La traviata

A filmed version of Guiseppe Verdi's opera. It's about a love affair between beautiful Violetta Valery (Teresa Stratas) and Alfredo Germont (Placido Domingo). Their love for each other is torn apart by his father--but she still loves him. It all leads to a tragic end.

I saw this in a theatre back in 1982. They tried to play it like an opera. When I walked in the screen was covered by a red curtain (back in those days some of the older theaters still had curtains). As the lights went down the curtain parted and the film began. When the film ended, the curtains pulled back together and the lights came up. My audience applauded even after the lights were up. It gave the feeling of being at a live opera. That can't be recreated at your home but this film is still well worth seeing.

Director Franco Zeffirelli wisely did not film the opera as it is staged. He opened it up--this was set up for a film. Sequences take place outside and the inside sets are way too elaborate for an actual opera.

The costumes are beautiful and the sets are just stunning--full of color and light. Every moment of this picture is filled with beautiful imagery. It matches perfectly with the singing and the music which are just incredible. There's even a show-stopping matador dance half-way through! I've never seen the opera but I've heard this is very faithful and Stratas and Domingo have beautiful voices and also can act! The only negative here is that Domingo is way too old for his role...but that can be forgiven whenever he sings.

This was actually a sizable hit back in 1982. The same team got together a few years later and filmed "Othello". Surprisingly that was TERRIBLE and is a textbook example of how NOT to do an opera! But this one is just great and a must-see. I give it a 10.

Director Franco Zeffirelli brings Guiseppe Verdi's opera gloriously to the screen with a cast that includes Teresa Stratas, Placido Domingo, and Cornell MacNeil, as well as the Metropolitan Opera Orchestra and chorus, in this Oscar-nominated production. This might be a good one to move to next, after Bizet's Carmen, if you are trying to understand the musical form. ---from Musicals on the Silver Screen, American Library Association, 2013

This version of the famous tearjerker La Traviata was just wonderful from beginning to end. The cinematography was stunning, and just as luscious were the costumes and locations, especially the villa outside Paris. The music by Verdi is just superb, no wonder it is one of the most performed operas today, from the prelude of Act 1, Brindisi(which I am sure everybody knows even if they're not into opera), Sempre Libra, Di Provenza to the heart-rending ending and especially the Act 2 duet between Violetta and Germont, it is just delightful, and is bound to bring tears to people's eyes like it did to me. The plot, based on the book by Alexandre Dumas Junior, is not too complicated and easy to follow. The performances are astonishing. Placido Domingo, not only looks the part of Alfredo, but sang and acted a dream, easily up there with Alfredo Krauss, as one of the best tenors playing that particular character. Teresa Stratus was perfection as Violetta. I did worry that her performance was going to leave me cold, but her beautiful voice and outstanding acting ability equalled a real tearjerker of a performance, that was poignant and understated. Cornell MacNeill is not a name I am familiar with, but he certainly shone as Germont, with a fine baritone voice, and good stage presence. Overall, a perfect opera film, that is a real tearjerker. 10/10 Bethany Cox

Verdi outdid himself when he penned La Traviata. The cast of singers for this production is superb. The cinematography is appropriately both beautiful and colorful, particularly at the Villa outside Paris.

Stratas is excellent and poignant as Violetta. Domingo makes a most passionate Alfredo. Cornell MacNeil is a splendid Giorgio Germont. Alan Monk is a fine Baron. The cinematography is particularly fine.

All in all this is one of the finest productions of La Traviata ever.

I believe that I have it on both laser disc and DVD.

What glorious music! What Glorious singing! A story bigger than life. Production values that do justice to Verdi's opera. This is grand opera at its grandest. In a scale from 1 to 19, this is a 20.

Generally in opera, the singing is the thing. One puts up with elephantine singers, make believe props, bad acting, and other shortcomings to enjoy the music, and especially, the singing. In this film, none of this annoyances takes place. Teresa Stratas looks beautiful as Violeta should. She sings gloriously as Teresa should. Ditto with Placido Domingo. Unlike some opera singers, both of them can act. The sets are sumptuous, the lighting excellent, the cinematography nonpareil. The direction and editing propel the story without flagging for any moment. This film is as close to perfection as humans can achieve.