The Tragedy of Richard III

I'm fairly sure that many educated and interested-in-film folk have seen the superb and terrifying McKellen version, but sadly, I'd bet hardly anyone remembers this version, which in the original was the capstone of the cycle of plays that begins with Richard II and continues through the various Henry plays (six of 'em). The series was cast as a whole, and the list of actors is a who's-who of British acting skill, culminating in this horrorshow of a play. From the opening moments, when the camera pulls back from the last frame of Henry VI, Part III to reveal a small blackboard, onto which a disembodied hand scrawls Richard III in chalk, to the final frame, where Margaret sits, cackling hysterically atop a pile of bodies (all the characters killed in the preceding eight plays), this version assaults you and tests your ability to withstand true, and intentional villainy, as personified in the demonic Richard. See this version...plague the BBC with letters asking for it to be reissued...write to the actors and shower them with adulation..whatever it takes to return this play to the public eye, where it richardly belongs. Cheers!

Not easy to follow on from the three part 'Henry VI', two parts of which in my view solid but not great and the third part being very good. And it is hard not to expect a lot, when Richard III is one of Shakespeare's most fascinating characters, and not just as a "villain", and he was also interesting as a historical figure. 'Richard III' may not be among my favourite Shakespeare plays, but it is so easy to seee why it is performed as much as it is and why it is so widely discussed.

'Richard III' is one of the longest in length of the uneven but very interesting (and on the whole a must watch) BBC Television Shakespeare series, excepting the ones that by tradition were in one than one part. So 'Henry IV' and 'Henry VI'. To me, and quite a few others it seems, it is one of the series' best and one of the best and also more faithful and complete versions of 'Richard III'. Worthy of more attention and should be pretty much the version to be shown in schools, if studying the play.

Sure it is not the most visually sumptuous of productions, the productions in the BBC Television Shakespeare were made on a low budget and that was evident in some productions, but most overcame that and still didn't manage to look too bad in the process. 'Richard III' is one of the better examples of that. It still manages to look well designed and atmospheric as well being in good tastes, no questionable touches here. The camera work is very good with enough intimacy, with no gimmicks, chaos or restriction. Didn't feel to me like it was too much of a filmed play.

To me, the staging was compelling and didn't get overly-busy or dull, neither did it feel emotionally cold. There was plenty of movement and there is a lot going on in the quite complex plot, without feeling rushed or over-complicated. The climactic battle of Bosworth field scene was especially well done, the touch at the very end was interesting to say the least and not one to forget in a hurry.

Cannot fault the cast. Ron Cook is as excellent as he was before in the 'Henry VI' three parter, but now with Richard even more interesting and with a much bigger role (from a sizeable supporting role to one of Shakespeare's most fascinating and most talked about lead characters) he is even better. Really liked his understated subtlety, which did stop him from doing into stock villain territory (Richard isn't that really), but he is also suitably malevolent. He does well with the challenges of the physical side of the role, speaking as a scoliosis sufferer myself before my pretty traumatic major spinal surgery. Have spoken a lot about him, slightly unintentional but somewhat appropriate considering the role.

But one mustn't overlook the rest of the cast, and it is the acting that other than Shakespeare's timeless writing that is one of the production's biggest strengths. Standouts being Rowena Cooper's dignified Elizabeth and especially Julia Foster's ruthless Margaret (more interesting and much more juicily written role than in the 'Henry VI' three parter, and by now Foster, who didn't do it for me at first in 'Henry VI' has really grown into the role and made it her own. Brian Protheroe doesn't overdo the bluster thankfully and Paul Jesson is an interesting Clarence. Interesting to see Zoe Wanamaker and Annette Crosbie. Those doing more than one character, intriguing and brave choice, do a great job making each character different from each other which helps not confuse the drama.

In conclusion, wonderful production and the 'Richard III' to learn from if studying it. 10/10

I love Shakespeare, both classically performed and the recontextualised adaptations of recent years, but this production, made with a large budget (British television-wise) with a talented director and a superb cast somehow manages to fail spectacularly to bring Shakespeare's classic play to life. I would not envy Jane Howell's task of directing Richard III using the (almost) complete text as a shooting script, but I think she could have approached it in a more imaginative fashion, making better use of television conventions. Save for the close-up and the shot-reverse shot technique, Howell prefers to display what is simply "Filmed Theater", with a set that offers little to a medium as visual as television. The performances, though excellent, don't really come across with the power and passion they no doubt would in the theater, and the end result is a four hour long dirge that does no credit to Shakespeare's sharp and vibrant play.

I recently purchased the 4 DVD versions of the BBC TV 1980's 'Henry VI/Richard III' series and they have had me spellbound.

I agree withe the general view of other commentators that the excision of the British 'hammy' style does nothing but enhance the powerful sweep of this epic.

In the final play Ron Cook's deliberately paced and under-stated (by comparison with, say, Olivier) performance renders a powerful image of the 'toad'.

I was especially struck by the scene with the 3 women characters where they debate the evils wrought by their various male relatives on them and their offspring.

The last few scenes covering the night before the battle of Bosworth where the stream of ghosts taunting Richard then support Richmond, highlights what a great piece of pro-Tudor propaganda this play is.

I know that my comments are really about the original Shakespeare play but this production made it live for me.

The final scene with Margaret cackling on top of the heap of dead is a masterstroke!

As a fan of Richard III, I've seen every version produced. I still do not understand why anyone likes Laurence Olivier's version with its grim, heavy-handed performance. Ron Cook is the perfect Richard, upbeat and energetic, sly and humorous, delighting in his mission until the weight of his crimes begin to trouble his conscience. Jane Powell's direction, as she did with Henry VI parts I, II and III (my favorite of the series), keeps the action moving and the characters in sharp focus, especially King Edward, whose final speech is one you'll always remember. This is the Richard that Shakespeare wanted his audience to see, a man of a courage who loses control of his ambition.