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Everyone who has seen both versions will compare. Well, Charles Laughton and Tyrone Power in my opinion are better than Ralph Richardson and Beau Bridges. Charles Laughton simply is very funny. Tyrone Power performs a more shady character. But Diana Riggs is excellent, while Marlene Dietrich, much to my surprise and disappointment, is quite woody. The story in both versions are very alike. Though I haven't read the book, I assume they remain both quite close to it. So preference depends on the acting. I don't have one. I quite enjoyed both. The strength of the story is proved by the fact, that one can enjoy it even with knowing the real meaning of all the twists and turns.

While this TV remake of the classic 1957 Billy Wilder film can't hold a candle to the original, it's fun if taken on its own. It's well cast and has a beautiful period feel. And let's face it, any chance to see Diana Rigg is a welcome one!!

This is Dame Agatha at her best. I also have the 1957 original, but I gotta tell you this version is far better! Credit Diana Rigg for that, she steals the show and gives a towering performance.

The film starts when Janet is on her way back to the house(Wendy Hiller)She hears two people-she sees one of them-but can't see the other-it's a man. She goes upstairs-then she hears screams and crashing about. She goes down stairs to find a middle aged woman dead.

That's the set up. What follows is a series of plot twists. Leonard Vole(Beau Bridges) Is arrested for the crime and is brought to trial. The Barrister Sir Wilford Robarts(Ralph Richardson)is asked to take the case.

Is Leonard Vole Guilty? Be prepared for one of the most surprising endings in a mystery! It's shot in the arm from Agatha Christie! Oh, Agatha How could you?

In 1958 Billy Wilder made one of the best film adaptations of an Agatha Christie story when he directed WITNESS FOR THE PROSECUTION, with Charles Laughton, Marlene Dietrich, Tyrone Power, Elsa Lanchester, and Una O'Connor. It is one of those mystery films that, even when you understand the trick, does not fail to remain entertaining. But it has to be done in a certain way, with a sense of decorum and tradition (personified by Laughton as Sir Wilfred Robarts - brilliant defense barrister but guardian of England's precious laws and sense of justice). It is infectious. Even Power as the seemingly helpless Leonard Vole is desperately hoping that the system of justice will save him.

But along comes this version of 1982. One would have thought it could not fail with a star like Sir Ralph Richardson as Robarts and Diana Rigg as Christine Vole. But it does fail. Even with Dame Deborah Kerr as Nurse Plimsoll and Dame Wendy Hiller as Janet Mackenzie (the Una O'Connor role)it fails. Richardson is too laid back for Sir Wilfrid. When Rigg testifies against her husband, after having previously given him an alibi for the murder, Richardson almost seems to tease her about her behavior. In the same situation in the Wilder film, Laughton's justifiable anger at this turnabout leads to a peroration point where he shouts out that she is a perpetual liar. It was far more affective with Laughton, although Richardson was (traditionally) a greater actor.

Similarly, Tyrone Power's Leonard Vole was (as I said when reviewing the 1958 film version)playing Leonard for all the part is worth, and created the most sinister part he played after his best performance in NIGHTMARE ALLEY as Stanton Carlyle. The last ten minutes of the film show what a totally amoral and vicious louse Power's Vole really is. Beau Bridges was as laid back as Richardson, making the mistake of making Vole seem a nice guy. Vole can be helpless in the arms of the British judicial system or he can be a louse. He can't be a guy you want to take out for a fishing expedition.

I give this film a "6" - barely because the cast tried. Their ideas were wrong in Richardson and Bridges' interpretations.

This remake of the Laughton/Power/Dietrich film is quite enjoyable, owing to skillful casting, top production values, and, of course, Dame Christie's cracking good story. Sadly, the only liability is the performance of Sir Ralph Richardson (It's almost unspeakable to say this; I feel like Brutus plunging the knife into his Caesar). This was one of his last performances, and his immense skill simply cannot overcome his advanced age. (Granted, his character is supposed to be aged and ill, but Sir Ralph is unable to act intrigued and energized by his last case the way Laughton was in the original.) Still, his presence alone delivers barrels full of audience goodwill, and the piece is anchored by fine performances from Diana Rigg in the Dietrich role, Deborah Kerr in Elsa Lanchester's part (a fun bit of off-casting!) and by Beau Bridges, who stretches himself beyond his normal nice-guy blandness and convinces in the Ty Power role. A nice movie for a rainy afternoon or a boring holiday!