Ein himmlischer Lümmel

Lesley Ann Warren is a very good actress, she appears in A NIGHT IN HEAVEN as a beautiful evergreen woman. If the movie itself is not unforgettable, the Warren's part is a thing you always remember. The love scene with actor Christopher Atkins is very well filmed and give the image of a soft erotism. Unfortunately, the movie was not imported in france (I have bought the cassette by amazon). Good surprise too is to hear canadian pop singer Bryan Adams in the score.

Christopher Atkins! Lesley Ann Warren!! Eighties top-ten hits! For goodness sakes, the guy who played Tony HOSTED Dance Fever!! I remember that I had a crush on him.

This movie is so totally steeped in Eighties pop-culture. From the first scene where Whitney shuts down the computer (get a load of that thing?) to the hot pants worn by Atkins. The Eighties (especially the early Eighties) was a time when the lines blurred between being gay and straight. Ahh those heady pre-AIDS days...

At one point in the movie, Ricky (Atkins)responds to his sister complaining about his sleeping around, "I'm 21 years old, I'm right where I'm supposed to be..." And the fashions, man, the FASHIONS. The Peter Pan collars worn by Warren. The red dress complete with puffy sleeves when she goes to the strip club for the first time. The big hair! Pick ANY item worn by Tony... All Eighties, all the time!! And finally - the hottest sex scene that is STILL hot by today's standards!! The Big Easy comes close.... close, but not quite.

It's not a great movie. I don't think it's even a mediocre movie. But I DO think it's an IMPORTANT movie. One day our children will watch this movie and think... "what where they THINKING?!??!"

It just cracks me right up when people mention "A Night in Heaven" and the word "plot" in the same sentence. Yeeping yimminy, take a look at the box cover! All they ever promised us was Chris Atkins in his Xanadu disco-slut-wear, pulsating and gyrating and waving his goodies at the camera. A male nudie flick. That's what they promised us, and that's what we got!

Mr. Blue Lagoon prances about the entire movie wearing nothing more than a cheap self-tanner and dental floss. The direction is nothing more than an endless string of tight close-up shots of Mr. Atkins' generously lathered nether-regions. Pure smut. That's what they promised us, and that's what we got!

Word of caution: This flick is where that "Obsession" song came from ("I will have you, yes I will have you..wah wah wah...") It's not the Animotion version either, it's, gasp ...even worse. It sounds like it was recorded at one of those amusement park "You be a Star!" karaoke-style "recording studios". Shudder.

But that's irrelevant. As is the acting, the cinematography, the editing, the lighting and most of all Lesley Ann Warren. "A Night in Heaven" is all about an oiled-down Atkins, a few clutzy dance moves, and a skimpy boy-toy thong. That's what they promised us, and that's what we got.

Yay them!

I rented this movie as a total goof with a friend about a year after it came out, expecting it to be as cheesy and pathetic as the trailer. This is not great cinema by any means. But some actual thought went into the making of this and it was a lot better than I ever anticipated. In fact, back in the day, Siskel and Ebert actually gave this two thumbs up, for the chemistry between Lesley Ann Warren and Christopher Atkins. It has been said that he was so into his character that after the filming it took him a long time to get over his costar. Lesley Ann Warren's shocked expressions are priceless. The great Bryan Adams songs are relevant; not just tacked on because they are cool and will sell soundtracks. This is not a movie you would ever want to admit aloud that you like. But you may be surprised to find that you're secretly admitting it to yourself.

Heavenly, this film is not, but I must admit that it is one of my guilty pleasures.

The story centers on a community college speech teacher (Warren) with a recently laid-off husband. Her wild sister drags her to a male strip club one night where she discovers that her lazy student (Atkins) is the star attraction. Wouldn't you know it, eventually the teacher is getting private lessons from the student. It's really about temptation and devotion and the fight between the two.

While the plot and styles are incredibly dated, thee are some things to recommend about this film. Warren gives a strong performance, doing as much with the material as she can. Her transition from constricted and conflicted wife to released vixen is convincing. Her frustrated husband, Logan, also does a fine job. Atkins is Atkins and does nothing more than offer lingering stares and lots of skin.

What makes this film a guilty pleasure is the good use of Bryan Adams' music and one of the more erotic love scenes ever filmed with someone of Warren's stature (this was around the time she blew audiences away with her Oscar-nominated performance in Victor/Victoria). If you never thought of Warren as a sexual dynamo, stick around. Some cuts of the love scene contain a shot of Atkin's manhood, which shocked me even back then.

There are some dramatic elements involving the husband and his frustrations, as well as Warren's inner conflicts, but the film is far too short to go into these too deeply.

It's not a good film by any means but I do think it tried to be something more than the trash it was. Perhaps some of the plot ended up on the dance-room floor.