Füge eine Handlung in deiner Sprache hinzuTrevor Chaplin teaches woodwork and likes to listen to jazz. Jill Swinburne teaches English and wants to help save the planet. Trevor meets a beautiful blond, a detective sergeant and a pair... Alles lesenTrevor Chaplin teaches woodwork and likes to listen to jazz. Jill Swinburne teaches English and wants to help save the planet. Trevor meets a beautiful blond, a detective sergeant and a pair of men running a junior football team.Trevor Chaplin teaches woodwork and likes to listen to jazz. Jill Swinburne teaches English and wants to help save the planet. Trevor meets a beautiful blond, a detective sergeant and a pair of men running a junior football team.
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Nothing is ever perfect, but in the world of TV drama – Alan Plater's "The Beiderbecke Connection" gets about as close as you can. The show centres on two secondary school teachers – jazz fanatic Trevor Chaplin (James Bolam) & environmental activist Jill Swinburne (Barbara Flynn). The couple stumble on corruption in high places and reluctantly become involved.
The first thing you notice is that the story is quite weak. No twists to end each episode, no emotional crises to deal with. The show does have characters though. To supplement the main couple we get the mysterious Big Al (Terrence Rigby) and Little Norm (Danny Schiller). Colin Blakely and Dominic Jephcott appear are coppers at different ends of the progressive scale. Dudley Sutton is a teacher colleague of Chaplin's and Keith Marsh is a number of things including a wannabe supergrass.
The actors are important because rich characters need good actors. All of the above are very good but Bolam, Flynn, Rigby and Blakely are supreme. They "get" what Alan Plater wrote about and convey the characters perfectly. When venturing "out of left field" it is important not to overplay your hand. Writing and acting meet and when played correctly are a joy to behold.
So in each of the 6 episodes you take a journey through a slightly unusual yet still believable world inhabited by slightly unusual yet still believable characters. At the end of each episode you are left wanting more but are not left puzzling over any loose ends.
In keeping with the title there is also a jazz soundtrack which accompanies the show well.
The first thing you notice is that the story is quite weak. No twists to end each episode, no emotional crises to deal with. The show does have characters though. To supplement the main couple we get the mysterious Big Al (Terrence Rigby) and Little Norm (Danny Schiller). Colin Blakely and Dominic Jephcott appear are coppers at different ends of the progressive scale. Dudley Sutton is a teacher colleague of Chaplin's and Keith Marsh is a number of things including a wannabe supergrass.
The actors are important because rich characters need good actors. All of the above are very good but Bolam, Flynn, Rigby and Blakely are supreme. They "get" what Alan Plater wrote about and convey the characters perfectly. When venturing "out of left field" it is important not to overplay your hand. Writing and acting meet and when played correctly are a joy to behold.
So in each of the 6 episodes you take a journey through a slightly unusual yet still believable world inhabited by slightly unusual yet still believable characters. At the end of each episode you are left wanting more but are not left puzzling over any loose ends.
In keeping with the title there is also a jazz soundtrack which accompanies the show well.
I've had a heck of a time with this Beiderbecke series. I received the second disk of the Biederbecke Affair before the first, watched it without realizing it, and then received the first disk. Reading what I thought was the synopsis later, it didn't sound like the same story. That's when I found out about "The Biederbecke Tapes" which I guess I'll have to see.
I love James Bolam - this is probably 20 years before New Tricks. Here he plays Trevor Chaplin, a Bix Biederbecke jazz fanatic who teaches woodwork. He lives with a fellow teacher, Jill (Barbara Flynn) - she teaches English and is an eco-activist.
Trevor finds himself mixing with the lower end of society when he attempts to purchase some of his beloved Biederbecke records from a "dazzlingly beautiful platinum blond" who is selling mail order items.
He eventually meets Big Al and Little Norm and some people running a junior football team. Meanwhile, Jill decides to stand for office as a local councillor.
Meanwhile, there is a police detective following them around and suspecting them of all sorts of crime, keeping taped records. Meanwhile his supervisor thinks he's nuts.
I wish I could explain the story better, but I can't. It's a gentle show with some delightful and funny moments and it's about as odd as it gets. All to the soundtrack of Bix Beiderbecke. It's two somewhat ordinary people falling into weird situations. Inexplicably, I liked it.
I love James Bolam - this is probably 20 years before New Tricks. Here he plays Trevor Chaplin, a Bix Biederbecke jazz fanatic who teaches woodwork. He lives with a fellow teacher, Jill (Barbara Flynn) - she teaches English and is an eco-activist.
Trevor finds himself mixing with the lower end of society when he attempts to purchase some of his beloved Biederbecke records from a "dazzlingly beautiful platinum blond" who is selling mail order items.
He eventually meets Big Al and Little Norm and some people running a junior football team. Meanwhile, Jill decides to stand for office as a local councillor.
Meanwhile, there is a police detective following them around and suspecting them of all sorts of crime, keeping taped records. Meanwhile his supervisor thinks he's nuts.
I wish I could explain the story better, but I can't. It's a gentle show with some delightful and funny moments and it's about as odd as it gets. All to the soundtrack of Bix Beiderbecke. It's two somewhat ordinary people falling into weird situations. Inexplicably, I liked it.
If you think "CAddyshack" or "Bill and Ted's Excellent Adventure" are the funniest thing on earth, this is not for you. If you love cool jazz and warm humour prepare for a treat.
It's not just the script, although Alan Plater is undoubtedly a genius.
It's not just the acting, although not a gesture is out of place, every nuance in its place.
It's not just the soundtrack, although the Beiderbecke-inspired jazz soundtrack is superb in every respect.
It's the whole being greater than the sum of the parts. Pace? Who needs it. This is a series which proves beyond doubt that frenetic, fast-paced comedy is *not* the be-all and end-all. This is comedy to be enjoyed with a glass of wine and the life partner of your choice; it is as British as chips and brown ale, it is timeless. Watching it again twenty years on it is as perfect as it was on first viewing.
It's not just the script, although Alan Plater is undoubtedly a genius.
It's not just the acting, although not a gesture is out of place, every nuance in its place.
It's not just the soundtrack, although the Beiderbecke-inspired jazz soundtrack is superb in every respect.
It's the whole being greater than the sum of the parts. Pace? Who needs it. This is a series which proves beyond doubt that frenetic, fast-paced comedy is *not* the be-all and end-all. This is comedy to be enjoyed with a glass of wine and the life partner of your choice; it is as British as chips and brown ale, it is timeless. Watching it again twenty years on it is as perfect as it was on first viewing.
Foolishly I left the UK to live abroad round about the time this was aired on TV, and so have come to it later than most, via DVD.
If I said it was perfect, you would say I was exaggerating, but I would not be. Not only does it capture the era, the mood and the battles therein exquisitely, but the characters are drawn and portrayed with straightforward subtlety and affection. There are no horrible surprises, but it is a gentle very funny mystery which is sorted out tidily. I look forward to the next two stories - also contained in the boxed set - to watch them again too. I'm lucky in that I remember very few things thoroughly, no, it's not dementia, I've always been this way.
The poor reviewer who didn't get it - I hope he's not still in therapy.
Having seen several of the later series, my wife and I were looking forward to this (the series opener) and enjoyed it very much. The review provided on this web page could only have been written by an American. There is a world of difference between American humour, which is mainly action based, and British humour, which relies heavily on the dialogue. By fast forwarding through the first two hours, the reviewer could only have made his incomprehension worse! you cannot watch British movies like that. On the other hand, perhaps his copy, like ours, had the content for disc 3 on the CD that was labeled 'Disc 1' in which case he could be forgiven for getting confused.
So far as the characterization is concerned, yes they are a little larger than life, and a little unusual, but as an expatriate Brit., I find most depictions of Americans by American actors equally unbelievable, and frequently find myself asking, "Would that bloke really behave like that?" PS. I spell in English English.
So far as the characterization is concerned, yes they are a little larger than life, and a little unusual, but as an expatriate Brit., I find most depictions of Americans by American actors equally unbelievable, and frequently find myself asking, "Would that bloke really behave like that?" PS. I spell in English English.
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- WissenswertesThe names of the leading characters were developed from the characters in Alan Plater's earlier series Get Lost! (1981). When the actors had to be re-cast, Plater looked for new names for what were similar characters. Neville Keaton from 'Get Lost' was a woodwork teacher who liked jazz and football. For the Beiderbecke Trilogy, he became Trevor Chaplin, Keaton and Chaplin being two of Plater's comic heroes. Judy Threadgold from 'Get Lost' was an English teacher and an environmentalist who had been named in homage to Sunderland A.F.C. goalkeeper Harry Threadgold. For the Beiderbecke Trilogy, she became Jill Swinburne, named after Newcastle United F.C. goalkeeper Tom Swinburne.
- PatzerThe filming seemed to alternate between spring and summer. Scenes alternated between bare trees and rain one minute, then the next minute trees in full leaf and blue skies. This was especially the case when Sgt Hobson was watching Big Al's allotment.
- VerbindungenFeatured in Timeshift: Alan Plater: Hearing the Music (2005)
- SoundtracksCryin' All Day
Written by Frankie Trumbauer and Chauncey Morehouse
Performed by Frank Ricotti, soloist Kenny Baker
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- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Дело Бейдербека
- Drehorte
- Yeadon Town Hall, High Street, Yeadon, Leeds, West Yorkshire, England, Vereinigtes Königreich(town hall: Jill's political meeting and counting of the votes)
- Produktionsfirma
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