V: Die außerirdischen Besucher kommen

I was reading a comment about this movie made by Lone Solo who states that "V" is a metaphoric SciFi film about nazi and Holocaust. While I agree with him I say that "V" is more than an allegory about this two topics. It is a SciFi miniseries that contains many social comments.

First, of course, Holocaust and nazi.

Second, it shows TV as a powerful tool to reach every single soul on our planet. It also shows how TV can manipulate and brainwash people. Notice that the arrival of the aliens as every single move they do on our planet is covered on TV.

Third, it shows that people can sell their souls even to the devil when they are compensated with expensive gifts. In other words, how materialistic people are.

Fourth, how rich and fortunate we are in having a planet with valuable natural sources as water. At one point, friendly alien tells earthling rebel Donovan "Your planet is rich. I envy you."

Without any doubt, "V" is a powerful SciFi movie that not only entertains (it does it a lot) but also makes us think about our conditions as human beings.

As an interesting note, we can enjoy of a pre-Freddy Krueger Robert Englund as a dumb but nice alien.

This is one of those rare epics that come only once in a blue moon. This is one of the best 'First Contact' genres ever made. No movie on the big screen so far - no, not Independence Day or even Close Encounters of the Third Kind (amongst my favorite films, I might add) have been able to give you the kind of goose pimples that watching 'V' gave me.

The ensemble cast with Marc Singer, Faye Grant, Jane Badler and others have done a fantastic job and Kenneth Johnson has done a superb job making this show. Not only is the storyline and plot very capturing, the characters in this really come to life and you actually get involved with them unlike many other shows. And this is even more amazing because there are SO MANY characters and each one of them has their own story which is depicted very well. I love the way the characters all start off in different settings and events and don't know each other, but gradually they come together.

The Nazi-esquire theme also works out well. The special effects for 1983 are cool enough to be used today and the lasagnas on 'V' are the absolutely coolest ones ever. Better than Star Trek 'phasers' or Star Wars 'blasters'. Not to mention the Mother Ships and the various classes of shuttles.

This is a good one and this is certainly something I am hoping they give more. Either a movie or a remake. There is supposed to be a 'V-The next generation' in the making. I can hardly wait!

First saw 20 years ago and its fascination to me then has not dimmed.

Skillfully told tale of alien contact - "we come in peace" but this soon changed as a deep and premeditated plot by the aliens to enslave/rape the Earth emerged. Obvious overtones common to any invader/oppressive regime in particular The Holocaust.

Strong storyline and characters that one really felt involved with/cared for.

Special effects (especially the at-times wobbly V shuttle craft) not state-of-the-art by today's standards but competently done and more than compensated for by the strength of the storyline.

Would recommend to people who don't particularly like sci-fi, because of the personal side of the story.

10 out of 10.

I was 5 years old when the series premiered on television. It was the biggest and to me, the greatest science fiction show ever made! More than 20 years have pasted, and still, to a degree, the show remains strong. Even though the special effects are now considered lame and at times funny, the show in itself was a giant milestone for network history. The Beastmaster, Marc Singer is the poster child for early 80's cool. Richard Hatch must have asked for too much money. You could not of had movies like Independence Day if V wasn't made. Today, video shelves have the original 3 hour mini series with a separate tape, "the final battle." The following year has not yet been made available for the public.

1983 was perhaps the peak year for the TV mini-series, with The Thorn Birds, The Winds of War and V all premiering to big ratings. V features a worldwide alien invasion, as huge, circular motherships arrive and take up stationary orbit all over the planet, directly over large cities. The media soon dubs them the "Visitors", and they appear human, although sensitive to the light and with strange voices. They seem to be benevolent at first, sharing medical and technological breakthroughs, while not asking for anything in return. But of course they are after something, and they will stop at nothing to get it, and soon they are disposing of enemies and setting up human collaboration units to weed out the "undesirables". A group of people soon set up an underground resistance, but can they hope to stop the seemingly superior alien invaders?

Marc Singer stars as a heroic war correspondent who is the first to learn of the aliens true nature, along with Faye Grant as a biologist, Jane Badler as an alien commander, Richard Herd, Andrew Prine, Leonardo Cimino as a Holocaust survivor who sees the writing on the wall, Evan Kim, Michael Wright, Bonnie Bartlett, Neva Patterson, Robert Englund as a friendly alien, and many more.

This was probably intended as a starting point for a series, but instead it led to another mini-series the following year, before finally a short-lived series (and a remake in 2009). It's derivative of a lot of things, namely the Arthur C. Clarke novel Childhood's End. It's also a very heavy-handed allegory of the Nazi occupations in Europe and the Holocaust; the alien symbol is even a variation on a swastika. The effects are decent, if dated at this point, and the script, by writer-director Kenneth Johnson, never really rises above average. But it's fun in a dopey, Saturday-morning serial way. At slightly over 3 hours, it's also a bit short as far as mini-series go.