Des Lebens bittere Süße

As "chick" movies go, this is tops. The performances are very touching, giving life to many of the characters. Jenny Seagrove absolutely shines as Emma; with all the foolish mistakes she makes, you still root for her. Peter Chelsom gives a completely heartbreaking performance as the sheltered and confused Edwin. Liam Neeson, Gayle Honneycutt are convincing; and some of the voice dubbing (particularly the children seem to have "adult" voices) sounds very uneven. The costumes and settings are fabulous. After all, this is a made for TV mini-series, so given that limitation, this is quite outstanding! Blame the book for the anti-clamatic ending, not the film makers or actors. Watch the movie, then read the book to fill in the blanks. You'll agree, the movie is a really on-target adaptation for the most part.

"Woman of Substance" began as a hugely successful novel by Barbara Taylor Bradford and"successful" does not simply refer to its popularity. Bradford writes knowingly and convincingly about England's most difficult historical period: the 20th Century. Beginning in the then present of 1974,Bradford tells the story of Emma Harte, who begins life as a maid in the household of a local Yorkshire Squire in Edwardian times and end her life the mistress of a commercial empire worthy of Rockefeller. Not only do we see her triumphs, we see her errors and her failures etched in fine detail. Emma Harte is both noble and vengeful, bitter and loving; she is, in fact, one of the most complex characters of modern popular literature. One can dismiss Bradford's novel as "romance fiction" but it is not: Bradford presents a woman as complex as the Yorkshire she comes from.

The miniseries based on the novel captures it perfectly. Not only is Jenny Seagrove an outstanding Young Emma Harte, we see Deborah Kerr as the older Emma and a young Liam Neeson in a brilliant comic and dramatic performance as Emma's friend, Blackie. The movie shows us glimpses of such disparate history as the lives of British Jews and the development of the ready to wear industry, with outstanding performances by the supporting cast, including Diane Baker and John Mills. For any fan of sagas such as The Thornbirds or Rich Man, Poor Man, A Woman of Substance is a must see.

A Woman of Substance is an entertaining, typically British mini series, which tells the story of a young woman empowering herself through hard work and hatred against a high class family that have always been indifferent and bossy to her and her poor relatives. She rapidly grows into a powerful business woman who ruins the hated family to the very last crumb.

A biography must always find a fine line: how 'old' can the actors grow and when to substitute characters with new players? They've done a marvelous job with 'Blackie' Neeson; he really looks like an old man at the end of the series, although his mannerisms completely oppose his former, playful self. And it must be added: gluing a beard and silvering his hair makes the job a lot easier.

Miss Seagrove didn't make it into old age, she got replaced by (a first-rate) Deborah Kerr. In the main story Emmy ages some 40 years, but in her fifties she still looks like the teenage lass from the beginning of the story. Here, old-fashioned haircuts and clothes don't help; Seagrove just has too youthful a face The acting is of a reasonable level. Seagrove does a fine job, with the exception of some cheesy moments and the instances where she talks to her young children - as if she doesn't know how to talk to kids. Although this could also have been the director's fault. All in all, Seagrove is believable in her role, and she has one of the sweetest smiles I've ever seen...

The other dozen or so actors are okay but forgettable, except for two of them: Blackie, the happy-go-lucky everybody's friend and Gerald Fairley, Mr. Evil Impersonated; overacting has never been so effective!

After decades, I preserve the powerful impression, as child behind Iron Curtain, about it. At that time, it was a good support for motivation. A delightful occasion to discover the impeccable art of Jenny Seagrove, the elegance of Deborah Carr and a beautiful moral. Barbara Taylor Carter was an obscure name and , in that last years of communist regime, this film was just an opened window to a fairy tale world. Short, after decades, fascinating, yet.

The story follows the life of Emma Harte and her rise from a servant girl to the owner of a large empire of her own creation. The movie begins in the 1980's, but the bulk is Emma's recollection of her life from the age of 14 on (1900's-1940's.) Jenny Seagrove does a magnificent job portraying young Emma, and a young Liam Neeson plays the part of 'Blackie' wonderfully. This mini series matches the likes of 'The Thornbirds' and 'Pride and Prejudice' in it's acting and beautiful scenery, not to mention the story itself. Emma is a young woman of independence during a time when such a thing was a rarity. Definitely worth the 6 hours it will take you to watch it!