Seeding of a Ghost

Angry men chase a sinister warlock through a misty cemetery. He runs into a street and under the wheels of a taxi driven by Chow, but then appears in the back seat of the speeding taxi. Irene, who deals cards at a Hong Kong casino, tries to pressure her boyfriend, Fang, into divorcing his wife so they can be together; she's married to Chow, who is diddling on the side, as well.

These characters, like the viewer, are stuck in a dull soap-opera for awhile, but SEEDING OF A GHOST shoots into high gear after Irene is raped and murdered by two young thugs. An enraged, grieving Chow blackmails the warlock into casting spells on the killers, Fang, and assorted friends and relatives.

From there, the filmmakers throw in every sick twist imaginable. Chow and the warlock exhume Irene's corpse. In the warlock's lair, and Chow is instructed to paint the decrepit body with coconut oil, "So she';ll feel better." As she comes alive, her killers start to hallucinate. One of the rapists is brought to her for some mystical necrophilia. This union culminates in a posthumous pregnancy, which is somehow transferred to the womb of Fang's expectant wife.

In the all-out, gory finale, the demon fetus liberates itself from the mother and goes on a murderous rampage. One character eats brains out of a coconut shell; there's an exploding toilet, strangulation by bra strap, gravity-defying sex, and (gulp) blood pastries. In one hideous sequence, Chow drains all of his blood into Irene's corpse as he slowly dies in agony.

SEEDING OF A GHOST is lively and competently directed, especially during two prolonged episodes in which magicians battle unsuccessful to put an end to the vendetta. Special effects credits are all top-notch, which will be of no comfort to viewers with queasy stomachs.

Perhaps the extreme cinema of the Far East simply isn't my cup of tea, but I can't possibly be as praising about "Seeding of a Ghost" as most of my fellow reviewers around here. Moreover, if it hadn't been for the excellent last half hour and the downright brilliant end-sequences, I probably would have rated the film negatively. "Seeding of a Ghost" is a difficult film to get into… It's all very hectic at first, with the introduction of numerous characters and the entire plot synopsis as described on the back of the DVD happening in the first 10 minutes already. Oh yes, the least you can say about this Shaw-brothers production is that it's a spirited and outrageous film! An amiable-looking cab driver accidentally runs over a sorcerer and this uncanny figure promptly informs him that very BAD things will happen to him as from that moment. He sure isn't lying, as the cabbie's wife starts an extramarital relationship with a gambler and shortly after she's raped and killed by a duo of thugs. The heartbroken cab driver, after being suspected of the murder by the police, attempts to get back in contact with the sorcerer and develops a plan to wreak havoc upon everyone who was responsible for his wife's death. The whole building up to the supernatural vengeance (which is, according to me, the actual point of the film) is very incoherent and contains too many redundant moments. Considering the available budget, however, it's an adequately made film with a solid director and fairly stylish camera-work. Even though you sometimes haven't got the slightest idea what's going on, you keep watching because it's intriguing and because you inexplicably know that somehow your patient will be rewarded. And, indeed, then comes the sensational finale that instantly causes you to ignore everything that might or might not had bothered you until then. The gambler's pregnant wife literally SPAWNS a grotesque and hideous monster that repulsively butchers a whole bunch of unrelated party guests. It's a non-stop series of splattering blood and guts and it kind of feels like a crossover between John Carpenter's "The Thing" and Peter Jackson's "Braindead". You don't have to be a horror specialist to realize there are far worse films to get compared with! The make-up effects are deliciously nasty and the smutty monster is a very engaging little creation. It's one of the greatest closures to an average film I ever saw and it forced me to rate the wholesome rather positively after all. Recommended especially to cult-hunters and other sick puppies.

SEEDING OF A GHOST is a pretty bizarre HK horror film about infidelity and revenge. Although the film is pretty decent as a whole, I didn't find it quite as gory or intense as many other reviewers.

A cab driver is out doing his thing one night and accidentally runs down a sorcerer (talk about bad luck...). The sorcerer talks about a curse on the cab drivers family and the driver ain't really buyin' it...until his wife is raped and murdered, that is. The cab driver goes back to the sorcerer to try and enlist his help in exacting a little black-magic revenge on the thugs responsible for his wife's death, and things start to go downhill from there. The sorcerer and the cabbie dig up the cabbie's dead wife to use in a ritual to bring vengeance down on those involved with her death. The resulting payback sure is a bitch...

SEEDING has some pretty decent scenes and a few gross-out moments, but not quite as many as I was expecting. The pace is pretty slow at first and the "cool parts" don't really happen until pretty close to the end. The creature that bursts from the pregnant woman towards the very end is pretty cool looking and is rightly compared to some of the creature FX used in Carpenter's THE THING. Not a bad film overall, could have used a little more gore and a little more action towards the first half of the film. Recommended for those into strange Asian horror. 6.5/10

This weirdo tale revolves around lies and deception, lots of revenge, and even more black magic.

When our leading star's wife is killed he seeks revenge by acquiring the local Voodoo dude. Who for some weird reason, was played by two dudes, which they tried hiding up that fact by loading the second player with tons of make-up....pretty weird/funny. Anyways, when Mr. Voodoo comes into play all the people who were bad to the wife prior to her death "will never know peace again", or something like that. And ain't that the truth.

When you Seed a Ghost, you better know the results, because they're f@cked up. Just like this movie. And that's a good thing! With a high amount of nudity, some sex and even a fight scene for good measure, the movie delivers loads of entertaining qualities. It's like an action/horror/fantasy/comedy flick rolled into one. And when the end comes you're only treated to a sorcery fight with one of the most fun and silliest ending I've seen in a long time. There's a lotta blood flying.

I've gotta mention the direction and cinematography, for a flick like this (and I say that with love), it had some pretty inventive shots. Definitely surprising.

The flick unfortunately kinda dragged at parts though. You once in a while will realize that something entertaining hasn't happened in a little bit. But don't dismay, since the movie does entertain pretty consistently. And also, maybe fault to the writing, you just never really care for any character. But with a movie like this, I only came into it looking for the "goods" and that's what I got.

Seeding of a Ghost is a truly weirdo hybrid of a flick that should be watched if you like to watch different movies. It's really a recommendable flick just because it seems to be one of the best this whacky genre of action/horror/fantasty/comedy combo flick has to offer. Definitely one of the most bizarre times I've had in a while watching a movie.

Yang Chuan's "Zhong gui" (released internationally as "Seeding of a Ghost") represents Shaw Brothers' late-period foray into supernatural horror, arriving at a time when the studio was already beginning to wind down its legendary output. This 1983 offering attempts to blend noir-tinged crime drama with traditional Chinese black magic folklore, though the execution feels uneven throughout its 88-minute runtime.

The film opens with a compelling premise that immediately establishes its dark trajectory. Philip Ko delivers a committed performance as Chow Tung, a taxi driver whose mundane existence becomes entangled with forces beyond his comprehension. Ko, a former member of the celebrated Venoms troupe, brings a grounded intensity to his role that anchors the increasingly bizarre proceedings. His transformation from ordinary working man to grief-stricken widower seeking supernatural vengeance feels authentic within the film's heightened reality.

Norman Chu provides solid support as the mysterious sorcerer whose accidental encounter with Chow sets the narrative machinery in motion. The dynamic between these two characters forms the emotional core of the film, with Chu's performance walking the line between menacing and sympathetic. However, the supporting cast, including Maria Jo as Chow's ill-fated wife Irene, feels somewhat underutilized given the dramatic weight their characters carry.

Yang Chuan's direction shows flashes of atmospheric brilliance, particularly in the film's opening act where he establishes a palpable sense of urban dread. The Hong Kong locations are captured with a gritty authenticity that serves the story well, creating an environment where supernatural elements feel organically integrated into the city's shadows. The cinematography effectively uses darkness and confined spaces to build tension, though the visual effects work varies considerably in quality.

Where "Seeding of a Ghost" stumbles is in its tonal inconsistencies and pacing issues. The film struggles to maintain momentum during its middle section, with certain sequences feeling indulgent rather than necessary. The revenge plot, while emotionally justified, unfolds in ways that feel both predictable and occasionally exploitative. The supernatural elements, which should provide the film's most compelling moments, sometimes veer into territory that feels more sensational than genuinely frightening.

The film's treatment of violence and sexuality reflects the Shaw Brothers house style of the early 1980s, though modern viewers may find certain aspects dated or problematic. The practical effects work, while ambitious for its time and budget, doesn't always convince, particularly during the film's more fantastical sequences.

"Seeding of a Ghost" succeeds best when it focuses on the human drama at its center - a man's grief and his desperate desire for justice. The exploration of how loss can drive someone to embrace darkness provides the film with its strongest emotional beats. However, the execution of this premise feels somewhat hollow, never fully committing to either its crime thriller elements or its supernatural horror aspirations.