Erben der Liebe

I watched only about 1/4 of the movie and could see it was just absolutely terrible. I am on a Timothy Dalton phase and have been watching as much of him as possible. I hesitated with this movie because I can't stand Stacy Keach, never could.

And I have to say, that the only somewhat good parts of this film IS Timothy Dalton. Lovable character although women who set themselves up for heartbreak with married men is totally stupid.

But after Dalton left the movie, I just couldn't bear to watch the mini-series soap opera hoping for some kind of happy ending. It was yawn city, boring and how many times the "irresistible" Stacy Keach can get women in bed despite treating them like crap. I read the rest of the plot and found it drab, redundant and not worth my valuable time.

The ONLY reason I am giving it 3 stars is for Timothy Dalton who is fantastic in almost anything he does.

This a typical glossy American mini-series of the mid-eighties (and now) concerning a grumpy Provencal artist deftly played by Stacey Keach and his life and loves. It is both melodramatic and crass, but it is watchable for one reason alone; the sight of Stefanie Powers prancing around the Rive Gauche in 1900's Paris playing an 18 year artist's model when she is well over 40 and far too old for the part is absolutely irresistible. This is genuine parody fodder for the likes of French & Saunders and has the watcher giggling with disbelief at such comic miscasting. Interlaced with its syrupy theme tune 'Only Love' sung by the evergreen (and awful) Nana Mouskouri and faux French scenery, this is guaranteed to cheer up all fans of awful but hilarious television.

This is another of those big, lush '80s miniseries, better known as trash wallows. What fun they were - expensive, scenic, opulent. Mistral's Daughter is based on a novel by Judith Kranz, concerning three generations of women in the same family involved with a great artist, portrayed by Stacy Keach. Stefanie Powers plays Maggy, the matriarch of the family, who, as a young woman, meets Mistral and becomes involved with him. Later on, her daughter meets him, falls in love with him and bears him a child.

Mistral is a real jerk, a Nazi collaborator who turns escaping Jews away at his gates and even turns in a few to get paint supplies. The kind of total narcissist codependents fall in love with. When his illegitimate daughter finds out about this years later, Mistral has to come to grips with his own selfish, self-absorbed life.

For a good actor, Stacy Keach isn't very good in this - everyone suffers from rotten accents. Stefanie Powers is always good but playing a 17-year-old when she was over 40 may not have been the best move, although she certainly is very beautiful.

All in all, this is a very entertaining miniseries. Just don't take it too seriously and enjoy it for what it is - an '80s artifact.

A cozy up to the fire kind of flick for a rainy day blubber-fest. The "mistral" a wild, hot wind that blows for weeks in parts of Greece and Italy, this epic tale blows likewise, with the fiery passion of a true "romantic". Yes, Stephanie Powers is probably the only woman who could have pulled off the age span, and she does it very well.

But once Timothy Dalton took over the screen all else paled. Talk about wild and hot, this man could make any woman burn! When Dalton leaves the stage the movie begins to go downhill for those of us who love to look at that gorgeous face! If Judith Krantz knew T.D. would have been playing him, I would like to think she would have kept him around longer. But alas, the plot did not, so to speak. My enthusiasm began to wane even though the heroine's life didn't.

Mistral himself comes off as what he is, an egocentric, artistic cad, well done by Stacey Keach. You do begin to despise the man. Loved the story, and the scenery was breath-taking enough to make me want to hop a plane for France, just to travel the countryside and see what Krantz saw when she wrote it.

The artworks depicted in the film were striking, and one could almost believe to find them in some gallery in New York or Chicago. All in all, a chick-flick, but one worth re-visiting on a lonely day.

The only reason to watch Mistral's Daughter is Timothy Dalton who appears in Episodes 2 and 3. He's the reason I'm giving 10 stars. If I could just buy episodes 2 and 3, I would. This man is like a woman's dream come true - he comes across as so sincere, so sexy, so kind, so accepting and so devoid of ego - what woman interested in men, would NOT want to be loved by a man like this? Name another actor with that level of drop dead gorgeous looks, that sumptuous voice, that dazzling charm, acting talent for days and so generous to his fellow actors! I confess envy that Stephanie Powers got to do these scenes with him and honestly, don't know how she didn't keep from jumping his bones for real. When I die, I want to see Timothy Dalton in heaven - please God!!!!