McQuade, der Wolf

Among all Chuck Norris movies I've watched so far, there were a few I rather liked (especially "Missing In Action" was so hilarious they had to quote it in "Hot Shots 2"), but "Lone Wolf McQuade" is the first time I actually loved every minute. I confess. There are many good reasons for it, though. Already in the opening scene, I noticed the excellent music by Francesco De Masi. The guitars, bells, trumpets, harmonicas are straight from the school of spaghetti western and turn every close-up into larger-than-life drama. David Carradine is a opponent way ahead of the villains Chuck battled in other flicks. Barbara Carrera ("Never Say Never Again") catches the eye as a widow falling in love with Chuck. The story is (intentionally or not) kept as basic as possible: hero meets bad guys, tries a solution with violence, doesn't work, tries MORE violence, then it works. Much in this movie defies reason and logic, but don't ask "why?", just view it as a kind of ritualistic fantasy western in a modern day decoration, thus it can be great fun. And you learn a lot of useful things, for example: you can revive a seemingly dead and definitely buried man with two cans of beer. And don't miss one of the first computer hacking scenes in film history, you won't believe your eyes.

Released in 1983, "Lone Wolf McQuade" inspired the TV series Walker, Texas Ranger that came out a decade later. Chuck Norris stars as the eponymous McQuade, a kick-axx ranger from El Paso who's known for being a 'lone wolf.' He takes on a drug kingpin (David Carradine) whose gang uses automatic weapons while protecting his daughter (Dana Kimmell) and romancing the kingpin's babe (Barbara Carrera).

While it's easy to write off this film because it's so cartoony, melodramatic and unrealistic, it's a quality action flick if you can embrace it for what it is. The action's good, which includes a few martial arts sequences, and the screenwriter at least attempts to add some depth to the characters. Carradine hams it up as the villain dripping with evil while Norris plays an effective loner protagonist. Kimmell is cute and Carrera is ravishing, but they could've done more with them. The spaghetti Western score by Francesco De Masi is excellent and the authentic Southwest cinematography is a plus.

The film runs 107 minutes and was shot in El Paso, Texas.

GRADE: B-

The previous posters comments about this film say something about the reviewer. Um...Chuck Norris and David Carradine??...what kind of movie did you expect with two KNOWN martial arts stars in it? High Plains Drifter?

This movie ranks as probably one of Chuck Norris' best action films of his career and was certainly the basis for his very successful series character "Walker, Texas Ranger". With this movie we saw Chuck change from his old image of the blonde, California boy to the dark haired, bearded, tough guy Chuck we know today. Chuck's movies took on a slightly tougher edge from this film forward (i.e. Invasion USA, Code of Silence). And who can fault the addition of "grasshopper" himself David Carradine to the mix? A major casting coup for the film. Carradine camps it up as a drug smuggling, karate champ who taunts and ultimately tries to kill Texas Ranger McQuade. The dialogue and action are typical of the genre and the time period but for some reason this film stands the test of time like some of the John Wayne westerns of old. Chuck clearly wished to set himself in that "lone, lawman, hero" mold of Wayne with this film.

There is one shot in the opening sequence where McQuade walks into frame in silhouette with the sun behind him, bearing down on his enemy that is right out of the classic westerns of the 50's. That's the money shot of the film. Robert Beltrane (of "Star Trek: Voyager" fame) does a nice, early career stint here as the hapless, partner who forced to tag along on McQuade's heels, but who saves the day in some small way. Much like Tyne Daly did to Clint Eastwood's Dirty Harry in "The Enforcer".

And you just can't beat the final showdown between Carradine & Norris, which ranks right up there with Chuck's other famous duel with Bruce Lee. It's Action Cinema Gold.

All in all, a great little film for people who like action heroes.

Any parents thinking of watching "Lone Wolf McQuade" with their young children because the movie got a "PG" rating should be warned - even by today's standards, it's quite violent and has plenty of profanity. Though in my book, those facts are part of what make the movie very entertaining. It's kind of an update of spaghetti westerns made in the 1960s and 1970s, right down to the catchy and tangy musical score by Francesco De Masi. There's plenty of style and action as well. And while I have certainly never thought of Chuck Norris as a good actor, this particular role - where he mostly eschews dialogue and instead communicates with action - fits him pretty well.

If the movie has a weakness, I think it's that it runs a bit too long; the 107 minute running time stretches out the movie somewhat too much. Some tightening by the editor to make a number of scenes play out more quickly would have helped considerably. But I feel I should add that even though the movie is somewhat too long, it's never boring. There's always something happening on the screen to keep your interest. If you have somehow never seen a Chuck Norris movie, this particular effort would be a good introduction to him.

In one of his very best vehicles, Chuck Norris plays Texas Ranger J.J. McQuade, a solitary man with his own way of doing things. In this tale he must do battle with a nefarious arms dealer, Rawley Wilkes (David Carradine). His boss tries to saddle him with a partner, nicknamed "Kayo" (Robert Beltran). J.J. is naturally resistant to this arrangement, but Kayo is determined to prove himself worthy. J.J. also finds himself another ally when F.B.I. agent Jackson (Leon Isaac Kennedy) shows his own willingness to not do things strictly by the book.

The decision by director Steve Carver (who'd previously worked with Chuck on the formulaic but fun "An Eye for an Eye") and his filmmaking company to play this like a Spaghetti Western is an inspired choice. Carver directs with a real flair, the rural scenery is breathtaking to behold, the action scenes are extremely well executed, and the Chuck vs. Carradine title fight is an irresistible hook. Certainly one man who understands the tone of the whole thing is composer Francesco De Masi, whose score is just perfect.

What's nice to see is that Carradine, who often slummed in B fare and basically phoned in his performances, makes for a truly effective villain here. He actually looks like he's enjoying playing this over confident, egomaniacal creep. Much eye candy is supplied by the luscious Barbara Carrera, who has the role of Wilkes's uneasy "partner". Chuck and Carrera do have some sexy scenes together. Beltran is fine as the eager beaver young cop who is initially something of a nuisance but who will prove his worth by the end. Much praise goes to the uniformly solid supporting cast, including such luminaries as L.Q. Jones, R.G. Armstrong, Sharon Farrell, and William Sanderson. The lovely Dana Kimmell of "Friday the 13th Part III" fame plays Chucks' frequently imperiled daughter. Daniel Frishman has the most delicious role in the picture as the diminutive crook Falcon; this is another guy who looks like he's having a good time.

Rough, tough, and rousing, "Lone Wolf McQuade" makes for completely agreeable entertainment, delivering to us a finale that we can savour. Chuck and Carradine performed the stunts themselves, to the chagrin of the producers.

This would make a fine double bill with "Code of Silence", another of Chucks' best features.

Eight out of 10.