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Ein Mann, der sich in jedes Tier verwandeln kann, bekämpft Verbrechen.Ein Mann, der sich in jedes Tier verwandeln kann, bekämpft Verbrechen.Ein Mann, der sich in jedes Tier verwandeln kann, bekämpft Verbrechen.
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In a day in age where little in the way of imagination can be found in most TV shows, the lord gave us Manimal about twenty years ago, and nobody watched it. And so the lord took Manimal away from us. Now we have no Manimal, and honestly, I don't see anything to fill the void left by the cancellation of probably the single most creative show ever. Oh, why can't we be given quality television programing and appreciate it as well. If these are fighting words, I will be at Jimmy's Pub and Grill on Market St. until six, bring it on Manimal-hater!!! PS-Please lord give us back Manimal on a two disc, complete series, DVD special edition. Please...
Is there, in the whole English language, a better word than "Manimal"? I think not. And should you be lucky enough to catch a glimpse of this show, you'll never be the same again.
Putting the "high" in "high concept," Glen Larson's crime-fighting shape-shifter was a man who could turn into ANY ANIMAL. Any animal at all. As long as that animal is a panther. OK, in a pinch, he can do a hawk, but can we stick with the panther please? It's not so much that special effects technology didn't exist in 1983, it's just that network TV could not afford them. Production costs were high for all that Manimalization, and when low ratings did not quickly morph into Neilsen success, Manimal was hastily euthanized.
Simon MacCorkindale does fine work as the Manimal, but to modern eyes this show plays more like an extended Saturday Night Live skit, when the promise of a man who can be any animal turns into the reality of a guy being swapped out for the same piece of stock panther transformation footage week after week. Still, I sincerely hope Manimal is reissued, because for all its faults, it's a priceless slice of ridiculous 80s fun.
Putting the "high" in "high concept," Glen Larson's crime-fighting shape-shifter was a man who could turn into ANY ANIMAL. Any animal at all. As long as that animal is a panther. OK, in a pinch, he can do a hawk, but can we stick with the panther please? It's not so much that special effects technology didn't exist in 1983, it's just that network TV could not afford them. Production costs were high for all that Manimalization, and when low ratings did not quickly morph into Neilsen success, Manimal was hastily euthanized.
Simon MacCorkindale does fine work as the Manimal, but to modern eyes this show plays more like an extended Saturday Night Live skit, when the promise of a man who can be any animal turns into the reality of a guy being swapped out for the same piece of stock panther transformation footage week after week. Still, I sincerely hope Manimal is reissued, because for all its faults, it's a priceless slice of ridiculous 80s fun.
Yeah Dave, I definitely agree with you. I was just watching something on TV and saw the guy from Manimal and had to do a search on it. Not many of my friends remember it so when I saw your post I had to reply. Manimal was a fantastic series and I think someone should petition for a remake, lol.
I used to love this show when I was a kid - I wish it lasted more than 8 episodes. The sci-fi tech was fantastic for that age. Anyone else agree?
Panther and hawk only?? Don't be silly. I think I got a jumpstart into puberty when he turned into a kitten and nuzzled up against some beautiful woman under her bathrobe.
Granted, it was no "Misfits of Science", but still, quality television all the way! (At least for a nine-year-old ...)
Granted, it was no "Misfits of Science", but still, quality television all the way! (At least for a nine-year-old ...)
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- WissenswertesWhenever the script called for an animal transition, the production designer, director, set decorator, stunt supervisor, animal wrangler and actor had to carefully coordinate every move. Shooting on a sound stage allowed more animal control; location shoots were very difficult. When one script required a cobra, the entire set's perimeter floor and walls had to be sealed to prevent the animal from escaping. A low wall was placed at the open end of the set to seal the stage. To set up filming action scenes with the snake, the camera crew had to lift their equipment into walled-off stage area. The snake wrangler supervised the animal's movements.
- PatzerA bit strange for a cop, Brooke had a purse seemingly "permanently fused" to her shoulder. Whenever she was running around after bad guys, her purse was inconveniently dangling at her shoulder. She kept her gun in her purse, contrary to other lady cops, who carried it in a holster.
- VerbindungenFeatured in NBC 75th Anniversary Special (2002)
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