actors and actresses who worked on the project were nearly blacklisted by the U.N.
- Alternative VersionenAlso released on video in an edited, 'feature length' version.
- VerbindungenFollowed by Shaka Zulu: The Citadel (2001)
- SoundtracksWe Are Growing
By Patric van Blerk, Julian Laxton, Margaret Singana and David Pollecutt (as Dave Pollecutt)
Sung by Margaret Singana and the Baragwanath Choir
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