Persönliche Auseinandersetzungen zweier jugendlicher Delinquenten aus Chicago: Mick hat auf der Flucht vor der Polizei den kleinen Bruder von Paco überfahren, Paco daraufhin dessen Freundin ... Alles lesenPersönliche Auseinandersetzungen zweier jugendlicher Delinquenten aus Chicago: Mick hat auf der Flucht vor der Polizei den kleinen Bruder von Paco überfahren, Paco daraufhin dessen Freundin J.C. vergewaltigt. Im Gefängnis stehen sich die beiden Todfeinde schliesslich gegenüber...Persönliche Auseinandersetzungen zweier jugendlicher Delinquenten aus Chicago: Mick hat auf der Flucht vor der Polizei den kleinen Bruder von Paco überfahren, Paco daraufhin dessen Freundin J.C. vergewaltigt. Im Gefängnis stehen sich die beiden Todfeinde schliesslich gegenüber...
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The movie worked not just because the acting was great, but because the story moved along at an exciting pace. It was suspenseful and was not overly cliché or pat. Overall, it was an unforgettable movie experience, a strong cautionary tale that still makes people think.
Many of the horrific images in this film will stay with you for a long time. There is a constant sense of fear and danger that lingers throughout the film and is highlighted by a terrific score by Bill Conti(Rocky, The Karate Kid). Penn gives one of his best performances here. A must see film.
Yes, its a pretty good premise, but too many detours are taken before the anticipated climax finally arrives. And many of them just don't make sense. First of all, there is no doubt that Penn's character is one tough punk. Yet he is just not physically imposing enough to be the "barn boss" as the toughest inmate is called. Yes, he whips the two punks who once held the title in a crafty manner, but there would no doubt have been many others waiting in line for that title. Another problem deals with Penn's escape attempt. After learning of his girlfriend's rape, he actually breaks out of the facility and somehow is able to make it all the way back to Chicago from the location several miles out in the country. Even if he were actually able to do this (which wouldn't be likely), notice how once he's captured and returned to the lockup, they don't even punish him!! Uh huh! I'm guessing the escape and brief rendezvous with the badly bruised girlfriend were meant to establish some sort of motivation for Penn wanting to kill Morales. But honestly, would this type of character need such motivation? Not likely. In addition, Penn is momentarily taken to the state prison for adults and warned that this is the path he is headed down if he screws up again. And apparently this is why he initially refuses to fight Morales when he first arrives at the facility. Penn just wants to do his remaining time and split. Again, not likely. A guy like this would not hesitate to accept a challenge from any man who violated his woman. Another problem deals with how Morales and Penn are left in the same cell block right up to the moment Morales is about to be transferred to another facility. Wouldn't it have been a better idea to keep the two sequestered from one another, even if it meant putting one of them in the hole for a while??? But then we couldn't have had our final fight then, could we? Oh, well.
There are a lot of good aspects of this film, too. The acting is outstanding, the casting is picture perfect, and the locations look authentic. The film is full of surprises, and a lot of them work. The Jewish whiz-kid who shares a cell with Penn steals every scene he's in. Look for a young Clancy Brown as the yard boss de-throned by Penn. Ally Sheedy gives a good performance, but she doesn't look like she belongs in that neighborhood! And I like the fact that the film doesn't try to make Penn or any of the others out to be misunderstood kids. They are all rotten to the core and deserve their punishment! Despite some flaws with the script, Bad Boys is still worth at least 7 of 10 stars.
The Hound.
But it was a part like Mick O'Brien, kid from the mean streets of Chicago that first attracted the movie going public to Sean Penn. Bad Boys is not your usual teen dream Brat Pack film. Penn's representative of some of the baddest of the bad from the Eighties.
Penn's a high school kid from Chicago, but the kind who only goes to school on occasion, maybe to get messages from his hoodlum friends. A heist he plans goes horribly wrong and the little brother of another tough kid, Esai Morales, is accidentally killed simply for being in the wrong place at the wrong time.
That last crime finally puts him in reform school and of course Morales winds up there as well. That's after raping Ally Sheedy who is Penn's girl friend. That sets up the final confrontation between them.
Bad Boys is one of a long line of films going back to Wild Boys Of The Road dealing with the juvenile delinquent problem and the incarceration thereof. It's interesting how rape is used as a weapon in two instances here and how it's thought of that way. Morales rapes Sheedy as a way of getting back at Penn and in the reformatory the two who run the cell block where Penn and later Morales is put, Robert Lee Rush and Clancy Brown, use it as a way of establishing their authority.
Brown who will tell you this is a method of enforcement belies his own gay nature with those muscle pictures in his cell. And O'Brien's cellmate, Eric Gurry is also a latent case, maybe more. His performance in many ways is the most interesting in the film. He's a nerdy kid who happens to be one unusual inmate for the place. He's been picked on and in retaliation bombed a bowling alley where his tormentors were hanging out. Not too many kids his age have the scientific knowledge to pull off that and what we see him do here.
Still the film builds up to the climax between Penn and Morales and Bad Boys does not disappoint in the end. Bad Boys might have some charter Brat Pack members in the cast, but John Hughes wouldn't be doing a project like this.
Wusstest du schon
- WissenswertesTo play youth thug Mick O'Brien, actor Sean Penn wanted to have his perfect teeth filed down and capped with ugly tops and have "maybe a few cracked ones" but Penn's mother, a dentist's daughter, intervened, ruling that "ruining perfectly good teeth is definitely going too far!"
- PatzerIn the final fight between O'Brien and Moreno, a secondary camera man and crew member are seen completely in frame amongst the inmates.
- Zitate
Viking Lofgren: Hey, lipshitz.
Horowitz: The name is Horowitz, asshole.
Viking Lofgren: Horowitz asshole?
Paco Moreno: I heard it was lipshitz.
Viking Lofgren: Yeah, and if your lip shits, what's your asshole doin'?
- Alternative VersionenThe original U.S. theatrical version ran 123 minutes. Most USA VHS and the first DVD release originally released by Artisan Entertainment released Feb 23, 1999 included a shortened, 104 minutes cut version. The Image Lasserdisc runs the full 123 minutes, as does the Anchor Bay VHS/DVD re-released on October 9, 2001 as well as the Lionsgate DVD from 2008 as well as the USA Blu-Ray from Feb 01, 2011 is uncut.
- VerbindungenFeatured in At the Movies: Movies That Changed the Movies (1984)
- SoundtracksToo Hot To Be Cool
Written by Allen Jones (uncredited), Anthony Taylor (uncredited), and Ebonee Webb (uncredited)
Performed by Ebonee Webb
Courtesy Capitol Records, Inc.
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Reformatorio
- Drehorte
- Joliet Prison - Collins Street, Joliet, Illinois, USA(Ramon takes O'Brien here after he breaks out of Rainford)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 9.190.819 $
- Eröffnungswochenende in den USA und in Kanada
- 2.171.197 $
- 27. März 1983
- Weltweiter Bruttoertrag
- 9.190.819 $
- Laufzeit
- 2 Std. 3 Min.(123 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1