American Nightmare

There is a serial killer on the loose murdering young women who all work at a downtown strip club. After the brother of one of the victims shows up to uncover the killer, a stripper joins forces with him to stop the American Nightmare.

American Nightmare is a hard to find gritty 80's slasher filmed in my hometown of Toronto in Canada. The film starts with a young prostitute being viciously murdered by an unknown assailant. We quickly meet her brother Eric who is trying to find out who killed her. Along his journey we meet a very likeable transvestite named Dolly and some of his friends who work at the nearby strip club, one of which is named Louise. Eric takes an instant liking to her and works with her to discover the identity of his sisters killer.

American Nightmare is so filthy of a slasher film, you'll need to take a shower afterwards. We get trashy nudity and a script which includes very homophobic dialogue at times. It definitely feels like the depths of low down Toronto in the 80's. The death scenes (mostly stabbings) are extremely realistic and not just because of the special effects and blood. There is a brutality to them which makes it feel very real. The identity of the killer was shocking to me and there was backstory told that felt a tad rushed and a little nonsensical. That was a weak point for me for sure.

The acting is nothing great in this one, mostly unknown Canadian actors. Most notably include scream queen Lenore Zann and well known actor Michael Ironside who have very small parts. For people who know Toronto, you'll see some very familiar filming locations such as the CN Tower, downtown Yonge Street, and some office buildings around the CNE/Exhibition Grounds.

I appreciate American Nightmare for what it is. A cheap Canadian slasher flick from the 1980's that has some extremely tense moments with the killer and their victims. It isn't a must see horror film, but I would watch it if you get the chance. It gets a 6/10 for me for it's chase scenes involving the killer and it's overall decaying/depressing atmosphere.

6/10

Most of the other reviews of this are pretty much spot on. This movie does have elements of the Italian giallo, but it is much more gritty and realistic than the garish and stylized gialli. It also resembles America slasher movies (many of which, like this movie, were actually Canadian tax shelter productions). It's not a TEEN slasher movie, however, with rutting adolescents being almost metaphorically bumped off by an unreal murderous "boogey man"; this is a more realistic movie, as much crime thriller as horror flick. It resembles gritty, urban films like "Maniac", "Nightmares in a Damaged Brain", or "The New York Ripper" but, for better or worse, doesn't quite attain that level of sordidness. It's more of a downbeat and sleazy but less harrowing film, like "Too Scared to Scream" or "Windows".

In a nod to "Hardcore" (as another reviewer noted) this movie is about a brother looking for his younger sister in the red light district of strippers and prostitutes. In a noirish touch the audience knows from the opening sequence that the sister is already dead, but the brother's search will bring him face-to-face with her killer, a vicious modern-day "Jack the Ripper" who is carving up wayward women with a straight razor.

A young Michael Ironside has a supporting role as police detective, and the murdered sister is played by a young Alexandra Paul. The latter has a long topless scene--and this might be the main reason this film is still sought out by anyone today. As for me though, I have a soft spot in my heart (or perhaps my brain-pan) for this kind of early 80's sleaze. If you feel the same way, you might want to check this one out.

I agree with the earlier "user comment" that described this film as a "Canadian Giallo." Having recently watched a number of Italian Giallos from the 1970s and 1960s, I find many of the characteristics of this film match up neatly with those of traditional giallos. (In particular, I can think of a number of similarities between this film and the giallo classic "Seven Blood-Stained Orchids.") For example, this film presents us with a murder mystery which really can't be called a "Whodunnit." Like many giallos, this movie has a gloved killer whose motivation for murder is revealed at the end. And as with many giallos, the police are largely ineffectual, so it is ultimately up to the protagonists to deal with the killer.

The acting is also pretty good for a low budget feature. In particular, Lora Staley, the female lead, turns in a very good performance as does Larry Aubrey, who plays a transvestite named Dolly. The male lead, Lawrence Day, is generally good though somewhat wooden in some scenes. The rest of the cast is, at least, competent.

The main negatives regarding this movie are a result of its low budget. Because of budget constraints, this movie was filmed in 16 mm format rather than 35 mm. The result is rather dull and dark looking images and rather washed out colors. Other users have complained that while there is much nudity in this film, it is not very erotic. I found most of the women in this movie to be very attractive, but the poor film quality simply does not do them justice. Aside from film quality, you also the common slasher film flaw of characters seeming to go out of their way to get themselves killed. In the case of this film, after becoming aware that the killer is targeting people within their group, characters continue to travel by themselves to areas where the killer has appeared previously and where -- surprise, surprise -- the killer tracks them down and kills them!

All things considered, the positives outweigh the negatives with respect to this film. It is easily worth a rental. For those who like to collect slasher/giallo flicks, it is a must-have to such a collection. For all others, it is worth buying if you can find it at a decent price.

While the 1981 slasher film AMERICAN NIGHTMARE is not a classic by any means, it stands out from most of its contemporaries. This is because it seems to be much more influenced by the Italian "giallo" films (mystery-thrillers featuring flashy gore sequences) than by the teen-oriented slasher films which were produced in great numbers in Canada and the United States during the late 1970s and early 1980s. If you're simply looking for dumb teens getting killed off by masked madmen, you should stay away from AMERICAN NIGHTMARE. The film's plot concerns musician Eric Blake (Lawrence Day), who is trying to find his runaway sister who has disappeared into the sleazy world of stripping and prostitution in Toronto. At the same time a slasher is on the loose, targeting those involved in Toronto's sex industry in a twisted scheme to rid the world of "moral degenerates."

This film was obviously made on a very low budget, and that limits its ability to look like a giallo. It is poorly filmed and dimly lit in most scenes. While the gore scenes are competently done, they lack the visual style that is the hallmark of the giallo. Simply stated, AMERICAN NIGHTMARE lacks the vivid colors and visual flair that are typically found in the best giallo films by directors such as Dario Argento and Lucio Fulci.

At the same time, AMERICAN NIGHTMARE is not worthless either. The film has a serious, grim tone, which I think is appropriate given the unpleasantness of the material. The acting is competently done. The low budget and on-location filming in Toronto also gives the film a gritty, realistic feel. Also, despite the fact that this film is extremely obscure, there are some notable cast members. Veteran character actor Michael Ironside, seen most recently in THE PERFECT STORM, portrays a detective investigating the murders in one of his earlier film roles. And oddly enough, this is the feature film debut of Alexandra Paul, who at barely age 18 appears nude in the film, in what surely is not one of her prouder moments.

This film is worth a look for fans of slasher films, but it must be noted that it is very hard to find. I believe the film is best viewed as a mild companion piece to Fulci's superior THE NEW YORK RIPPER.

** out of ****

The son of a powerful entrepreneur receives a post from his sister, pleading for him to rescue her from an unspecified danger. With only the letter's return address as a lead, he begins a dot-to-dot descent into the seedy urban underbelly, gathering bits of information from one sleazy miscreant after another.

Along the way, a good-natured stripper comes to his aid, and love blooms between the two. Meanwhile, hookers, exotic dancers, and various other reprobates are dropping dead, the victims of an unseen madman.

This is a better-than-expected film, one that joyfully wallows in the sleaze of its urban environs, but manages to rise slightly above the lowbrow caliber of gratuitous exploitation cinema. Fine performances and steady pacing catapult American NIGHTMARE above the average for films of its type, but the tawdriness of the subject matter at hand should keep the grindhouse crowd pleased, as well.

6/10...reccomended.