IMDb-BEWERTUNG
4,9/10
2244
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIntent on winning a competition in place of her distinguished late father, beautiful young heiress Dale takes on the guise of a man and competes in his spot, embarking on a car race that cro... Alles lesenIntent on winning a competition in place of her distinguished late father, beautiful young heiress Dale takes on the guise of a man and competes in his spot, embarking on a car race that crosses the unforgiving Sahara desert.Intent on winning a competition in place of her distinguished late father, beautiful young heiress Dale takes on the guise of a man and competes in his spot, embarking on a car race that crosses the unforgiving Sahara desert.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Yosef Shiloach
- Halef
- (as Joseph Shiloach)
Empfohlene Bewertungen
Today I watched this movie for the very first time. Back in the 80's this movie never made it to my home town, I guess because of the poor critics, and that was a shame because i really wanted to watch it, I had such a big crush on Brooke Shields during the early 80's. I knew that the movie was probably just a lame excuse to expose her sex appeal and popularity, and there were probably little to none substance in the movie it self. After reading the reviews I thought that this was probably a horrible fiasco of a movie I still wanted to watch it, but like i said I was never able until today. What a surprise... the movie is indeed not a big deal at all, but by far boring, it was rather entertaining, I mean not every piece of cinema has to be a master piece, but as long it is entertaining it will be alright, and this one it is alright. The rating is 4 out of 10, my self out of watching it and enjoying it and being able to watch again young Brooke in her prime it was worth it. I would give it a 5 out of 10.
I'm a pushover for the Saharan setting, but discovering Lambert Wilson was the best surprise. He made the whole movie. His eyes, voice, stature......just wonderful. I liked the adventure of the movie.......much like the Great American Race.
Ludicrous bodice-ripper starring the wooden Brook Shields as the kind of plucky romantic heroine who can change outfits in mid-kidnapping. Features such silliness as nomadic Bedouin chiefs who keep stone dungeons on hand, other Bedouin who have frosted lipstick and gold lame party outfits lying around, more Bedouin going on a human hunt using leopards instead of hounds (the leopards are kept on leashes where they can't chase anything), hairstyles that range from 1910 to 1983 (story set in the 1920's), incredible continuity problems with the trans-Sahara race that forms the basis of the plot (Brooke spends about a week in one spot, and suddenly the other drivers all appear at once; her two assistants appear and disappear randomly) etc. etc.
Just about the dumbest, silliest, most badly acted, worst plotted excuse for a movie you'll ever see. Young Brooke Shields is so bad that you swear she couldn't get the lead in a a high school play, much less a real movie. Even by the low standards of the romance genre, it's pathetic.
Just about the dumbest, silliest, most badly acted, worst plotted excuse for a movie you'll ever see. Young Brooke Shields is so bad that you swear she couldn't get the lead in a a high school play, much less a real movie. Even by the low standards of the romance genre, it's pathetic.
OK, I am a big Brooke Shields fan (that's why I have bought a DVD of this movie), but, honestly, I can understand why she was nominated for a Razzie award for this one... But it's not only the unfortunate Brooke, (except for C. Lambert, who plays the Arabic sheik in love with Brooke's character) the acting is uniformly bad in this movie. The parts where there are attempts at "humour" are the worst parts. The parts where there are attempts at drama come a close second worst. Or maybe the parts where there are attempts at romance. Nevertheless, the movie picks up some strength towards the end. The tribal battle scene is very good and the scene where Brooke is placed in a pit with black panthers and leopards is marvelous. For a western-made movie set in the Orient, I also liked the idea that the male protagonist was a non-westerner: you don't have a heroic white guy saving the white damsel in distress. Brooke's character is not the typical weakling damsel in distress either, she is a strong character herself.
Okay, so it's no Academy Award winner. The writing is poor, some of the movie is just plain silly, but there is a lot to enjoy.
I love the chemistry between the Brooke & Lambert Wilson... the seductive and emotional nature of their scenes together. Lambert Wilson takes my breath away! He did in 1983 when I first saw the film (okay, I'll admit -- a few times). I just finally found a copy recently and watched it again for the first time in 23 years or so, and he STILL takes my breath away! Brooke is beautiful and he is terribly handsome -- his face, his eyes, his voice -- he looks at her as if he's going to drink her. It's incredible. Mesmerizing. In my book, this is one of the sexiest movies ever (and without actually having any sex in it).
I looked up Lambert Wilson on IMDb and realized I didn't recognize him 20 years later in "Matrix Reloaded" or the newer "Sahara" (but it had been a long time -- the french accent and clean-shaven face threw me off). It looks like he's been working steadily in France all along, thank goodness. I'm thrilled to know he's been a success. I hope he'll do more American films. Oh, and the score was haunting. It added a lot to the film.
And one more thing: Brooke was practically a child when she did this film. I thought her acting was fine, especially considering her age and the poor script with which she had to work.
I love the chemistry between the Brooke & Lambert Wilson... the seductive and emotional nature of their scenes together. Lambert Wilson takes my breath away! He did in 1983 when I first saw the film (okay, I'll admit -- a few times). I just finally found a copy recently and watched it again for the first time in 23 years or so, and he STILL takes my breath away! Brooke is beautiful and he is terribly handsome -- his face, his eyes, his voice -- he looks at her as if he's going to drink her. It's incredible. Mesmerizing. In my book, this is one of the sexiest movies ever (and without actually having any sex in it).
I looked up Lambert Wilson on IMDb and realized I didn't recognize him 20 years later in "Matrix Reloaded" or the newer "Sahara" (but it had been a long time -- the french accent and clean-shaven face threw me off). It looks like he's been working steadily in France all along, thank goodness. I'm thrilled to know he's been a success. I hope he'll do more American films. Oh, and the score was haunting. It added a lot to the film.
And one more thing: Brooke was practically a child when she did this film. I thought her acting was fine, especially considering her age and the poor script with which she had to work.
Wusstest du schon
- WissenswertesMGM was the one who invested and put up all of the money for this movie's advertising and post-production. This was also the last The Cannon Group, Inc. movie with which they were involved, calling it "Dry as the Sahara desert...it was awful."
- PatzerTwice in the opening sequence, Dale (Brooke Shields) slides off the race course on a corner, and the wide view shows her race car hitting a hay bale barricade, but both times in a close-up shot inserted between the long views, her car hits a barricade made of tires.
- VerbindungenFeatured in Reel Bad Arabs: How Hollywood Vilifies a People (2006)
- SoundtracksCharleston
(uncredited)
Written by James P. Johnson and Cecil Mack
Performed by The Pasadena Roof Orchestra
Top-Auswahl
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Details
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.402.962 $
- Eröffnungswochenende in den USA und in Kanada
- 550.848 $
- 4. März 1984
- Weltweiter Bruttoertrag
- 1.402.962 $
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