Nach seiner Entlassung tauscht ein Ehemann mit seiner Frau die Rollen. Sie kehrt in die Arbeitswelt zurück, und er wird Hausmann, ein Job, von dem er keine Ahnung hat, wie er ihn ausüben sol... Alles lesenNach seiner Entlassung tauscht ein Ehemann mit seiner Frau die Rollen. Sie kehrt in die Arbeitswelt zurück, und er wird Hausmann, ein Job, von dem er keine Ahnung hat, wie er ihn ausüben soll.Nach seiner Entlassung tauscht ein Ehemann mit seiner Frau die Rollen. Sie kehrt in die Arbeitswelt zurück, und er wird Hausmann, ein Job, von dem er keine Ahnung hat, wie er ihn ausüben soll.
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
Empfohlene Bewertungen
The script is well-written. Though you can call it predictable, it deserves to be predictable. Besides, the plot turns make sense in the context of the characters, and don't feel contrived. The film delivers a fine message without suffocating you with corny sentiment. And Keaton's wonderful performance keeps the film airtight.
There are many hilarious moments. The gag in which Keaton plays poker with a group of homemakers, using coupons instead of money, is absolutely priceless! Plus, I felt for the characters and when you feel for the characters, the jokes are always funnier. When Keaton gets himself into one dilemma after another, I was laughing because I felt sorry for him, and that's the key to physical comedy. You have to care for the character's intentions.
"Mr. Mom" is a funny, sweet, kind-hearted family comedy that doesn't cater to any particular age group. At first glance, it looks an anti-parenting film that manipulates us guys into thinking, "Geez, I'm never gonna have a kid." But as Keaton's character goes through his arc, your attitude changes along with his. Go see it! A truly entertaining movie that's likable in all aspects!
My score: 8 (out of 10)
"Mr. Mom" is a funny 1983 film made in the period of the 1980´s recession and foresees the beginning of the decline of the Detroit´s automobile industry. The plot has many clichés but is entertaining and hilarious. Michael Keaton and Teri Garr show chemistry and have great performances. My vote is seven.
Title (Brazil): "Dona de Casa por Acaso" ("Housekeeper by Chance")
The gags are still pretty solid, as long as you actually realise that they're 40 years old and definitely not the same as today's movie humour, with the only real culture shock is when Caroline walks into the pitch meeting and EVERYONE is smoking, and the air is thick with cigarette smoke. It's easy to forget now that back in the 80s was a very different time in that regard, as well as so many others.
Michael Keaton's and Teri Garr's performances hold up well, Jeffrey Tambor is his usual dryly funny self, Martin Mull is great, it was kind of a surprise to see Christopher Lloyd not really looking that much different to how he does now except a little less wrinkled and darker-haired. It was also a bit of a shock to realise that the youngest of the two boys was played by Taliesin "Percy" Jaffe!
All in all though it's still a good, solid watch even these 40 years later.
Michael Keaton plays Jack Butler, who, along with several co-workers, loses his job at an auto plant due to layoffs. To make ends meet, wife Caroline (Teri Garr) gets a job at an advertising agency, and he stays home with the kids. Easy, right? Absolutely not! From out of control vacuum cleaners, washing machines and toasters, to the neighborhood ladies, including Joan (Ann Jillian), who has her eye on Jack, running the household is horrendous. On top of this, Caroline is climbing the corporate ladder. But success comes with a price in the form of long hours, travel, and persistence from boss Ron (Martin Mull), who sets his sights on Caroline. Can Jack and Caroline keep the family together despite these woes?
It is my belief that "Mr. Mom" is one of the best comedies of all time, and features Michael Keaton and Teri Garr at their best. People of all ages should see this movie. It shows how successful familial role revearsals have the power to be, and demonstrates how to challenge previous stereotypes about career and family. A great film not to be missed!
Wusstest du schon
- WissenswertesMichael Keaton turned down Splash: Jungfrau am Haken (1984) to do this movie.
- PatzerThere would be no reason for the parents' traffic route at school to be reversed when dropping off or picking up their kids. Entering on the right would always be the best option so that passengers could leave or board directly at the curb.
- Zitate
Jack Butler: [Enters scene revving chainsaw] How ya doin'. You must be Ron Richardson. I'm Jack Butler, nice to meetcha.
Ron Richardson: Pleased to meet you.
Jack Butler: Huh?
Ron Richardson: I say I'm pleased...
[Jack Turns chainsaw off]
Ron Richardson: ...to meet you. I'm just waiting for Caroline.
Jack Butler: Well, uh, you know women.
Ron Richardson: Yeah, I'd like to think I do.
Jack Butler: Wanna beer?
Ron Richardson: It's 7 o'clock in the morning.
Jack Butler: Scotch?
Ron Richardson: Not during working hours. Ooooh, sorry pal.
Jack Butler: No problem. Come on over here Ron. Let me show you what I'm doing, taking advantage of some of the time off. To, uh, add a whole new wing on here. Gonna rip these walls out and, uh, of course re-wire it.
Ron Richardson: Yeah, you gonna make it all 220?
Jack Butler: Yeah, 220, 221. Whatever it takes.
- Crazy CreditsAs Quebec had a different French version made in Montreal, the introducing credits has the scenes dubbed in Parisian French (made in France) version. Once the credits ends, the Quebec French dubbing version begins...
- Alternative VersionenIn one scene, Jack's "girlfriends" take him to a male strip show in which the dancers are dressed as astronauts. Jack comments "These aren't the guys from the space shuttle, are they?" When the film was first shown on network television in 1986, the line was removed, presumably because it seemed in poor taste coming so soon after the Challenger disaster.
- VerbindungenFeatured in Precious Images (1986)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Las locas peripecias de un Sr. mamá
- Drehorte
- 152 Greenfield Avenue, Los Angeles, Kalifornien, USA(Jack and Caroline's house)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 64.783.827 $
- Eröffnungswochenende in den USA und in Kanada
- 947.197 $
- 24. Juli 1983
- Weltweiter Bruttoertrag
- 64.783.827 $