Outsider: Rebellen ohne Grund

This lovely film was universally trashed and smashed by all the critics. FF Coppola directed it, but they still smashed it. I don't get that.

The then unknown cast was: Patrick Swayze, Matt Dillon, C. Thomas Howell, Rob Lowe, Ralph Macchio, Tom Cruise, Emilio Estevez, Diane Lane, and Leif Garrett. All these actors went on to fame, but the whole movie, the performances, the writing, were trashed.

I thought the cinematography was exceptionally lovely. The "Nothing Gold Can Stay" sunrise scene was gorgeous. The camera angles during the hair cutting scenes were creative and intimate. The music was "epic" sounding, yeah, but this film had a huge tie in with Gone With The Wind, remember. I thought the soft lighting and the creamy edging made the film look very much like IT was filmed in 1939!!!

I don't know. I thought the chracters were very engaging and the performances excellent. Lots of people loved this film, regular people like myself, that is.

A gem from Francis Ford Coppola based on S.E. Hinton's novel. Teenage gang members in a mid 60's Oklahoma town become involved in murder, leading to tragic consequences for all concerned. Filmed mostly in Tulsa, Oklahoma, with a very impressive list of young actors on their way to stardom.

The cast includes Matt Dillon, Patrick Swayze, Rob Lowe and Tom Cruise. Also featured are Emilio Estevez, Diane Lane, C. Thomas Howell, Gailard Sartain and Ralph Macchio.

A coming of age movie that packs a punch. Very much worth your time.

With this adaptation of S. E. Hinton's debut novel "The Outsiders", Francis Ford Coppola introduced a whole new generation of actors, who would go on to become some of Hollywood's biggest stars over the course of the next few years and decades. The story is a coming-off-age tale set in an unspecified American town during the early 1960s, where the dividing line between the north and south side of town, between the working-class "greasers" and the upper-class "socs", defined the upbringing, youth years and prospects for the future for all the characters we get to meet. Focusing on the greasers - and more on the ties and comradery between them than on the greaser culture as such - The Outsiders is a tenderhearted, unobtrusive film full of semi-obvious observations and character-developments. As such, it feels like the school essay that the novel more or less started out as. Still, the film has a perception and understanding for these kids, their time and their surroundings that makes it resonant and believable. Artistically, this is by no means Coppola's best work, and all of these actors would go on to deliver better work later on in their careers, but their characters and their performances have stood the test of time quite well. Look for Coppola's pal Tom Waits in a cameo as a bouncer in a bar. C. Thomas Howell won the Young Artist Award for Best Young Motion Picture Actor for his performance as Ponyboy Curtis.

I loved this book as a kid, and I work with troubled kids who still love the book. I've seen this film a number of times over the years, and am still disappointed that, with such a FABULOUS cast, that it misses the grit and passion of the story.

Ya know what did it? The score. I understand that FFCoppola wants to make his films a family affair, but did he actually LISTEN to what his dad wrote? Sappy strings and a STEVIE WONDER BALLAD???? (ok, that part isn't her fault - what was FFC thinking???). What about some of the early rock songs of the time? I know that's been done a lot, and maybe they didn't want to "date" the film, but the fashion and language and cars and dress date it already; honestly, I've never heard a musical score that was so badly matched to a story. Heh, might as well get Danny Elfman (great score composer, btw) to write the scores for Star Wars.

Now, if you want to hear a terrific score that actually becomes a character of a story, see "The Shawshank Redemption"... the music in that amazing film, to me, is Andy's voice... listen for it, it expresses what's going on inside of Andy, and occasionally the other characters. THAT is what a film score is supposed to do.

I might have enjoyed this a bit more if I didn't know Coppola directed it. I mean the guy who already made the Godfather films and Apocalypse Now didn't know how to properly adapt a novel seems ridiculous. One of the main problems with the film is that every frame of it tells you that it's based on a book. There really doesn't seem to have been any effort in the script other than shooting the important part of the novel and without all the details in the novel that is a disastrous choice.

Still, even with all those problems, it does manage to be pretty decent. Even though a lot of stuff does seem stupid, it tries to explore a handful of themes in a way that is also appealing to teenagers without completely losing its footing. The ensemble teenage cast is such a wonder to look back now, who would've thought a lot of them would go on to become some of the biggest names in the industry, let alone the delinquent friend side character would go on to become one of the biggest stars in the whole world. The issues dealt with seems a bit heavy-handed and artificial which wouldn't have felt as problematic if the direction was a bit more cleaner and more importantly if the writing was better.