IMDb-BEWERTUNG
5,5/10
5518
IHRE BEWERTUNG
Das Taxiunternehmen von Harry dümpelt vor sich hin, bis Albert auftaucht.Das Taxiunternehmen von Harry dümpelt vor sich hin, bis Albert auftaucht.Das Taxiunternehmen von Harry dümpelt vor sich hin, bis Albert auftaucht.
Peter Paul
- Buddy
- (as Peter Barbarian)
David Paul
- Buzzy
- (as David Barbarian)
Empfohlene Bewertungen
It's vulgar, sexist, racist and extremely stupid in several parts. Perfect family picture.
Any film with Mr. T, Gary Busey and Barney Miller's Det. Wojohovitz as cabbies who try to foil a kidnapping plot, find missing violins and learn all about self-worth is a solid rent, especially when mixed with the "Animal House" slobbery that makes this crass crew so likeable.
Don't go in expecting Preston Sturges. Maybe Laurel and Hardy....
Three stars. And if you want a cabbie to drive you to Hell, travel light.
Any film with Mr. T, Gary Busey and Barney Miller's Det. Wojohovitz as cabbies who try to foil a kidnapping plot, find missing violins and learn all about self-worth is a solid rent, especially when mixed with the "Animal House" slobbery that makes this crass crew so likeable.
Don't go in expecting Preston Sturges. Maybe Laurel and Hardy....
Three stars. And if you want a cabbie to drive you to Hell, travel light.
Movie I will watch anytime it's on. The cast is a 70's and 80's who's who: Max Gail, Paul Rodriguez, Mr. T, Bill Maher, Whitman Mayo, Marsha Warfield, Gary Busey. Most are still alive, do a sequel!
An enjoyable film for 80s buffs and fans of the not-for-everybody 80s screwball comedy. Often juvenile, often exploitative, never meant to be taken seriously, an uneven performance from its lead (particularly an inconsistent accent) and occasional sloppy sentimentality drag the movie down. There are some great turns from bit players, including a young Charlie Barnett and an old Whitman Mayo. Max Gail is solid and Marsha Warfield is thin! The film features some classic lines in addition to allegedly funny lines that will make you cringe. Mostly, the movie is a harmless goof with a touch of idiotic 80s energy. 6.5 out of 10
They just don't make 'em like D.C. CAB anymore. Many filmgoers will see that as a good thing, but this blatantly '80s ensemble comedy is surprisingly entertaining. The lesser of the Baldwin brothers, Adam, stars as an ambitious young southerner who journeys to the Capital in hopes of breaking into the cab business. He's greeted by a memorable cast of zanies, including future notables such as Mr. T, Gary Busey and Bill Maher. It's not exactly Oscar calibre stuff, but the plot takes interesting twists and turns as the film plows along at a brisk pace. True, some of the humor is crude, yet the movie has an undeniable, cheesy charm. Directed by Joel Schumaker, D.C. CAB is lots of fun, but not necessarily lots of funny.
For months I wanted to drive around in a ghetto-fab taxi with rollers in my hair, but ma' wouldn't let me.
No one should ever admit to enjoying this flick, as it is awash in stupidity and dripping in dumbness. It is painfully, dreadfully, wretchedly awful... and I've seen it about 47 times. In short: A tasty hunk of Velveeta, fun to semi-watch while you're vacuuming your carpets or waxing your legs, but tell no one you did.
How many passengers?:
I found Mr. T's character to be the kidney-stone I couldn't wait to pass. And Gary Busey is all kinds of Sam Kinison fun (hint: not fun at all). But everyone else on hand delivers one or two sure-p**ser lines...my personal faves being a fur-coat sporting Marsha Warfield, threatening to beat Denise Gordy's door down and "beat your ass to fried whale-sh*t!" Or the scene stealing Charlie Barnett as roller-headed "Tyrone", jumping up and down on a barn screaming "Bruce Lee! Bruce Lee! I found him! I found that karate muther-f*cker!"
And the always under-appreciated Adam Baldwin, aka 'the only Baldwin that matters' turns in yet another competent performance as Albert "Whitebread Chicken-sh*t" Hockenberry. Plus, I've been finding him kinda dreamy ever since he played the teenage ax-murderer 'Ricky Lindermann" in "My Bodyguard". Forgive me this transgression...
Where to?:
"D.C. Cab" can't make up it's mind whether or not it wants to be a family film or "Animal House" on wheels. But it's far more successful when it's being lewd, crass, and it allows it's precious child actors to spit lines like "you are, a pitiful bitch!"
What do I owe ya?:
This cab is more hoopty than Cadillac, but a fun ride despite all the potholes.
No one should ever admit to enjoying this flick, as it is awash in stupidity and dripping in dumbness. It is painfully, dreadfully, wretchedly awful... and I've seen it about 47 times. In short: A tasty hunk of Velveeta, fun to semi-watch while you're vacuuming your carpets or waxing your legs, but tell no one you did.
How many passengers?:
I found Mr. T's character to be the kidney-stone I couldn't wait to pass. And Gary Busey is all kinds of Sam Kinison fun (hint: not fun at all). But everyone else on hand delivers one or two sure-p**ser lines...my personal faves being a fur-coat sporting Marsha Warfield, threatening to beat Denise Gordy's door down and "beat your ass to fried whale-sh*t!" Or the scene stealing Charlie Barnett as roller-headed "Tyrone", jumping up and down on a barn screaming "Bruce Lee! Bruce Lee! I found him! I found that karate muther-f*cker!"
And the always under-appreciated Adam Baldwin, aka 'the only Baldwin that matters' turns in yet another competent performance as Albert "Whitebread Chicken-sh*t" Hockenberry. Plus, I've been finding him kinda dreamy ever since he played the teenage ax-murderer 'Ricky Lindermann" in "My Bodyguard". Forgive me this transgression...
Where to?:
"D.C. Cab" can't make up it's mind whether or not it wants to be a family film or "Animal House" on wheels. But it's far more successful when it's being lewd, crass, and it allows it's precious child actors to spit lines like "you are, a pitiful bitch!"
What do I owe ya?:
This cab is more hoopty than Cadillac, but a fun ride despite all the potholes.
Wusstest du schon
- WissenswertesDuring principal photography in Washington D.C., Mr. T spent some of his free time off-the-set visiting correctional facilities and childrens' hospitals.
- PatzerWhen the Barbarian Brothers are bringing Mr. T and Harold (standing on a ladder) the second part of the new DC cab sign the next scene shows all the cabies cheering as the hang the sign, yet Harold and Mr. T are now on the ground and in different clothing.
- Crazy CreditsAt the end of the closing credits, The Angel Of Death gets into Tyrone's cab. He says, "I am the Angel of Death, take me to Hell", to which Tyrone responds, "Got any Luggage?"
- VerbindungenEdited into Irene Cara: The Dream (Hold on to Your Dream) (1984)
- SoundtracksThe Dream
Performed by Irene Cara
Music by Giorgio Moroder
Lyrics by Irene Cara / Pete Bellotte
Courtesy of Network Records
[Tyrone plays the song on his car stereo, also end credits song ]
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- D.C. Cab
- Drehorte
- Washington Dulles International Airport - 45020 Aviation Drive, Sterling, Virginia, USA(Airport exterior scenes.)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 8.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 16.134.627 $
- Eröffnungswochenende in den USA und in Kanada
- 1.564.530 $
- 18. Dez. 1983
- Weltweiter Bruttoertrag
- 16.134.627 $
- Laufzeit
- 1 Std. 40 Min.(100 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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