Class - Vom Klassenzimmer zur Klassefrau

Brats brought me here. I say that because without the 2024 documentary about the Brat Pack I would never have heard of this movie and I grew up in the 80's.

On the face of it Class is one of those all too common fish out of water movies in which a working class kid ends up at a posh university, and has to deal with fitting in.

However although it is made clear there is a class discrepancy between the two main characters, it is never discussed at any point in the movie. What instead we have is yet another one of those teenage guy makes it with a hot older woman movie. This was a very common 80's trope. The complication in this movie is the relationship that this older woman has to the two male leads.

This is a solid 6 out of 10, its entertaining enough to keep watching but not that memorable. This is probably why this isn't mention in the same breath as Ferris Bueller or Risky Business. Despite the Brat Pack member cast. Indeed you will realise that none of the characters are particularly strong or well written. There is nothing particularly taxing about watching this, aside from a few cringe moments. Its maybe a good nostalgia movie if you have seen it when it was released but there isn't much here for a younger audience. This is the kind of movie you rented from the video library when all the other stuff was out, based on the movie poster being suggestive of some hot older woman action. It doesn't quite deliver on that but none of these movies did.

Uneven film at best, but does offer a nostalgic look at some of the pre-famous actors of the 1980's. Not a great plot, but one that will hold your interest due to the likeable characters involved. The ending is rather abrupt and makes one wonder if the director ran out of time, money, or both. Anyway, Ms Bisset is stunning in this role and very appealing. Enjoy!

This movie - one of many early 1980's movies used as vehicles for the likes of Rob Lowe, Andrew McCarthy, Judd Nelson and Matt Dillon - conveys many distinct qualities, which countless teen films of late seemingly lack.

What is immediately evident, is the way in which the director skillfully juxtapses the moody atmosphere with the hilarious antics of the Ivy League school boys. Regarding this movie from the point of view of intertextuality, a number of other texts immediately spring to mind: 'The Graduate', 'Animal House' and J.D. Salinger's 'Catcher in the Rye'. Lowe (The Outsiders, Youngblood, Oxford Blues), and McCarthy (St. Elmo's Fire, Mannequin, Catholic Boys) turn out meritable performances: one being the typically egotistical teenager(Lowe), and the other(McCarthy)conveyed as the naive, withdrawn 'new boy'. Jacqueline Bisset is, as always, aptly cast as the sultry seductress who, with an overbearing husband (Cliff Robertson) and a subsequent case of neurosis, seeks contentment in the shape of a teenage boy. Other striking performances come from - at the time, unknown actors - John Cusack and Alan Ruck.

'Class' is dark and moody at times, and the direction and setting conveys this aspect of the film aptly: the fight between Skip(Lowe) and Jonathan(McCarthy) takes place in the woods outside the school on a cold, grey afternoon during the fall. In contrast to this, there is the bright lights and bustle of New York City, where Jonathan embarks on a mission to apparently gain his manhood and 'save face' with the other students(here, there is that connection with the students in 'Catcher in the Rye' taking weekend trips to New York and the character 'Ackley' who is always boastful of his conquests with women). The film further depicts the antics of the school boys; for example, the incident at the neighboring girls' school and Jonathan's initiation on his first day. 'Class', like 'Oxford Blues', 'Youngblood', 'The Breakfast Club', 'Catholic Boys' and 'St. Elmo's Fire', to name but a few, is the quintessential movie for teenagers; it has depth and feeling, as well as displaying good comical dialogue.

This film is simply 'Class'.

I love the Brat Pack so any of the movies that they are in are a go for me, no matter how little ratings it got. I am drawn to it. There are so many favorites in this movie-Virginia Madsen, which I remember from Fire with Fire, another 80's flick, Alan Ruck, from Ferris Bueller, John Cusack, Andrew McCarthy, and Rob Lowe. All cool. I graduated 1988 so these are my kind of films!

I love the way McCarthy gets back at Lowe. God that is so funny!

Watch it if you get the chance!

Class is the story of a shy, clumsy, but very intelligent young man played by Andrew MaCarthy who transfers to an exclusive prep school for his senior year of high school. He comes from a working-class background and has more than a little trouble getting comfortable in his new surroundings. It doesn't help matters that he has to share a room with an obnoxious rich kid played by Rob Lowe. Throughout the film we see McCarthy learn lessons about love, academics, and friendship.

This is a very uneven film; often switching from comedy to heavy-handed mature themes almost on a dime. The comedy for the most part hits the mark. The dramatic elements are just not believable.

I have never seen a film go to so much trouble to humiliate its main character. Some of the things that happen to McCarthy are pretty funny, but others almost make you feel sorry for the poor kid. McCarthy is barely on campus for five minutes before Lowe convinces him to put on women's underwear and parade around in the commons area. McCarthy thinks it is some type of senior ritual that is done every year, but he soon finds out that only he is participating in it. Lowe then locks him out of their dorm and he is forced to climb in through a second story window with hundreds of other students taunting him. Now that is the type of thing that can scar for life! There are a few other scenes where McCarthy's humiliation continues. He journeys to a trendy bar in Chicago and is made a fool of twice in front of the whole place. In a show of sympathy, a rich older woman feels sorry for him and takes him to a motel and nails him. In what has to be one of the biggest contrivances in movie history, that woman turns out to be Lowe's unbalanced alcoholic mother! They screw around for a few weekends before she finds out he goes to her son's school and then promptly runs out on him. (That would be a hell of a thing to learn!) The film's biggest laugh comes from the scene directly after that one. In it, McCarthy is sitting in the rain at a bus stop waiting for Lowe to show up and give him a lift back to school. He couldn't be any more depressed until Lowe comes screeching up to the stop; sending a tidal wave of rain water cascading over the dejected McCarthy! McCarthy is depressed for quite a while after being dumped, but he is still unaware that the woman of his dreams was his best friend's mother. In a truly uncomfortable scene at their home during the Xmas holiday, they meet again. The film gets way too serious from that point on.

The only laughs in the last half hour stem from the investigation of stolen SAT tests on the campus by a nerdy bureaucrat from the state attorney general's office. In one hilarious scene, the students think the officer is there to bust them for drugs. We see about a hundred young men scurrying to the bathroom to flush all of their joints, pills, and whatnot. One guy even tries to flush an entire pot plant that's about six feet high! Towards the end, things get really serious. Lowe finally finds out his mother and McCarthy are screwing around. He knows McCarthy illegally bought an SAT test. Will he turn him in? Will the boys get into Harvard? What will become of Lowe's parents? What will become of McCarthy's dog? If you care enough to find out, give this film a chance. If nothing else, it has some very early performances by some people who went on to greater things. It was McCarthy's debut. Alan Ruck, John Cusak, Virginia Madsen (nice boob shot, by the way!), and several other recognizable faces are present.

6 of 10 stars.

So sayeth the Hound.