Ein kleiner Waffenhändler, der in Südamerika Waffen an die Revolutionäre verkaufen soll, verhandelt schließlich mit dem Diktator des Landes über den Verkauf eines Experimentalflugzeugs.Ein kleiner Waffenhändler, der in Südamerika Waffen an die Revolutionäre verkaufen soll, verhandelt schließlich mit dem Diktator des Landes über den Verkauf eines Experimentalflugzeugs.Ein kleiner Waffenhändler, der in Südamerika Waffen an die Revolutionäre verkaufen soll, verhandelt schließlich mit dem Diktator des Landes über den Verkauf eines Experimentalflugzeugs.
- Woman Singer
- (as Carmen Moreno)
- Rojas
- (as Wilfredo Hernandez)
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It obviously can't stand up to a comparison to DR. STRANGELOVE as a few here have done. However, it still remains a fairly on-target, unflattering satire of the weapons industry and by extrapolation, other mass production industries that love to sell the government and public crap product cosmetically hyped as the next great answer to all their fears and desires, product that ends up being useless or obsolete within a year (if it even works properly in the first place). There are some pretty funny scenes sprinkled throughout and I was pleasantly surprised through the whole film how much dark, subversively funny jabs Friedkin gets away with. Especially in a big studio movie.
There's one scene in particular that makes the film well worth seeing --Gregory Hines (I believe it was him) gets into a verbal altercation with another extremely hotheaded driver (a maniacal Tony Plana) (over a fender bender? it's been a while since I've seen it) -- the verbal sparring quickly escalates into a life-threatening situation and the emotional dynamics the two actors bring to the scene is scarily believable while remaining extremely funny. This scene alone provides a microcosmic metaphor for the provocations of nations going to war and perfectly illustrates the pointless absurdity of aggressive behaviour in general. Also of note, it's great to see the underrated Vince Edwards in a large supporting role as the ruthless air weapons manufacturer.
DEAL OF THE CENTURY is never less than amusing and has some extremely funny sequences -- much better than many of these IMDb reviews would lead you to believe.
This is good material for an interesting satire. The first fifteen minutes is good satire fun. After that, the story has to take over and the characters have to take over. Sadly, I don't care about these characters or their story. The drone is a great predictor of future war but even that is not enough. It's a long slow decline after a promising start.
If you're not a fan of the cast and can't get past really bad "special" effects, then you'll probably hate it. But if you like any of the cast, and watch it for their performances and a kinda cheesy story, you'll probably find it entertaining.
The cast is the only reason for really watching this movie.
This is more along the lines of "Flying High", when there is no one "star" of the file who hogs the limelight. In this movie, the gags and clever lines are more evenly distributed. In my mind, this makes for a funnier movie.
Wusstest du schon
- WissenswertesOne of only two films director William Friedkin wrote nothing about, positive or negative, in his memoir The Friedkin Connection (see also Das Kindermädchen (1990)).
- PatzerAt the Peacemaker roll-out. Stryker as well as the technicians commented on the hot weather. Yet, you can see Stryker's breath at the podium (indicating cold weather) just before the Peacemaker attacks.
- Zitate
General Huddleston: [watching the Peacemaker malfunction] This is a great day for the Air Force, Senator.
Sen. Bryce: Why is that, General?
General Huddleston: Because the Navy ordered twenty of those disasters.
Navy Officers: Son of a bitch!
- Alternative VersionenCBS edited 5 minutes from this film for its 1988 network television premiere.
- SoundtracksSomeone To Watch Over Me
Music by George Gershwin and lyrics by Ira Gershwin
Sung by Nikka Costa
Courtesy of Renquet Records
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Deal of the Century
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 10.369.581 $
- Eröffnungswochenende in den USA und in Kanada
- 3.520.605 $
- 6. Nov. 1983
- Weltweiter Bruttoertrag
- 10.369.581 $
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1