Amityville 3

There must have been a law in the 1980's that stated that if you are to make a third film to a set of horror movies you must make them in 3-d as this was one of them, along with other such fine films as Jaws 3-D and Friday the 13th part III in 3-D. Sad to say, but I enjoyed all these movies even though I know in my heart of heart they were all bad movies. However, just because a movie is bad does not make it non-entertaining. Well at least to me it does not...perhaps to a more mainstream viewer, I admit I am a little more offbeat than most people to say the least. This story has a guy moving into the Amityville house for whatever reasons after he proves this one little group of people are fake psychics. Through a series of events though he begins to find out just how real the horrors are in the house that has had cast evil upon all those who lived there. I have to say the movie is not as graphic as the second movie, but it has a lot more to it than the first movie in the ways of scares and such and it has a nice conclusion too. Still the movie has to many 3-D moments too to be a really good movie. You know the scenes, pointless scenes where they aim something directly at the camera and such. Still, the movie runs at a fast clip and is entertaining to watch, plus you get to see a young Meg Ryan in one of her first roles.

Journalist moves himself and his family into the infamous Amityville house after a fake senace thinking all the rumors about the house are fake. Well....when his family starts to die and weird things begin to happen, he discovers that the house may be haunted after all. Horror film may have had some merit on the big screen in 3-D, but on video it comes off as slow paced, dull, and boring. Only point of interest is some early appearances by Lori Loughlin & Meg Ryan.

Surprisingly, this second sequel to the supposedly fact based thriller "The Amityville Horror" is a worthy installment in the otherwise wretched series of shockers. Richard Fleischer, a Hollywood veteran whose directorial credits include such diverse fare as "The Vikings" and "The Boston Strangler," brings a skill to the proceedings that were conspicuously absent from the original film, which was more notable for the laughably bad performances of James Brolin and Rod Steiger than it was for inducing chills. The performances in "Amityville 3-D," or "Amityville: the Demon" as it is known on television, didn't deserve Oscar consideration, but they are professional and, in the case of Candy Clark's suspicious photographer, almost inspired.

The movie opens in typical haunted house fashion: a seance is being held in the notorious Long Island house where, in earlier films, toilets backed up (shudder!), marching bands played in the dead of night (shudder again!), and a giant red-eyed pig named Jody roamed the premises and engaged in small talk with children (Babe in an early role?). The seance produces mysterious apparitions and odd noises, all of which are exposed by two of the participants--a reporter and his photographer-- as a hoax. The realtor denies any involvement in the souped-up spookiness and explains to the reporter (Tony Roberts on holiday from Woody Allen's repertory company) that the house's infamous reputation is such that he's willing to sell it at a bargain rate. Roberts, newly divorced and eager for a peaceful environment in which to write his great American novel, buys it, all the while ignoring the warnings of his less courageous colleague, the delightful Miss Clark.

Roberts, a stubborn type who sneers at the supernatural, moves in and continues his sneering even as anyone who sets foot in the house experiences terror and, ultimately, death. But, dumbo that he is, he continues to pooh-pooh any notions that the house is cursed.

Some talented performers are on view in this film, and if not for their admirable abilities to keep a straight face, the movie would be a lot funnier than it's supposed to be and sometimes is. Roberts is his usual non-plussed self, refusing to accept any supernatural explanations for the bizarre circumstances taking place around him.

The special-effects are adequate, but they do the trick, and probably worked better in 3D, which is the way the film was presented theatrically. The process is evident in the use of so many scenes in which hands are extended toward the camera and, in one scene, a frisbee is tossed directly at the audience.

"Amityville 3D" will never take its place beside the greats of the horror genre, but neither will its two predecessors. However, unlike those failed shockers, number 3 succeeds on its own modest terms, providing, amid the occasional unintended chuckle, a few moments of genuine suspense and a thrill or two. It's a satisfying spook show on the same level as the William Castle flicks of the late 50s and early 60s ("The Tingler," "House on Haunted Hill," et al).

Magazine writer John Baxter (Tony Roberts) and his partner Melanie (Candy Clark) expose a fake psychic racket operating in the Amityville house. Being recently divorced and needing a new house, John decides to buy the place. He gets a good deal in exchange for keeping the real estate agent, who knew about fake psychics, out of the story. John is a disbeliever and skeptic of supernatural phenomenon so he's not worried about the house's history. Once he moves in, of course, strange things start happening.

Amityville 3-D has a bad reputation and most of it is deserved. The plot is tiresome and the scares are often laughable. Still, I can't help but enjoy it on some guilty pleasure level. Tony Roberts is a stiff lead. He reminds me of a less charismatic Ron Perlman. Yet there's something fascinating about watching this guy work. Maybe it's the hair. Or maybe it's that he clearly believes he is above the material. Lori Loughlin makes her film debut as his daughter. She doesn't get a lot to do but she's good enough so that you wouldn't automatically assume this was her first movie. Meg Ryan (!) plays her friend in one of Meg's early film roles. I was a little worried after Amityville II that we'd get some inappropriate sexual action between Tony Roberts and Meg Ryan or, worse yet, Roberts and Lori Loughlin. But thankfully nobody has sex with Tony Roberts. The often awful Candy Clark rounds out the main cast. She's up to her usual scenery chewing so everybody grab a seat. The best performances would come from Tess Harper as the ex-wife and Robert Joy as a paranormal investigator.

Perhaps the most amusing change to the Amityville series here comes from the fact the "ghosts" can attack someone even if they are miles away from the house. It's silly but allows for some enjoyable shock scenes. Look, this isn't a great movie. It isn't even a good one, really. But it still entertains in a so-bad-it's-good way. If you're looking for something like that, awesome! Here you go. But if you want something you can seriously be scared by, look elsewhere.

At this point the true events that took place in the house are no longer relevant. This is an entirely different story concocted by the screenwriters and I must say it's the best work of fiction on film that involves the Amityville house.

The cinematography is great, the music, while not Schifrin, is still chilling, the acting is very very good. And there are some really scary moments in the film. The overall story I think engulfs the viewer. It's really interesting because the main character believes it's all a hoax, (much like a portion of the people do today) and he comes to find out that things in Amityville are much more unsettling than he thought they'd be.

The only thing (as with all 80's 3-D films) is that there are obvious things going on which were supposed to lurch out at the audience. It seems rather silly when the camera stays on a certain image for more than five seconds when it is no longer presented in it's 3-D image. It induces a chuckle when ever this happens, but it doesn't detract from the film itself.