Das Juwel der Krone

This series is captivating. The wonderful way in which strands of plot are woven throughout the series in new and interesting ways, the eternally memorable characters, the fascinating background of historical events, the series' sympathy to people of every age, social and economic background, the charm of many of the protagonists.

Even the more minor characters are just drawn so well. Thus, one of my favorite characters in all of television is that of Nigel Rowan - who is wonderfully portrayed by Nicholas LePrevost; one of my least favorite is the major to whom Sarah is introduced by her aunt and uncle.

Such historical episodes as the decision by the princely states of India whether to accede to the newly independent India - or the creation of an Axis army by Indians who had been taken captive by Germans or Japanese -- these stories are engrossing and not so well known among those of us in the United States not well versed in recent Indian history.

The series is spellbinding - one cares greatly about these people and what happens to them is very interesting indeed.

The symbolism in the series deepens one's sense of the mood of the time, of the tragedy, of the ocean in which these characters swim.

I can't imagine a better series adapted from more wonderful books.

I think that this series is absolute perfection. The acting is magnificent, the story is fascinating and the characters are so real that one thinks that one is actually watching a documentary about the final days of the Raj. It is a marvelous adaptation, not a spare scene and it is beautifully directed. It is tightly woven and tells its tale with enviable clarity. I can not find one flaw in this stupendous series. Literate, complex, compelling, this series is singular and an out and out classic. I fear that we will never see anything like this again. Given the current vapid and stupid landscape of American and British television, "The Jewel in the Crown" is THE exemplar of the height of drama.

I really loved this series. I think I've seen the whole series about 7 or 8 times, and I see something new each time.

The Jewel in the Crown tells the story of individual people trying to live their lives in a world in the process of changing beyond recognition. The acting quality and execution of the entire production has never been equaled. You really believe that these people lived in this extraordinary time, the beginning of the end of the British Empire. Some are able to move forward into the new world, some are destroyed, and all are changed forever.

I actually think that the series is better than the sum of the books, but nothing beats the first book in the series (The Jewel in the Crown) as a stand-alone novel. It's all about human perspective. Similar to the film Rashomon (or Courage Under Fire), the novel Jewel in the Crown tells a story from every point of view except one. You have to think about what that means. The series captures this effect differently, but it does so beautifully.

It was brave of Yorkshire Television to take on a filmed adaptation of Paul Scott's massive novel 'The Jewel in the Crown'. All-in-all they did a good job of it. Wisely the script focuses in on the personal relationships within the context of a changing India. The jarring complexities of "old" India rubbing up against the modernizing influences of the British Raj is vividly conveyed, mostly in the smaller, quieter moments, as when Harry Kumar takes Daphne Manners to visit his aunt and the behavior of the servants and the Rajput princess with whom Daphne is living.

It's true that there is a great deal of dialog, in a soap opera-ish sense. There are times in some of the later episodes when I thought I was watching some bit of trash on TV on a Wednesday afternoon, but then I'd focus in on what the characters were saying and realize that it was deep and important stuff. You have to pay attention to 'The Jewel in the Crown' or it does indeed become a muddle and a bore. If you lose the train of thought you will not be rescued by brilliant cinematography or sound-track because both are inferior, which is a big shame. Perhaps it is the awful A&E dvds that are the problem, something that could be rectified with a remastering of the original films and sound- track. As it stands the sound is execrable, oftentimes the music and background rumble drowning out the speaking voices of the main characters. The musical score itself is wonderful and the actual camera-work is very good, which makes the loss of a good picture and decent sound-track all the more frustrating.

As for the acting, the thing is chocked-full of fine performances. Some of the characters are indeed a little too clichéd and, in the case of Ronald Merrick, completely over the top, but Merrick's character works, as a dramatic contrivance, to add to the melodrama of the story... something which may or may not have been the purpose of Scott's creation in the first place. But that's entertainment!

My favorite performances were Eric Portman's crafty old Russian emigré, Count Bronowsky. Porter was a great actor and is greatly missed. I savor his every appearance in 'The Jewel in the Crown' because he evokes the old Northern world of honor and good breeding, now extinct. His character makes me wish for a great film of the true story of the White Russians who had to flee the Bolsheviks in the first two decades of the 20th century, for such disparate places as India, Paris and Manchuria.

Susan Wooldridge is superb as Daphne Manners, ditto Art Malik as Harry Kumar. I enjoyed Charles Dance's upper-crust but manly Sergeant and found Derrick Branche's Ahmed Kasim a fascinating and seductive person. Peggy Ashcroft's old missionary lady is heart-breaking in the loss of her simple faith in God, conveying, in the end, a powerful and sibylline persona. It is good to see Rachel Kempson (Mrs Michael Redgrave) in one of her last roles on film. Tim Pigot-Smith manages to make an unbelievable character, Ronald Merrick, human, well, almost. He's a monster of bigotry, jealousy and class envy, and Pigot-Smith plays him so convincingly that it is difficult to imagine a more effective portrayal of pure evil by anyone else. Pigot-Smith steals the show, on the whole.

This TV series is definitely worth owning on DVD; if only A&E hadn't tossed it off in such a haphazard manner. Still, it's better 'n nuttin'.

The Jewel in the Crown is in my opinion one of the best series ever. The story unfolds, characters come in and out the only common denominator in all episodes is a despicable man, viewed from other nuclear stories. The acting is superb and contrary to many comments here, quite genuine, certain British people WERE like that. The gestures, actions and facial expressions mean more than what is actually being said. What is hilarious, however, is reading some comments posted here as if all stories should follow a strictly "physical-action-sequence" of A kills B and jealous C falls in love with D, but in the end all marry and are happy ever after. Thanks to BBC, Granada and others, there are series and films that make us interpret, feel and think beyond what we see on the screen or else we'll all end up left watching "Th Incredible Hulk"