Ein Richter sieht rot

I am amazingly surprised that no user has pointed it out. Nearly every one realized that STAR CHAMBER was very similar to MAGNUM FORCE. Correct. Every one speaks of Hal Holbrook. OK. But no one tells that Holbrook played in MAGNUM FORCE too, and in a very similar character as this one. One of the lead of a vigilante police force who wanted to wipe all criminals out. Are they blind or what?

Besides, I must admit that I prefer Ted Post's most famous feature, starring Clint Eastwood. Peter Hyams gives here a correct film, but he has done much better. See CAPRICORNE ONE, for instance.

I will finish this comment in pointing out that this kind of topic was very common in the late seventies and early eighties.

Amusingly described by one review I read here as "a vigilante movie as it might be envisioned by John Grisham", "The Star Chamber" is a good, solid, entertaining thriller. It misses its chances for greatness due to predictability and a lack of credibility, but while it's playing out, some people, such as this viewer, may not mind too much.

Michael Douglas, in one of his earliest star vehicles, plays Steven Hardin, a young judge who's frustrated by the legal system with which he has to work. Far too often criminal scum are able to escape just punishment due to legal technicalities and savvy defense attorneys. Stevens' cagey, witty mentor Benjamin Caulfield (a marvelous Hal Holbrook) eventually reveals to Steven the method he and some fellow judges have employed to deal with the situation: review old, particularly infuriating cases, make judgments, and pass sentence, utilizing the services of a hired gun.

This is certainly slick stuff, well made technically with efficient direction by Peter Hyams and it's at least smart enough to provoke some debate. For example, what would *you* do: let the 10 guilty men go free or let the one innocent man get executed? It includes some fairly exciting foot chases as well as one brief and decent car chase in a parking garage. The climactic sequence in the abandoned building is appropriately atmospheric. And Michael Smalls' music score is haunting and effective.

Douglas is good in the lead but it's the men in the major supporting parts that truly shine: besides Holbrook, Yaphet Kotto scores as a dedicated detective and James B. Sikking is touching as the father of a murdered child. Sharon Gless has little to do as Stevens' concerned wife. The cast contains an impressive Who's Who roster of character actors, including Joe Regalbuto ('Murphy Brown') and Don Calfa ("The Return of the Living Dead") as a pair of goofy creeps, as well as Jack Kehoe, Larry Hankin, Dick Anthony Williams, David Proval, Robin Gammell, Matthew Faison, Michael Ensign, Jason Bernard, and Robert Costanzo. David Faustino ('Married with Children') plays one of Douglas's kids and Douglas's own real-life mother Diana plays Caulfields' wife; Charles Hallahan ("The Thing", 'Hunter') appears uncredited as police officer Picker.

The movie does move along quite well, getting off to a good start but not concluding as strongly. Still, it's good entertainment for most of the time, and may have people talking about its themes after it's over.

Seven out of 10.

STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs

In one of his earlier features,Michael Douglas plays a young judge who becomes disillusioned with the law system he used to so admire when he finds himself continually having to aquit particularly dispicable criminals on the grounds of ridiculous technicalities.Sensing his frustration,a close friend (Hal Holbrook) informs him of a secret judicial society that meets and dishes out the appropriate punishment to those who have escaped the clutches of the law.However,events take a turn for the worst as the wheels get set too far in motion and he finds himself having to turn against this group and bring them down.With the aid of an inquisitive detective (Yaphet Kotto) this proves easier than anticipated.

The whole thing weirdly ends up emerging as some sort of left-wing statement against the death penalty and the complications that could arise with it,in much the same way as the Kevin Spacey/Kate Winslet thriller The Life of David Gale would 20 years later.In this sense,it makes it's point fairly well,although the plot does seem to borrow rather too heavily from Clint Eastwood's Magnum Force to have the full lasting impact it could have had and it has a kind of far-fetched,unintentionally surreal feel to it that ultimately clouded my judgement.The odd title is never really explained or delved in to with much detail either.

Still,for all these criticisms,it's riveting and consistently exciting enough to sustain your interest till the end,which,ironically for how unbelievable the plot is in some respects,is extremely believable and satisfactory.This star chamber is lucky enough to be granted two more from this generous benefactor.***

In this quietly released early eighties film, Michael Douglas plays a young city judge who is sick and tired of being forced to allow obviously guilty criminals off the hook due to technicalities built up by lawyers. He realizes that there may be a way to correct this problem once one of the older, more experienced judges(Hal Holbrook) lets him in on a group of judges that meet privately to set up murders of the guilty criminals that got off the hook.

For the most part this is a highly entertaining and thought provoking film which always leaves you wondering where its going to turn next. However, there are a few important things that are left unexplained or just plain forgotten about, which was somewhat sloppy. Otherwise, a good film about an interesting topic. Certainly one of Douglas' best. 7/10.

The 1983 film THE STAR CHAMBER posits a situation that must seem outlandish, but does go right to the root of our justice system. What if a secret cabal of judges were set up to pass their own verdicts on criminals who had gotten off on minor technicalities?

This is the problem facing Michael Douglas, who portrays an idealistic judge of the L.A. Superior Court who finds himself being forced to free criminals up on charges that include kidnapping and murder because the police bent the law a bit to get the evidence that would send "the bad guys" to jail for life or possibly to Death Row. Douglas later learns from his mentor (the always watchable Hal Holbrook) about a secret cabal of judges--a Star Chamber--that metes out its own brand of justice against those it feels have wrongly been set free. As a result, numerous criminals wind up getting executed. The further Douglas gets into the Star Chamber, however, the more he realizes that the cure these judges propose to rid society of criminal disease is far worse than the disease itself.

Though it is not always plausible, THE STAR CHAMBER is nevertheless compelling, with Douglas and Holbrook giving standout performances under the direction of Peter Hyams (OUTLAND; CAPRICORN ONE; 2010), who co-wrote the film's script with Roderick Taylor. Some might compare it to the 1973 Dirty Harry film MAGNUM FORCE (in which the cops take the law into their own hands), and many would say its theme of vigilante judges is drenched in right-wing gilt, but I don't think that's the case. This is one of those films that definitely makes you think; and while THE STAR CHAMBER may have been released twenty years ago, its themes still hold up in a world where, rightly or wrongly, people see the justice system as too slanted in favor of the criminals.