Bukowski - Ganz normal verrückt

After the lecture of a poem to a group of bored students, the alcoholic and sex addicted poet Charles Serking (Ben Gazzara) meets a young girl in the backstage and caresses her breasts. Then he travels to Los Angeles, and has kinky sex with bizarre women. When Charles meets the gorgeous self-destructive prostitute Cass (Ornella Muti) in a bar, he finds his soul mate and falls in love for her.

Marco Ferreri is one of the weirdest directors that I know, and this "Storie di Ordinaria Follia" gives a perfect theme for him to make a good movie about of two self-destructive souls. I do not know the work of the underground poet Charles Bukowski, and actually I just know a little about his biography based on the movie "Factotum" that I hated. But in "Storie di Ordinaria Follia", Ornella Muti is on the top of her awesome beauty and her performance in the role of a tormented character is impressive. Ben Gazzara has also a stunning performance in the role of Charles Serking, a man near to madness that survives drinking booze and having dirty sex. However, this movie is only recommended for very specific audiences. My vote is seven.

Title (Brazil): "Crônicas de um Amor Louco" ("Chronicles of a Crazy Love")

If you are a conservative or weak of stomach, just forget this film. But if you are a true fan of Charles Bukowski, forget "Barfly" and attend this film. A deeply trip to human nature, you will find a Los Angeles that Hollywood does not show. Ugly, fat, drunks, dirty , insane people and other characters that only a European director as Marco Ferreri would have courage to bring.

Ben Gazzara does a very good drunk poet (he would be better if he had a bigger belly) and Ornella Muti is divine as usual. Forget all the idiots who felt bothered with the reality shown by the film and enjoy.

Neither Bukowski nor Marco Ferreri's film will shock the audience any more. This is a grim tale, but told in an exciting way with the enigmatic Gazarra and the superb Ornella Muti in front of the camera, backed by legendary Italians, like production designer Dante Ferretti (who worked, among others, with Fellini and Pasolini, and recently bedazzled movie-goers with 'Titus') and D.O.P. Tonino Delli Colli ('The Good, the Bad and The Ugly'; 'Histoires Extraordinaires') A great film, some years ahead of its time, so now truly not to be missed.

Just about everybody seems to hate 'Tales Of Ordinary Madness' even Charles Bukowski himself. I can't see why. For me it's an extraordinary movie just as good, if not better than, 'Barfly'. Director Marco Ferreri also made the unforgettable 'Blow-Out' ('La Grande Bouffe') another overlooked gem. Both movies are disturbing, poetic and very beautiful. Cassavetes fave Ben Gazzara is the perfect choice to play Bukowski substitute Charles Serking. He gives an utterly brilliant performance, his best along with 'The Killing Of A Chinese Bookie', another love-it-or-hate-it movie. Ornella Muti plays Cass, a self-destructive prostitute he falls in love with. Now Muti is just about the most beautiful actress I've ever seen in my life so I can see why someone would have a problem with her being cast in such a role. It may be unrealistic but she's convincing in a difficult part, and she's just mesmerizing to look at! An added bonus is cult fave Susan Tyrrell ('Fat City', 'Bad', 'Flesh & Blood', 'Cry-Baby',etc.) in the supporting cast playing a typically bent character for her. 'Tales Of Madness' is slow and meandering and anecdotal so people who prefer straightforward, simplistic Hollywood movies will hate it. But if you enjoy Bukowski's work or Hubert Selby Jr's check this movie out as I'm sure you'll be impressed.

Only very rarely are two artists as in sync as Charles Bukowski and Marco Ferreri. Both men devoted their careers to exploring the beauty and bleakness of society's underbelly and the disillusioned souls who call it home. It should come as no surprise then that Ferreri's adaptation of Bukowski's "Erections, Ejaculation, Exhibitions, and General Tales of Ordinary Madness" is every bit as unflinching and honest as its source material.

Tales Of Ordinary Madness begins with Charles (played by Ben Gazzara) reading a poem to a group of disinterested students. After stumbling off stage in a drunken stupor, Charles meets a 12 year old girl and promptly fondles her breasts. This is the first in a long line of disturbing sexual encounters that take place during the film. Other examples include Charles' brief obsession with Vera, a woman who asks to be beaten with a belt and claims to "love being raped". Charles also sleeps with Vera's obese next door neighbour and in one of the film's most confronting scenes, pushes his head between the woman's legs in a literal attempt to return to the womb. The film reaches a turning point when Charles meets Cass (Ornella Muti), a prostitute as self-destructive as she is beautiful, and slowly begins to fall in love with her.

Ferreri has crafted a beautifully poetic film about desperate and damaged people. Tales Of Ordinary Madness is never easy to watch but it is always enthralling. Much of the credit for this goes to the Bukowski's riveting source material and Ferreri's obvious affection for it. Marco Ferreri's distinctive use of unusual camera angles and surreal imagery are mostly missing from this film. In fact, Ferreri's direction is expertly restrained in an obvious attempt to recreate Bukowski's minimalist prose cinematically.

This sense of restraint is shared by Ferreri's impressive cast. Ben Gazzara is striking as Charles. His brave performance captures both the torment and underlying humanity that shapes Charles' journey. Ornella Muti had some of her most memorable roles in Ferreri films and she gives another impressive performance here as Cass. The scene where she puts a safety pin through her cheek is simply unforgettable. My only qualm with her casting is that she is perhaps too beautiful to be realistic as a low class prostitute. Susan Tyrrell also shines as trashy Vera. This was just one of a string of eccentric roles that made Susan a cult favourite in the early 80s.

Tales Of Ordinary Madness has been made with skill, care and deep empathy for its characters. This film does not quite match the brilliance of Ferreri's "La Derniere Femme" but it comes very close. This is highly recommended to both Bukowski and Ferreri fans.