Das Geheimnis von Centreville

A college professor (Paul Le Mat) goes looking for his missing wife and finds a town that appears to be stuck in the 1950s. While there, he's attacked by an alien but manages to escape. He then tries to get a reporter (Nancy Allen) to believe his story, which she does after she has her own close encounter.

The '80s was a fun decade for movies, not only for original material but also for movies that were inspired by the great sci-fi flicks of the '50s, such as this one. It's an enjoyable sci-fi horror movie that doesn't take itself seriously but isn't a straight-up comedy, either. Nancy Allen is lots of fun and Louise Fletcher is terrific in a supporting role. Paul Le Mat makes for an unassuming lead but he's quite good in the part. My favorite part of the whole movie is Michael Lerner's flashback scene. Love seeing older actors like Kenneth Tobey, Charles Lane, and June Lockhart. There are also some amusing genre references I got a kick out of. The sets, props, and special effects are excellent. Good use of location filming by director Michael Laughlin. Why does it seem no one shoots in small towns anymore?

It's a little slow-going and I can imagine some viewers will be frustrated that it skirts the line between straight sci-fi and comedy as much as it does. It's an entertaining movie, particularly if you like '50s sci-fi. I think it gets better with repeated viewings.

I never saw Strange Invaders until yesterday but I found it immensely pleasurable to watch. Diana Scarwid, Nancy Allen, Louise Fletcher, and the cast was pretty interesting to watch with their material about alien beings playing humans for 25 years. While it probably took off from E.T. in the previous year, Strange Invaders is worth watching for the fans of science fiction and fantasy. I enjoyed it immensely maybe because I think Diana Scarwid deserved better in terms of scripts and she should have been a household name ever since her performance as the older Christina Crawford in Mommy Dearest. Oscar Winner Louise Fletcher also deserved more than roles that were secondary, supporting or featuring. Nevertheless, Strange Invaders is strange but fun to watch for kids, adults, or anybody who doesn't take themselves too seriously.

"Strange Invaders" is a cheerful and likable 80's movie, regretfully forgotten these days because nowadays audiences don't understand the charm and inside jokes of authentic "Alien Invaders"-science fiction from the 1950's. This movie is one giant spoof/tribute to wonderful films such as "Invasion of the Body Snatchers" and "Invaders from Mars", but the screenplay is intelligent enough to add new and surprisingly original twists of its own. We have the typical remote American town – Centerville, Illinois – getting colonized by hideous aliens that take over the identities of the locals and examine the earthly life-style in the meantime. The ingenious elements in the script are, however, that this whole invasion-project was seemly approved by the government AND that the aliens never evolved after they landed on our planet. Centerville still looks like a swinging 50's town, with jukeboxes, old cars and traditional dress codes. University professor Charles Bigelow teams up with a gossip-journalist Betty Walker to investigate the town's bizarre secret. "Strange Invaders" is well-directed by Michael Laughlin ("Dead Kids") and cleverly co-written by Bill Condon. There's very few gore, which is a good thing, but the special effects are definitely not bad with a couple of adorable space-ship designs and the aliens' inventive method to "cristalyze" people. The acting performances are vivid, with Paul LeMat ("American Graffiti) and Nancy Allen ("Carrie", "Dressed to Kill"). The supportive cast is even better with spirited roles from Michael Lerner, Diana Scarwid and the wonderful Louise Fletcher, once again as the mean shrew. The happy-ending is somewhat lame and far too Disney/Steven Spielberg-like, but I suppose that's forgivable. Good, cheesy and nostalgic 80's entertainment.

A clever plot -- aliens take over a small town in rural America -- is almost done in by a plodding pace and the weakest leading man to ever appear in a sci-fi movie, Paul LeMat. Nevertheless, the movie has a strange charm, as LeMat travels to this podunkville to find his ex-wife, who inexplicably vanishes while visiting the town. The ending holds a couple of surprises, but by then you'll probably be glad the damn thing's over. The main reason to watch this sort-of cult classic is to see how closely a film made in 1983 succeeds in paying homage to all those cheeseball sci-fi flicks of the 1950s, when commies were the biggest threat, often showing up in sci-fi movies disguised as invading aliens. I have no doubt that as low-budget as this production was, it had its influence on ABC's classic sci-fi show, THE INVADERS. Also, keep an eye out for several familiar faces dotting the landscape, including Ken Tobey, star of Howard Hawks' 1951 commie threat epic, THE THING FROM Another WORLD.

I reviewed this clever tribute to low-budget 1950s sci=fi flicks (most notably "Invaders From Mars") some years ago. Having just watched it again, I felt compelled to write it up one more time. The people who put this charming cult classic together definitely knew what they were doing: A big city college teacher (LeMat) goes searching for his missing ex-wife in a rural Midwest town, only to discover the town is populated by what appear to be very hostile aliens (for one thing, they love blowing up cars). The professor learns the aliens took over the town in the late 1950s, with our government's permission. One of the great gags in this delightful movie is that, 25 years later, nothing has changed in the occupied town. It's still full of hayseeds and sock hops and hideous American-made monster mobiles. A tabloid journalist (Allen) joins the professor in his search, and all hell breaks loose as the aliens attempt to keep their identity a secret. The supporting cast is populated by award-winning actors like Louise Fletcher, doing a variation on her legendary Nurse Wratchet (around the same time, she also appeared in a spoofy remake of "Invaders From Mars"), and Michael Lerner, whose woebegone character has lost his wife and kids to the aliens and has been locked away in the funny farm. The movie was clearly shot on a shoestring, with poor sound quality and way too many single takes (watch the little boy at the end put his right arm around his dad for a split second before dropping it and staring off-camera at what probably was one of his real-life parents). But the film also exhibits a unique charm and features some truly unnerving moments (dig the "Evil Dead" bit when the professor's dog, now a captive of the aliens, appears to rush back and forth past the professor on a lonely road, unseen but definitely there via incredible sound effects and unusual camera work. Also, some of the other effects are extremely satisfying in their crude way, such as a series of glowing orbs that hold the captive humans and the aliens' spaceship. Plus, the story's pace never slackens. There's something going on every second of this movie; there ain't no padding. The ending is utter hokum, but intentionally so, I suspect.