Die Stadt und die Hunde

The film may have a low budget, a non-existent soundtrack and mediocre acting. Yet the story is so powerful -the movie is loyal to Vargas Llosa's classic novel-, so close to the truth and so well told, it is capable to kick you in the groin.

While I agree with many of the comments already made in terms of the low-to-medium quality of this film's production, its incredible story more than makes up for it.

I used this film in a course I taught twice on Masculinity in Latin American Literature -instead of reading the novel the movie adapts, because it allowed me to include more texts in less time. If you can, read the book, but beware: Vargas Llosa's are usually 500+ page novels.

The story ends up being a virtual textbook on male homosocial structures and systems. It spoke loud and clear to all my students on the key issues at play in relationships of power amongst males. All the guys could relate to the pressures of conformity the movie represents. But male and female alike saw the dichotomies and subtleties present in the strange ways in which young men socialize and force each other to fit into orthodox male culture, or else. Though the context is a bit extreme, a military academy is certainly a more restricted and anxiety-producing environment than the average school, it outlines all the roles and behaviors imposed upon young men by the culture at large -a male-oriented and dominated society.

Despite its limitations as a film, the story stands strong and true. Unfortunately, it remains contemporary in many ways. Not one student felt it was irrelevant; instead they found interesting the metaphoric use of "dog" to signify the barbaric qualities of the military/male systems represented. "Dog" is a cultural signifier they hear in popular US music a-plenty and its use in the film added a new dimension to their understanding of its meaning.

Vargas Llosa's semi-autobiographical tale of male isolation and survival is poignant and deep. I recommend it to anyone who is interested in themes related to the life of boys.

It´s the best movie directed by Francisco Lombardi . The relation of an adolescent called "The Poet" with a group of bad and fool teenagers that generally studying in a military school converts him like a hero when finally fights against the "gang " leader called Jaguar , discovering that he murdered his best friend called "The Slave" a passive and timid boy . This movie shows the most close realism of a peruvian and latin-american problem.

"La Ciudad Y Los Perros" (translated "The City and the Dogs") is one of those cheap Peruvian productions that ends up looking more like a teen exploit film than anything else. A group of teenage boys are at a shady military establishment where some youngsters rule while others are treated as second-rate citizens (that is putting it mildly). When a death occurs, layers and layers of wrong-doing are uncovered and it appears that many of the officers are just as heartless and cold as some of their students. A film that could have sent a real message is damaged by over-acting, poor cinematography, a near invisible musical score and low production values that make the whole thing go into a tail-spin. Honored by many groups in the mid-1980s, but nothing special in the end---not even for the Peruvian cinema. 2.5 out of 5 stars.

I liked the movie but if you read the Mario Vargas Llosa's novel it's even better. The movie is as good as La boca del lobo. The acting is good: Alberto, el Esclavo, Jaguar, and specially Gustavo Bueno as Teniente Gamboa. A classic of peruvian filmography.