The Beiderbecke Affair

Having seen several of the later series, my wife and I were looking forward to this (the series opener) and enjoyed it very much. The review provided on this web page could only have been written by an American. There is a world of difference between American humour, which is mainly action based, and British humour, which relies heavily on the dialogue. By fast forwarding through the first two hours, the reviewer could only have made his incomprehension worse! you cannot watch British movies like that. On the other hand, perhaps his copy, like ours, had the content for disc 3 on the CD that was labeled 'Disc 1' in which case he could be forgiven for getting confused.

So far as the characterization is concerned, yes they are a little larger than life, and a little unusual, but as an expatriate Brit., I find most depictions of Americans by American actors equally unbelievable, and frequently find myself asking, "Would that bloke really behave like that?" PS. I spell in English English.

As some reviews have said "A jazz soundtrack paces this British series, adding more mystery to the lovers' quest for the truth" and "This outlandishly funny series weaves quirky characters, witty dialogue and a wonderfully smooth, jazz soundtrack into a uniquely satisfying, entertainment experience."

Well, that's not how I'd describe it.. The jazz soundtrack is fabulous, Bix Beiderbecke tracks blast through the slow bits in between the meat of the show, making this a truly immersive, grab-you-by-the-ears and drag-you-along series.

Oh yeah, the dialog, plot, setting are all excellent too - if you haven't seen it, it's worth the 9.3 rating at time of writing this!

Foolishly I left the UK to live abroad round about the time this was aired on TV, and so have come to it later than most, via DVD. If I said it was perfect, you would say I was exaggerating, but I would not be. Not only does it capture the era, the mood and the battles therein exquisitely, but the characters are drawn and portrayed with straightforward subtlety and affection. There are no horrible surprises, but it is a gentle very funny mystery which is sorted out tidily. I look forward to the next two stories - also contained in the boxed set - to watch them again too. I'm lucky in that I remember very few things thoroughly, no, it's not dementia, I've always been this way. The poor reviewer who didn't get it - I hope he's not still in therapy.

This was not the first outing for Alan Plater's schoolteacher detectives, who in 1981's Get Lost had been played admirably by Alun Armstrong and Frances Tomelty. However no-one could quibble with the re-casting. James Bolam effortlessly nails each line of the arch dialogue, while the talented Barbara Flynn has that rare quality of looking both believably ordinary and incredibly fanciable. Some wonderful British character actors also get plenty of screen time in what is effectively an ensemble piece. Colin Blakely, Keith Marsh, Danny Schiller, Robert Longden and Keith Clarke all do sterling work, but special mention must be made of Dudley Sutton's tweedy schoolmaster and Terence Rigby's saturnine Big Al, while Dominic Jephcott was a real find as the callow university educated detective. A beautifully constructed series, that remains as pertinent as ever in a society increasingly disrespectful of privacy and intolerant of eccentricity.

Nothing is ever perfect, but in the world of TV drama – Alan Plater's "The Beiderbecke Connection" gets about as close as you can. The show centres on two secondary school teachers – jazz fanatic Trevor Chaplin (James Bolam) & environmental activist Jill Swinburne (Barbara Flynn). The couple stumble on corruption in high places and reluctantly become involved.

The first thing you notice is that the story is quite weak. No twists to end each episode, no emotional crises to deal with. The show does have characters though. To supplement the main couple we get the mysterious Big Al (Terrence Rigby) and Little Norm (Danny Schiller). Colin Blakely and Dominic Jephcott appear are coppers at different ends of the progressive scale. Dudley Sutton is a teacher colleague of Chaplin's and Keith Marsh is a number of things including a wannabe supergrass.

The actors are important because rich characters need good actors. All of the above are very good but Bolam, Flynn, Rigby and Blakely are supreme. They "get" what Alan Plater wrote about and convey the characters perfectly. When venturing "out of left field" it is important not to overplay your hand. Writing and acting meet and when played correctly are a joy to behold.

So in each of the 6 episodes you take a journey through a slightly unusual yet still believable world inhabited by slightly unusual yet still believable characters. At the end of each episode you are left wanting more but are not left puzzling over any loose ends.

In keeping with the title there is also a jazz soundtrack which accompanies the show well.