The Pirates of Penzance

I STRONGLY recommend "The Pirates of Penzance". Kevin Kline steals the show as the "Pirate King". He is fabulously funny!!! His looks, voice and energetic acting make him the perfect Pirate King. Angela Lansbury adds to the fun as Ruth, a maid-of-all-work who has seen better days. Linda Ronstadt as Mabel shows off her versatile voice and gets into the silly spirit of Gilbert and Sullivan. Rex Smith does an adequate job as Frederick, the slave of duty who is forced by fate to serve as a pirate.

If you think opera is boring, give this a try! Gilbert and Sullivan operettas are hilarious and this version has lots of fun with Gilbert's humor. There is one "Abbott and Costello"-like turn on the word "orphan" that cracks me up! The contrast between the cocky confidence of Kline and his pirates and the quaking-yet-committed police force is a joy to behold. The "Major General's Song" has been parodied so many times (perhaps most notably as Tom Lehrer's listing of all of the chemical elements) that it is instantly recognizable even if you do not know the operetta. The cast has such fun with this it is hard not to be drawn into it.

All-in-all, "The Pirates of Penzance" is a modern update that loses neither the spirit nor the substance of Gilbert and Sullivan's original. See this movie - soon.

I fell in love with Linda Ronstadt the first time I saw this film in 1983. I also fell in love with Angela Lansbury and, perhaps even Kevin Kline.

This fantastical, comedic, interpretation of the wonderful Gilbert and Sullivan musical updates the music, the humor, and performance, while actually enhancing the theatrical quality of the original play and leaving the plot, characters, and script largely intact.

The film feels like an exciting, quite silly, and very fun play seen from the best possible angles on an elaborate but very stagy set. The actors intentionally overact - as if their most subtle movements must be seen by an audience in a three story balcony. The music is also somewhat overblown, but absolutely wonderful. Did I mention Linda Ronstadt? Her vocal performance is frankly unbelievable! She might not be much of an actress, but acting talent was really not required for the role of Maybelle.

The story is about Frederick (Rex Smith), a young man who has just left his indenture under the flamboyant, somewhat unsuccessful and soft-hearted 'Pirate King' (Kline) and his band of fairly inoffensive ruffians. Vowing to slay his beloved friend to atone for the sins he probably did not commit during his indenture, Frederick leaves his doomed friends and comes ashore, only to fall immediately in love with Maybelle, but the pirates are only a few steps behind him.

The entire story is told with very minimal dialog and a lot of great music, slapstick, and camp. The voices are cast perfectly, and Kline's physical performance is nothing short of amazing.

What can I say? I've just watched 'Pirates' again after a hiatus of about 18 years, and the old magic came back immediately. I love this film, and heartily recommend it to all. Not everybody will feel as I do, but I can't even attempt objectivity in reviewing this film.

Enjoy!

I am a true G & S Aficionado but this surprised and delighted me. The cast are brilliant but Kevin Kline has the edge. Agile, in great voice, lots of humour and quick, funny bits in his performance (blink and you miss them). His dancing and acrobatics are superb. The police also had me howling with laughter along with their police dogs and the major general romping through the fields with the pirates singing UNDERWATER in the babbling brook has to be a classic. This scene has to be seen to be believed. Bravo, cast !! This should have had a lot more publicity. I would adore seeing it in the large theatre, at least we had "Topsy Turvy" this year. This Pirate is fun for all ages.

I first saw this incarnation of Gilbert and Sullivan's "Pirates of Penzance" at the age of 10, but just recently saw it again when my school decided to perform it for our annual spring musical. At the age of 18, I expected that I would find it immature after having liked it at 10. Needless to say, I was wrong. This is a wonderful adaptation of a great operetta, and becomes even better with the experience of performing it.

Fans of Kevin Kline rejoice! He plays the perfect "Pirate King," the silly leader of a band of pirates who seem to be completely incompetent, if only at piracy. He delivers his lines with precision and, along with David Hatton (Samuel), adds a much needed low bass-baritone to Rex Smith(Frederic) and the rest of the pirates' tenor in the pirate tunes.

The late Tony Azito(Police Sergeant)'s performance is literally unbelievable, as he looks more like a man made out of rubber rather than flesh and bone.

I would recommend this to anyone, especially die hard Gilbert and Sullivan fans.

I saw the movie version of "Pirates Of Penzance" again six years after my first viewing;I have to admit it wasn't quite as good as I remembered. The movie can't seem to build any momentum for the first few numbers until the Major General shows up. It falters again for several minutes while Kline, Stevens, and Lansbury struggle gamely with the "Leap Year" birthday number (it just isn't all that funny,guys); and the gimmick of staging the big fight between the cops and the pirates through an community theater staging of "HMS Pinafore" is way too cutesy and self-referential. A few of the "patter songs" have a bit of obvious filler, too (although a first time viewer might not notice this among all the clever word play).

But man, that scene where the pirates are parading through the commons singing "WITH CAT-LIKE TREAD, WE HARDLY MAKE A SOUND" at the top of their lungs...it makes me forgive the movie any of its obvious flaws. Kevin Kline was born to play the "Pirate King" and the movie is worth watching for his (and the Major General's) performance alone. Everyone else is good-to-great... there's not a flat tire or a bad performance in the bunch. Linda Ronstadt's abilities were a surprise to me; even though I am sure she got some "assistance" via dubbing and clever arrangements that hid her weak spots as a singer, she still made a smashing Mabel. And Gilbert and Sullivan's frothy, feather-light operettas still provide easy enjoyment for a modern audience who want light, clever comedy and pretty, accessible songs.

Still very good stuff, though not quite as good as I remembered. That's probably because I played a whole lot of pit orchestras in the intervening years and became a bit jaded.