Die Dornenvögel

For anyone who has suffered through the slings and arrows of outrageous misfortune in love, this 1983 mini-series will touch their hearts like no other film or TV series ever made. The casting was perfect in every way to bring the story of the Australian Cleary family to life so vividly (Jean Simmons as the mother "Fee" won the Emmy Award that year; unfortunately Henry Mancini didn't for his gorgeous musical score, and he deserved to win!).

While the main thrust of this story and film appears on the surface to be the love of a Roman Catholic priest for a young girl whom he sees grow into adulthood, the underlying, truly poignant aspect of this story is about the long-term effects of what happens to children when mothers love one child more than another. This theme is the real heart tugger here. Meggie is an afterthought to her mother Fee until the very end of the story (Frank is her favorite child, even though he is troubled, because Frank was the love child of a pre-marital affair), and later on when Meggie becomes a mother Dane is her favorite child (also a product of a clandestine love), and her daughter Justine is the afterthought.

It is this basic lack of love that each child feels from his or her mother that determines the choices they make in life (i.e. Meggie choses to love someone who cannot commit to her, Justine choses to avoid love altogether and throw herself into acting to escape reality, Frank goes off and kills a man because he cannot deal with loving his mother too much, Ralph reveals his mother abandoned him early so he too inclines towards a non-committal type of love with Meggie and escapes through the church, etc.)

The pattern develops early and continues throughout the lives of the Clearys. That is why, to me, the most profoundly moving scenes in this entire series are right near the end: 1) when the old Fee has to tell Meggie that her son Dane has died, and she caresses Meggie's face for the first time in both their lives, and 2) the scene in the stable barn, between Meggie and Justine, as they confront the truth: that Meggie does love Justine, but Dane WAS the favorite child, for reasons beyond Justine's control. In hugging Fee and crying in grief, and in resolving her differences with Justine, Meggie finally finds the peace she needs in life; she is then able to let go of Ralph when the inevitable takes him from her for good.

My mother was given the box set DVD for Christmas, we sat down to watch it on Christmas day at about 8 o'clock, and didn't move until the early hours of the next morning. I simply couldn't drag my eyes away from the screen for one second. I became such an instant fan that as soon as I could I rushed off and bought the book, and before I knew it, I'd finished that as well! Towards the end of the film I felt myself identifying more with Justine, than I had done with Meggie the younger and elder throughout the film. Fate is always so cruel, how could Dane leave Meggie, and how could Justine desert her mother, and just how long did Fee live? That women seemed everlasting! Overall, I loved every second of it, and felt, as every women does, a very strong attraction to Richard Chamberline THROUGHOUT! I probably would've starved and gone without sleep if the book hadn't been prised away from my hands.

Barbara Stanwyck at her best; as with Richard Chamberlain Rachel Ward shows much promise as an actress in the future. A beautiful love story. A mini-series that should not be missed. Needs to be shown again, a much too long wait for this era.

This was one of the most beloved love stories, right up there with Gone With the Wind, Somewhere in Time, and The Way we Were...I remember there was talk once on making a sequel to The Way we Were, and I thought please don't. In my mind Hubel and Katie eventually reunited. Again, in my mind things turned out wonderful for the Cleary's. I remember the series when it came out, I was 12, I understood sacrifice, torture, love, betrayal, hate, undying love from this movie---I never get bored of seeing this again and again. The passion these two had for each other--the love Father Ralph showed to God--his tortured soul of loving both, but only committing to one kept me on the edge till the end.

Upon my initial viewings, this moved me. It is an emotionally charged drama of forbidden love, scandal and tragedy that teaches a very powerful lesson...that we, as a human race, are all doomed to destruction, each generation repeating the mistake of the one before (remember Rev. Jim Jones himself said "those who cannot remember history are doomed to repeat it").

This miniseries was the Australian outback's answer to "Gone With The Wind". Only this time it's Cardinal DeBricissart (Richard Chamberlin) that's the Scarlett O'Hara and Meggie Cleary (Rachel Ward) that's the Rhett Butler. And yes, it cries for a sequel that can never be made. And yes, not all love stories have happy endings.

And there are some sequences that do not depend on a music score, such as the touching climactic scene with Meggie and Justine in the barn.

But that's just what makes a miniseries a classic. This is not some cheap-skate adaptation of a best selling book...this is the way novels should be made.